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Description from Woodbrass :
Summit s digital New Oxford Oscillators offer subtractive, FM and wavetable synthesis, and feed into genuine analogue dual filters, distortion and VCAs. The multitimbral engine enables merging and combining of two complete and independent patches, while up to 16 simultaneous voices deliver enough harmonic depth for even the richest of pads. The best sounding synthesiser Novation has ever made Summit doubles the power of Peak s digital New Oxford Oscillators up to 16 voices and two parts, and adds a wealth of new features and a premium-quality five-octave keyboard. A synth much greater than the sum of its parts, it gives the serious producer or performer everything they need to design and play stunning basses, leads, arps, pads, effects and beyond. Totally tactile sound design Summit takes Peak s architecture and workflow to new heights, with a swathe of extra front panel controls for hands-on wrangling of FM, effects, LFOs and more; dual filters with six LP/HP/BP combinations; audio input for processing external sources with the onboard effects; and auxiliary audio outputs. Analogue where it matters The true stereo analogue signal path comprises dual analogue multimode filters, analogue VCAs and three stages of analogue distortion pre- and post-filter, and post-VCA. With roots in the legendary OSCar, via Bass Station II, Summit s analogue credentials are truly impressive. Specifications : Synth Engine - 16 note polyphony (dependent on voices used per note) - 2-part-timbral - Layered, Split, Dual Bi-Timbral Modes - 5 Voice Modes - Mono, MonoLG, Mono2, Poly, Poly2 Per Voice - 3 oscillators - 1 noise generator with HP filter control - 1 ring modulator - 2 LFOs - 1 amp envelope and 2 mod envelopes (ADHSR looping) - 1 filter Waveforms Include :Sine, tri, sawtooth, square / pulse, plus 43 wavetables of 5 waveforms per row Filter - 1 state variable OTA filter per voice - 12/24dB slope - Low-pass / band-pass / high-pass / dual filter (separation of each 12dB filters) - dual filter: LP > HP, LP > BP, HP > BP, LP HP, LP BP, HP BP, LP LP, BP BP, and HP HP - Pre-filter overdrive - Post-filter distortion Modulation - 16 modulation slots per patch - 2 sources per destination per slot
GUITAR & BASS
DRUM & PERCUSSION
PIANO & KEYBOARD
BRASS & WIND
VIOLIN & TRAD.
STUDIO
SOFTWARES
PA
LIGHTING
DJ
MICROPHONES
VIDEO
EFFECTS
FLIGHTCASES
CABLES
ACCESSORIES
KIDS
GIFT
