Matériel : Partition
SKU: BT.CMP-0915-05-010
English.
Youâ ™ve got to love it when Stephen Bulla goes Gospel! Your musicians surely will! The slow introductory section sets up the audience for a rousing good time when the band suddenly lets rip with hand-clapping up-tempo Gospel sounds. Rhythmic and filled with amazingly creative harmonic ideas, this superb arrangement takes O Come Emmanuel, Adeste Fidelis, and Handel’s Hallelujah Chorus places that you probably never imagined they could go. Conductors seeking high-quality new and entertaining literature for the Christmas concert have come to the right place. Definitely NOT the “same old†Christmas arrangement!Drie absolute kerstklassiekers in een gospeljasje: O Come Emmanuel, Adeste Fidelis (Komt allen tezamen) en het Hallelujah Chorus uit Händel’s Messiah. De langzame introductie bereidt het publiekvoor op wat komen gaat, waarna het orkest plotseling losbarst met uptempo gospelklanken. Levendige ritmes en creatieve harmonische ideeën maken dit een bijzonder en aanstekelijk arrangement voor uw eerstvolgende kerstconcert.Gro Ÿartige Effekte! Das Publikum wird nach einer ruhigen Einleitung ganz plötzlich von schnellen Gospelklängen geweckt und zum Mitklatschen animiert. Rhythmisch und voll kreativer harmonischer Ideen sind in diesem superben Arrangement die Lieder O Come Emmanuel, Adeste Fidelis (Herbei, o ihr Gläubigen) und Händels Hallelujah Chorus im Gospel-Stil zu erkennen. Unterhaltsame Weihnachtsmusik auf höchstem Niveau! Musique d’hier née des souffrances d’un peuple, le gospel s’est transformé au point de devenir une musique universelle pleine d’émotion et de joie. Stephen Bulla vous propose une version gospel des mélodies O Come Emmanuel, Adestes Fideles et du célèbre Halleluja extrait du Messie de Georg Friedrich Haendel. Entrez dans une nouvelle dimension musicale.
SKU: NR.110977
Mögen sich die Wege : irische Segenswünsche, 2003, Put your hand, 2004, We shall overcome G-dur, 2005, We shall overcome : Variationen, 2005, Bewahre uns Gott : Bolero de concert, 2006, Bewahre uns Gott : Choral-Skizzen, 2007, We shall overcome C-dur, 2009, Herr deine Liebe, 2009, Wenn das Brot das wir teilen : Is it blues, 2009, Wenn das Brot das wir teilen : Organ pop, 2009, We shall overcome : Jazz drive, 2010, Meine Zeit steht in deinen Händen : Pop-Ballade,, 2010, Michael rows the boat ashore : Spiritual, 2010, Meine Hoffnung, 2010, Ins Wasser : Skizze, 2010, Wo Menschen sich vergessen : Improvisations-, Skizze, 2010, Mögen sich die Wege : irische Segenswünsche, 2010, Der Himmel geht über allen auf, 2011, Wenn das Brot das wir teilen : Imrpvisations-, Skizze, 2011, Go tell it on the mountains : Swing fever, 2012, Nobody knows, 2012, Somebody's knocking at your door, 2012, My Lord what a morning : negro spiritual, 2012, Roll Jordan roll, 2012, Deep river, 2012, Standing in the need for prayer, 2012, Ins Wasser fällt ein Stein, 2012, Rock my soul : Paul Gerhardt meets Glenn, Miller, 2012.
SKU: SU.YR4S11
Text by R.W. Emerson, adapted from Self RelianceSATB & piano Composed: 2005 Published by: Yelton Rhodes Music Minimum order quantity: 8 copies. To order quantities fewer than 8, please email customer service at sales@subitomusic.com.
SKU: LP.MU-9198T
UPC: 765762005327.
Split -channel accompaniment CD can be used for both rehearsal and performance. Each contains the instrumental accompaniment on one channel, vocals on the other. For performance purposes, only the accompaniment channel is normally used. Includes multiple r.
SKU: BT.1267-05-140-MS
9x12 inches. English-German-French-Dut ch.
