(study score). By Ferruccio Busoni (1866-1924). Edited by Antony Beaumont. For Piano, Orchestra and Men's Choir. Breitkopf Full Scores. Study score. 336 pages

Concert Band; Orchestra 3(3rd dPicc).2.2.2: 2.2.3.1: Timp.Perc(2-3): Str (9-8-7-6-5 in set): Solo Piano in the sc

SKU: AP.36-A263301

Composed by Franz Liszt. Arranged by Ferruccio Busoni. Chamber Orchestra; Performance Music Ensemble. Kalmus Orchestra Library. Form: Concerto. Romantic. Score. LudwigMasters Publications #36-A263301. Published by LudwigMasters Publications (AP.36-A263301).

UPC: 660355020445. English.

The idea for Totentanz, S. 126 (Dance of the Dead) was conceived by Franz Liszt (1811-1886) in 1938. Two versions were to follow, the first completed in 1853, and the second version finished in 1864. The flashy virtuosic piece for the solo piano uses the Gregorian plainchant melody Dies irae (Day of Judgement) in a set of variations. The first version, which is nicknamed De Profundis, is most commonly heard in the 1919 edition by famed Italian composer, pianist, and conductor Ferruccio Busoni (1866-1924). Instrumentation: 3(3rd dPicc).2.2.2: 2.2.3.1: Timp.Perc(2-3): Str (9-8-7-6-5 in set): Solo Piano in the sc.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Concert Band; Orchestra 3(3rd dPicc).2.2.2: 2.2.3.1: Timp.Perc(2-3): Str (9-8-7-6-5 in set): Solo Piano in the sc

SKU: AP.36-A263302

Composed by Franz Liszt. Arranged by Ferruccio Busoni. Chamber Orchestra; Performance Music Ensemble; Solo. Kalmus Orchestra Library. Form: Concerto. Romantic. Score and Part(s). LudwigMasters Publications #36-A263302. Published by LudwigMasters Publications (AP.36-A263302).

UPC: 746241287199. English.

The idea for Totentanz, S. 126 (Dance of the Dead) was conceived by Franz Liszt (1811-1886) in 1938. Two versions were to follow, the first completed in 1853, and the second version finished in 1864. The flashy virtuosic piece for the solo piano uses the Gregorian plainchant melody Dies irae (Day of Judgement) in a set of variations. The first version, which is nicknamed De Profundis, is most commonly heard in the 1919 edition by famed Italian composer, pianist, and conductor Ferruccio Busoni (1866-1924). Instrumentation: 3(3rd dPicc).2.2.2: 2.2.3.1: Timp.Perc(2-3): Str (9-8-7-6-5 in set): Solo Piano in the sc.

These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.

Score and Parts. Composed by Ferruccio Busoni (1866-1924). Arranged by Mark Rogers. Southern Music. Softcover. Southern Music Company #S953CB. Published by Southern Music Company

Orchestra (3.2.2.2/2.2.3.1,timp,per c,str,pf solo)

SKU: TM.00046SC

Composed by Franz Liszt. Edited by Ferruccio Busoni. Score. Lucks Music Library #A2633. Published by Lucks Music Library (TM.00046SC).

Transposed: hn 1&2, tpt 1&2, cl orig. in Bb; Solo/pf.

Orchestra (3.2.2.2/2.2.3.1,timp,per c,str,pf solo)

SKU: TM.00046SET

Composed by Franz Liszt. Edited by Ferruccio Busoni. Set Type: D. Set of parts. Lucks Music Library #A2633. Published by Lucks Music Library (TM.00046SET).

Transposed: hn 1&2, tpt 1&2, cl orig. in Bb; Solo/pf.

Basso (cello/double bass) (solo: pno(encluded in score) - str)

SKU: BR.OB-5160-26

Urtext. Composed by Ferruccio Busoni. Edited by Larry Sitsky. Stapled. Orchester-Bibliothek (Orchestral Library). Solo concerto; Early modern; Late-romantic. Part. 8 pages. Duration 20'. Breitkopf and Haertel #OB 5160-26. Published by Breitkopf and Haertel (BR.OB-5160-26).

ISBN 9790004329795. 9 x 12 inches.

Mit unserer Ausgabe des Concertos op. 17 ist erstmals dieses Jugendwerk Busonis zuganglich. Busoni schrieb das durchaus umfangreiche Werk mit 12 Jahren. Trotz der fruhen Entstehungszeit, die in einigen Schematismen ihre Spuren hinterlassen hat, zeigt sich schon hier die ausserordentliche Imaginationskraft des Komponisten, die sich in der individuellen Gestaltungsweise der musikalischen Form niederschlagt.Ungeklart ist die Frage, ob Busoni ein kammermusikalisches Werk intendierte oder eher an eine orchestrale Ausfuhrung dachte. Auch der Notentext lasst keine eindeutige Schlussfolgerung zu. Unsere Ausgabe ist daher sowohl als Klavierquintett (KM 2191) als auch als Orchestermaterial (PB/OB 5160) lieferbar.