Format : Sheet music
Kantate Zum 2. Sonntag Nach Trinitatis. Par BACH JOHANN SEBASTIAN. Tonalité : d-Moll - Kubik, Reinhold (Arr. ) - BWV 2/ Répertoire / Solistes ATB, Choeur SATB, 2 Hautbois, (4 Trombone
SKU: CA.3100209
ISBN 9790007041335. Key: D minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther.
Bach composed the cantata O God, from heaven look on us BWV 2 for the 2nd Trinity Sunday 1724 as the second cantata of the annual cycle of chorale cantatas. It is based on Martin Luther's rewriting of Psalm 112. The opening movement is one of a group of cantata opening movements which are not concertante but kept entirely in the motet style, with the instruments serving only to reinforce the singers. The archaic character of this movement is heightened by the addition of a trombone quartet. The concertante style is all the more significant in the first aria for contralto, solo violin and continuo. The first secco recitative represents a special feature: two fragments of the chorale are woven as arioso into the recitative, both in text and melody; futhermore, they are also taken up canonically by the continuo. Score and parts available separately - see item CA.3100200.
SKU: CA.1804400
ISBN 9790007100179. Language: all languages.
SKU: CA.4018511
ISBN 9790007064303. Language: German/English. Text: Luther, Martin. Text: Martin Luther.
During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach's works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. Score and part available separately - see item CA.4018500.
SKU: CA.4018509
ISBN 9790007064297. Language: German/English. Text: Luther, Martin. Text: Martin Luther.
During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach's works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists. Score and parts available separately - see item CA.4018500.
SKU: CA.633100
ISBN 9790007012663. Language: German. Text: Luther, Martin.
SKU: CA.4018519
ISBN 9790007137847. Language: German/English. Text: Luther, Martin. Text: Martin Luther.
SKU: CA.146700
ISBN 9790007004187. Key: A phrygian. Language: German. Text: Luther, Martin.
SKU: CA.3100205
ISBN 9790007041311. Key: D minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther.
Bach composed the cantata O God, from heaven look on us BWV 2 for the 2nd Trinity Sunday 1724 as the second cantata of the annual cycle of chorale cantatas. It is based on Martin Luther's rewriting of Psalm 112. The opening movement is one of a group of cantata opening movements which are not concertante but kept entirely in the motet style, with the instruments serving only to reinforce the singers. The archaic character of this movement is heightened by the addition of a trombone quartet. The concertante style is all the more significant in the first aria for contralto, solo violin and continuo. The first secco recitative represents a special feature: two fragments of the chorale are woven as arioso into the recitative, both in text and melody; futhermore, they are also taken up canonically by the continuo. Score available separately - see item CA.3100200.
SKU: CA.4018500
ISBN 9790007064273. Language: German/English. Text: Luther, Martin. Text: Martin Luther.
During Mendelssohns years of study with Zelter, the arrangement of chorales already played an important role, and he continued to be occupied with the protestant chorale throughout his symphonic and oratorical work. The break Bach's works in connection with the reperformance of the St. Matthew Passion led to a series of cantatas based on well-known chorale melodies for choir, instruments, and sometimes also for soloists.
