Matériel : PartitionLangue : Français
La référence MRB1403 de l'éditeur Billaudot dont l'auteur célèbre est Wagner Richard, qui a pour titre SOLO DE TRISTAN, a été écrite et composée pour Hautbois et plus particulièrement pour Cor Anglais. Cette partition musicale appartient à la catégorie Classique. / Cor Anglais / Partition
SKU: FA.MFCD007PN
8.27 x 11.69 inches.
Debussy's friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907 Mourey offered Debussy a libretto based on Le roman de Tristan - Joseph Bedier's adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Thomas - which had recently been published in Paris. Debussy enthusiastically outlined the four-act plot to Victor Segalen that October, and the main differences from Wagner's Tristan und Isolde are that none of the action takes place in Cornwall and that Isolde of the White Hands is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays him when he goes mad at the end.The idea of a Tristan that restored its 'legendary character' and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan's death. Even if he thought that Mourey's poetry was 'not very lyrical and many passages do not exactly invite music', he did work on the libretto and the music that summer and sent his publisher, Jacques Durand, 'one of the 363 themes for the Roman de Tristan' in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong Le Faucon. After a short atmospheric introduction, Debussy's dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches its ecstatic climax, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy's opening, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated affair.Unfortunat ely, Mourey's actual libretto has been lost and the project eventually foundered because Bedier's cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrighted for the stage, and would not allow him to proceed with Mourey's version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!
SKU: HL.50333080
ISBN 9780793508723. UPC: 073999330809. 9x12 inches. Stacy/Thomas.
Conte nts: Adagio (Mozart) � Gymnopedie No. 2 (Satie) � Intermezzo (Granados) � Theme from New World Symphony (Dvorák) � Notturno (Borodin) � Sicilienne (Fauré) � Sonata (Marcello) � Sonata (Telemann) � The Swan (Le Cygne) � The Swan of Tuonela (Sibelius) � Tristan and Isolde Theme (Wagner) � When I Am Laid in Earth (Purcell) � Where E'er You Walk (Handel).
SKU: BT.EMBZ8526
German.
Zoltá n Kocsis (1952-2016) left a lasting mark not only as a phenomenal pianist, but as a musical polymath: his genius combined the composer, conductor, editor, instrumentalist, and orchestrator. With his transcriptions he enriched the symphonic, chamber, song, and piano repertoires with a hundred and fifty works.This publication contains a transcription by Kocsis of the prelude to Wagner's Tristan und Isolde. In 1982 the work was recorded played by Kocsis, and today we regularly find it in pianists' programmes. This publication is printed on high quality, durable paper made from renewable raw materials in an environmentally friendly way.
SKU: HL.50562254
6.75x10.5 inches.
SKU: HL.49006874
ISBN 9790001073738. UPC: 073999664942. 9.0x12.0x0.222 inches.
SKU: M7.AHW-3008
English.
Eine einmalige und informative Stilstudie von 24 der einflussreichsten Pianisten der Jazzgeschichte.A comprehensive approach to keyboard improvisation.Both a continuation of the study of styles in Volume 3 and a representation of these style as developed by 24 of the most influential soloists ever, including Jelly Roll Morton, Earl Hines, Art Tatum, Monk, Cecil Taylor, Oscar Peterson, Chick Corea, and Keith Jarrett.
SKU: AP.1-ADV20071
UPC: 805095200713. English.
The Evolution of Solo Jazz Piano is a study of solo piano styles developed by 24 of the most influential solo pianists from 1900 to the present. In order to clearly illustrate the specific contributions of the various pianists, Bill Dobbins composed a theme based on the well-known standard All of Me. By applying the stylistic approaches of the different pianists to the same theme, one becomes aware of the subtle yet evocative elements of each individual style. Common elements between Waller, Ellington, Tatum, Monk and Rowles, Tatum, Hines and Wilson, Smith and Ellington, Corea and Beirach etc., should make it clear that musical individuality is largely the result of the subconscious emphasis of some musical elements over others, rather than the self-conscious cultivation of originality for its own sake. We sincerely hope that this DVD may serve as a stimulus toward the further study of the solo jazz piano tradition in particular and for creative music in general. Titles: Part 1: Traditional Styles Scott Joplin * Jelly Roll Morton * James P. Johnson * Willie The Lion Smith * Earl Fatha Hines * Thomas Fats Waller * Teddy Wilson * Duke Ellington * Art Tatum * Meade Lux Lewis * Pete Johnson * Jimmy Yancey * Part 2: Modern Styles Thelonious Monk * Bud Powell * Oscar Peterson * Erroll Garner * Lennie Tristano * Bill Evans * Clare Fischer * Jimmy Rowles * Cecil Taylor * Chick Corea * Keith Jarrett * Richie Beirach.
SKU: AP.1-ADV20072
UPC: 805095200720. German.
