Chamber Music Piano, Voice

SKU: PR.131410540

Voice and piano. Composed by Olive Dungan. Psalm 46. Romantic. Score. With Standard notation. 8 pages. Theodore Presser Company #131-41054. Published by Theodore Presser Company (PR.131410540).

ISBN 9781491112656. UPC: 680160022465. 9 x 12 inches. Key: C major. Text: Anonymous. Anonymous. Psalm 46.

12 Songs for Voice and Piano. By Thomas Pasatieri. Text: Anonymous; Christina Rossetti; Coventry Patmore; Emily Bronte; Herman Melville; P.B. Shelley; Robert Burns; Robert Herrick; Thomas Love Peacock; Thomas Moore; William Shakespeare. For voice, piano. Piano/Vocal Score. 36 pages. Duration 30:00. Published by Theodore Presser Company.

(In A Comfortable Range - 18 Vocal Solos with Piano Accompaniment (Audio CD Included)). By Franz Schubert Ludwig Van Beethoven. Edited by Leonard Van Camp and Leonard Van camp. Arranged by Leonard Van Camp and Leonard Van camp. For Low Voice, Piano. Piano. Piano/Vocal Score.

(174 Favorite Piano Pieces by 44 Composers). Composed by Various. For Piano Solo. Misc. 326 pages. Published by Hal Leonard

(Book with Online Audio Access Intermediate Level). By Various. Edited by Richard Walters. For Piano. Schirmer Performance Editions. Softcover Audio Online. 66 pages. Published by G. Schirmer

Voice & Piano

SKU: ST.LS19

Composed by Anonymous, Nicholas Lanier, Richard Alison, Thomas Campion, Thomas Giles, Thomas Lupo, Thomas Morley, Thomas Robinson, and Tobias Hume. Edited by David Greer. Vocal music. To the Lute, Bandora, Cittern and Lyra Viol. Edited by David Greer. No Lute Tablature is printed. Vocal score. Stainer & Bell Ltd. #LS19. Published by Stainer & Bell Ltd. (ST.LS19).

ISBN 9790220215209.

CONT ENTS

ALISON, Richard
O Lord, turn not away thy face (AATB or AAT)
When we sat in Babylon (AATB or AAT)

ANONYMOUS
But this, and then no more (C - C)
How can the tree but waste (B - B)
Sweet are the thoughts that savour of content (D - F)
Those eyes that set my fancy on a fire (A - B)

CAMPION, Thomas
More now with measur'd sound (Duet: D - E and G - A)
Now hath Flora robb'd her bow'rs (Duet: D - E and D - G)
Woo her and win her (F - E)

GILES, Thomas
Triumph now with joy and mirth (D - D)

HUME, Tobias
Cease, leaden slumber, dreaming (F sharp - F)
Fain would I change that note (D - G)
Soldier's Song: I sing the praise of honour'd wars (G - G)
Tobacco! Tobacco! Sing sweetly for tobacco! (D - F)
What greater grief (D - F)

LANIER, Nicholas
Bring away this sacred tree (D - F)

LUPO, Thomas
Shows and nightly revels (D - E flat)
Time that leads the fatal round (D - E)

MORLEY, Thomas
O grief! e'en on the bud (F - E flat)

ROBINSON, Thomas
Now, Cupid, look about thee (D - G).

44 All Time Classical Songs Arranged for Easy Piano. Arranged by Franco Concino. Masterworks; Piano - Easy Piano Collection. Classical; Masterwork Arrangement. Book. Alfred Music #99-MB397. Published by Alfred Music

Keyboard

SKU: ST.MB96

Composed by Various. Edited by Alan Brown. Library Volumes. Edited by Alan Brown. First published in 2014.. Pages: 240. Format: Hardback. Dimensions (mm): 330 x 254 x 26. Keyboard collection. Stainer & Bell Ltd. #MB96. Published by Stainer & Bell Ltd. (ST.MB96).

ISBN 9790220223853.

This volume is the first of two intended to extend the coverage of keyboard music in Musica Britannica comprehensively into the first quarter of the 17th century. (The other, MB102, includes material from the two virginal books in the Fitzwilliam Museum, Cambridge.) The present edition contains music by anonymous and a dozen or so named composers, including the complete keyboard works of Nicholas Carleton, the surviving twenty 'Miserere' canons by Thomas Woodson, and the anonymous 'Pretty ways for young beginners to look on'. The 77 complete pieces are organised by genre, including preludes, plainsong settings, voluntaries, dances and character pieces. Drawing on 22 manuscripts which mostly also transmit music by Byrd and other noted virginalists, this residue of music from these sources shows great diversity and a pleasing level of technical skill and musical interest, sufficient to enhance our wider view of English Renaissance music.