Ray Charles (1930-2004) was a multitalented and pioneering American pianist and soul singer who became very popular in the late fifties, and remained respected for his music in the decades that followed. By incorporating gospel, jazz, blues, and big band elements, he helped shape the sound of rhythm and blues, and brought a soulful sound to everything from country music to pop standards. Ray Charles embodied the American dream, starting out a poor, blind boy from the southern United States and becoming an international music phenomenon; his nickname was “the Genius†for a good reasonIn this arrangement for concert band, Peter Kleine Schaars presents five of the songs thatcontributed to Ray Charles’ fame: I Can’t Stop Loving You, Hit the Road Jack, Georgia on My Mind, Hallelujah I Love Her So, and Unchain My Heart. Ray Charles (1930-2004) was een vernieuwend Amerikaans pianist en soulzanger die populair werd in de jaren vijftig en geliefd bleef in de decennia die volgden. Hij gaf mede vorm aan de sound van de rhythm & blues en hij gaf een soulachtigeklank aan alle muziek van country tot aan popstandards - waarin hij gospel, jazz, blues en bigband-elementen verwerkte. Dit arrangement bevat vijf van de songs die bijdroegen aan de roem van Ray Charles: I Can’t StopLoving You, Hit the Road Jack, Georgia on My Mind, Hallelujah I Love Her So en Unchain My Heart.Ray Charles, dem Hollywood jüngst mit einer Oscar preisgekrönten Filmproduktion huldigte, ist die Verkörperung des amerikanischen Traums: Vom armen, blinden Jungen aus den Südstaaten wurde er zum internationalen musikalischen Phänomen; seinen Spitznamen Genie trug er völlig zu Recht. In dieser Bearbeitung für Blasorchester präsentiert Peter Kleine Schaars fünf der Lieder, die zu Ray Charles' Ruhm beitrugen. RRay Charles (1930-2004) était un pianiste et un chanteur de soul américain l’esprit novateur et aux multiples talents. Il connut le succès dès la fin des années 1950 et son immense notoriété ne le quittera plus. En intégrant dans son jeu des éléments venus du gospel, du jazz, du blues et du big band, il a contribué la naissance et au développement du rhythm and blues et apporté une sonorité pleine de sensibilité tous les styles musicaux, de la musique country aux grands classiques de la musique pop. Ray Charles incarnait le rêve américain : musicien noir, aveugle, issu du milieu défavorisé du Sud des États-Unis, il accède au statut de phénomène musical dans le mondeentier. On ne l’a pas surnommé “the Genius†par hasard. Dans cet arrangement pour Orchestre d’Harmonie, Peter Kleine Schaars a rassemblé cinq titres emblématiques de Ray Charles : I Can’t Stop Loving You, Hit the Road Jack, Georgia on My Mind, Hallelujah I Love Her So et Unchain My Heart. Ray Charles è un vero mito: cinque decenni di successi, una carriera eccezionale ricca di decine di successi che hanno fatto il giro del mondo diventando fonte di ispirazione per intere generazioni di giovani artisti. Soprannominato “The Geniusâ€, questo pioniere del R&B e della soul music, cieco dall’et di sette anni, ha composto alcune delle canzoni memorabili della musica nera americana tra cui I Can’t Stop Loving You, Hit the Road Jack, Georgia on My Mind, Hallelujah I Love Her so e Unchain My Heart.
SKU: BT.1267-05-010-MS
Ray Charles (1930-2004) was a multitalented and pioneering American pianist and soul singer who became very popular in the late fifties, and remained respected for his music in the decades that followed. By incorporating gospel, jazz, blues, and big band elements, he helped shape the sound of rhythm and blues, and brought a soulful sound to everything from country music to pop standards. Ray Charles embodied the American dream, starting out a poor, blind boy from the southern United States and becoming an international music phenomenon; his nickname was “the Genius†for a good reasonIn this arrangement for concert band, Peter Kleine Schaars presents five of the songs thatcontributed to Ray Charles’ fame: I Can’t Stop Loving You, Hit the Road Jack, Georgia on My Mind, Hallelujah I Love Her So, and Unchain My Heart. Ray Charles (1930-2004) was een vernieuwend Amerikaans pianist en soulzanger die populair werd in de jaren vijftig en geliefd bleef in de decennia die volgden. Hij gaf mede vorm aan de sound van de rhythm & blues en hij gaf een soulachtigeklank aan alle muziek van country tot aan popstandards - waarin hij gospel, jazz, blues en bigband-elementen verwerkte. Dit arrangement bevat vijf van de songs die bijdroegen aan de roem van Ray Charles: I Can’t StopLoving You, Hit the Road Jack, Georgia on My Mind, Hallelujah I Love Her So en Unchain My Heart.In den fünfziger Jahren erlangte der Pianist und Soulsänger Ray Charles große, bis heute ungebrochene Popularität. In dieser Bearbeitung für Blasorchester präsentiert Peter Kleine Schaars fünf der