Die Evolution des Solo Jazz Pianos ist eine Studie über 24 der einflussreichsten Solo Jazz Piano Stile, von 1900 bis heute. Um die spezifischen Beiträge der einzelnen Pianisten deutlich zu veranschaulichen, komponierte Bill Dobbins ein Thema, das auf der Akkordfolge des bekannten Standards All of Me basiert. Durch die Übertragung der stilistischen Eigenheiten auf ein und dasselbe Thema ist es möglich, die subtilen aber trotzdem einprägsamen Elemente jedes Stiles klar zu erkennen. Gemeinsamkeiten zwischen Waller, Ellington, Tatum, Monk und Rowles, Tatum, Hines und Wilson, Smith und Ellington, Corea und Beirach etc. veranschaulichen, dass musikalische Individualität größtenteils das Ergebnis unbewusster Bevorzugung bestimmter musikalischer Elemente ist, und nicht die Kultivierung der Originalität um ihrer selbst willen. Wir hoffen aufrichtig, daß diese DVD das Interesse am Solo Jazz Piano aber auch an kreativer Musik im allgemeinen anregt. LEHR-Programm gemäß § 14 JuSchGTitles: Teil 1: Traditionelle Stile Scott Joplin * Jelly Roll Morton * James P. Johnson * Willie The Lion Smith * Earl Fatha Hines * Thomas Fats Waller * Teddy Wilson * Duke Ellington * Art Tatum * Meade Lux Lewis * Pete Johnson * Jimmy Yancey * Teil 2: Moderne Stile Thelonious Monk * Bud Powell * Oscar Peterson * Erroll Garner * Lennie Tristano * Bill Evans * Clare Fischer * Jimmy Rowles * Cecil Taylor * Chick Corea * Keith Jarrett * Richie Beirach.
SKU: BR.CHB-138-02
Richard Wagner wrote Tristan and Isolde in the years 1857 to 1859. The first edition was published by Breitkopf & Hartel in Leipzig in 1860. The world premiere took place in the Konigliches Hof- und National-Theater in Munich on 10 June 1865 u. Opera; Music theatre; Romantic. Choral score. 8 pages. Breitkopf and Haertel #ChB 138-02. Published by Breitkopf and Haertel (BR.CHB-138-02).
ISBN 9790004400791. 6 x 8.5 inches.
Translation s: engl. (H. und F. Comer), french (A. Ernst/P. Bruck) Place: Tristan's ship, King Mark's castle in Cornwall, Tristan's castle Characters: Tristan (tenor) - King Mark (bass) - Isolde (soprano) - Kurwenal (baritone) - Melot (tenor) - Brangane (mezzo-soprano) - Shephard (tenor) - Mate (baritone) - Voice of a young sailor (tenor)In 1856 pressing financial obligations forced Wagner to interrupt the composition of the Ring to work on Tristan und Isolde. He initially planned a work that was modest in its production and performance demands. The project was also given priority not least because of the prospect of the royalties which he would then receive. He once again turned to Breitkopf & Hartel for the performance material: 'Tristan und Isolde' is scheduled to be given its first performance at the end of this year. I still hope that it will take place in Karlsruhe under my guidance. Due to the celebrity that I have now acquired, I assume that a new and easily performable work of mine should be able to spread very quickly across the German stages in its first winter season. Wagner was wrong. although the publisher had spent a great deal of time and money in producing preliminary material, Wagner wrote to Breitkopf & Hartel from Munich in November 1864: The squalor of Germany's opera singers and the vile condition of its opera houses have so far dissuaded me from allowing a performance of 'Tristan und Isolde'. What I needed was an impassioned young monarch to restore my courage. Next spring you will hear about the work's premiere in Munich, and you will then hopefully become more confident about this publication.Richa rd Wagner wrote Tristan and Isolde in the years 1857 to 1859. The first edition was published by Breitkopf & Hartel in Leipzig in 1860. The world premiere took place in the Konigliches Hof- und National-Theater in Munich on 10 June 1865 under the direction of Hans von Bulow.
SKU: HL.14032529
The Double Concerto was commissioned by the BBC for the BBC Philharmonic Orchestra to perform at the International Cello Festival in Manchester on 30 April 1992, with soloists Ralph Kirshbaum and Gregor Horsch, and conductor Raymond Leppard.
SKU: HL.14032526
8.25x11.75x0.055 inches.
Tristan Keuris was an award-winning Dutch composer of the 20th century. His Canzone was originally composed for the Tromp Benelux Music Competition in 1990, so is replete with technical challenge. It was originally written for clarinet and has here been scored for Alto Saxophone by Raaf Hekkema.Hekkema is an internationally celebrated Saxophonist who is best known, perhaps, for scoring and recording Paganini's Caprices for Saxophone solo.
SKU: M7.DOHR-13824
ISBN 9790202028247.
Das Klangideal Richard Wagners zeichnet sich - seit der Tristan-Komposition - dadurch aus, dass sich die einzelnen Instrumente mitunter ihrer Identifizierung entziehen. Um dieses Klangideal einer verdeckten Instrumentation und eines erweiterten Farbspektrums zu realisieren, sei es dem Dirigenten frei gestellt, den vorliegenden Satz durch partiellen Einsatz von Dämpfern oder durch Wechsel von Soli- und Tutti-Partien klanglich noch weiter zu differenzieren. Die dem Leistungsspektrum der Orchesterinstrumente geschuldeten sublimen dynamischen Abstufungen - für Blechblasinstrumente mitunter anspruchsvoll - sind in der Transkription als relative Werte im Kontext einer Gesamtinterpretation zu verstehen. (Reiner Nägele).
SKU: CF.PL1072
ISBN 9781491160244. UPC: 680160918836.
An Anthology of Piano Music for the Left Hand Alone marks a rare and significant entry to the piano literature as one of the only collections of the oft-neglected left-hand piano repertoire. Serious literature for the left hand alone has a long and storied past. Contained within this volume, the serious advanced pianist will find a wealth of artistically satisfying repertoire for the left hand that will not only strengthen the technical development of the left hand, but also make for impressive showpieces on the recital stage.This volume includes hitherto unpublished gems like Earl Wild's Etude No. 3 for the Left Hand Alone (Based on Gershwin’s The Man I Love) and Ruth Wylie's Soliloquy for Piano, Left Hand, Op. 23, as well as established classics of the repertoire like Godowky's Chopin arrangements, and even modern and contemporary additions like Bartok’s Etude for the Left Hand and Corigliano's Etude No. 1 for the Left Hand Alone.