Lieder, die wesentlich zu Ray Charles’ Ruhm beitrugen und auch heute noch ein hoch ansteckendes Soul-Fieber unter Musikern und Zuhörern auslösen können. Ray Charles (1930-2004) était un pianiste et un chanteur de soul américain l’esprit novateur et aux multiples talents. Il connut le succès dès la fin des années 1950 et son immense notoriété ne le quittera plus. En intégrant dans son jeu des éléments venus du gospel, du jazz, du blues et du big band, il a contribué la naissance et au développement du rhythm and blues et apporté une sonorité pleine de sensibilité tous les styles musicaux, de la musique country aux grands classiques de la musique pop. Ray Charles incarnait le rêve américain : musicien noir, aveugle, issu du milieu défavorisé du Sud des États-Unis, il accède au statut de phénomène musical dans le mondeentier. On ne l’a pas surnommé “the Genius†par hasard. Dans cet arrangement pour Orchestre d’Harmonie, Peter Kleine Schaars a rassemblé cinq titres emblématiques de Ray Charles : I Can’t Stop Loving You, Hit the Road Jack, Georgia on My Mind, Hallelujah I Love Her So et Unchain My Heart. Ray Charles è un vero mito: cinque decenni di successi, una carriera eccezionale ricca di decine di successi che hanno fatto il giro del mondo diventando fonte di ispirazione per intere generazioni di giovani artisti. Soprannominato “The Geniusâ€, questo pioniere del R&B e della soul music, cieco dall’et di sette anni, ha composto alcune delle canzoni memorabili della musica nera americana tra cui I Can’t Stop Loving You, Hit the Road Jack, Georgia on My Mind, Hallelujah I Love Her so e Unchain My Heart.
SKU: JK.02005
As performed by the BYU Singers. Daniel Carter has skillfully brought this Christmas classic into a stunning a cappella setting. Optional rehearsal accompaniment is included in the sheet music.Compose r: Dan L. CarterLyricist: Dan L. CarterDifficulty: Medium / medium acc.Performance Time: approx. 3:40a cappella.
SKU: XC.SATB2005
UPC: 812598034882. 6.8 x 10.5 inches.
This arrangement, written for the inauguration of the 15th president of Rollins College is sure to wow any audience. Using a traditional choral style throughout, one verse is dedicated to a more contemporary/gospel feel, making this a fun and diverse selection for any program. This would work great as a closer to any concert program.
SKU: JK.01725
John 8:32, Doctrine and Covenants 50:24-25.
Power ful choral anthem by Donald Ripplinger with a familiar melody from Beethoven, arranged for four-part men's choir (or SATB) and accompaniment, as performed in the 2005 October General Priesthood Session with boy sopranos and altos.Composer: Ludwig Van Beethoven Arranger: Donald Ripplinger Lyricist: Alan L. Jones, G. Manwaring, and J. Clave Difficulty: Medium Performance time: 3:12Reference: John 8:32, Doctrine and Covenants 50:24-25.
SKU: BT.EMBZ14486
Latin.
The 20th-century Hungarian composer wrote the series entitled Parasceve ('Preparation for the celebration') to texts from the gospels of St. Matthew and St. John in 1933 to mark the 1900th anniversary of the death of Jesus Christ. The most frequently heard, best-known piece in this motet series for mixed choir is Eli! Eli!, composed to the words of Christ's suffering on the cross ('My God, my God, why hast thou forsaken me?'). Der ungarische Komponist des 20. Jahrhunderts schrieb seinen Zyklus Parasceve (‚Vorbereitung auf das Fest') im Jahre 1933, zum 1900. Todestag Jesu Christi nach Texten aus dem Matthäus- und Johannesevangelium. Das bekannteste und am häufigste zu hörende Stück dieses Motettenzyklus für gemischten Chor ist Eli! Eli! welches nach den Worten des am Kreuz leidenden Christus (‚Mein Gott, mein Gott, warum hast du mich verlassen') komponiert wurde.
SKU: CA.2102005
ISBN 9790007128623. Language: Latin.
Marc-Antoine Charpentier not only originated the Eurovision Melody, rather he also made an important contribution to French sacred music from the baroque with his oratorios, motets and cantatas. The four cantatas for the season of Christmas (CV 21.019-21.022) are now published in first editions. The Latin texts of these works for Christmas, the New Year, Epiphany, and the Purification are based on the accounts of the Gospels, which are paraphrased in the form of poetic texts. As in Charpentier's extensive Histoires sacrees, the musical structure is oratorical, with a part for the evangelist and texts spoken directly by biblical personages and groups of people (angels, Herodes, shepherds, wise men). In each work the vocal scoring includes two sopranos and a bass (those passages where a number of voices sing together can be performed either by soloists or by a choir). With this uniform scoring it would be meaningful to perform these works as a cycle, in the manner of a small Christmas oratorio. Score available separately - see item CA.2102000.
