Vivaldi Antonio - L'estro Armonico Op. 3/10 Rv 580 / Pv 97 - 4 Violins, Strings And Basso Continuo

The Essential Collection continues with a folio of the greatest works by Antonio Vivaldi. The pieces include his celebrated Violin Concertos and, of course, movements from the Four Seasons, all arranged as Piano solos for you to learn and enjoy. / Classique / Partition /

aus 'LEstro armonico' op. 3. Par VIVALDI ANTONIO. L'Estro Armonico Op. 3 or 'Harmonic Invention' is a collection of 12 concertos published in 1712 and dedicated to Ferdinand III. The music quickly became well-known throughout Europe and helped establish Vivaldi 's reputation./ Répertoire / Violon, Instruments à Cordes et Basse Continue

aus 'LEstro armonico' op. 3. Par VIVALDI ANTONIO. L'Estro Armonico Op. 3 or 'Harmonic Invention' is a collection of 12 concertos published in 1712 and dedicated to Ferdinand III. The music quickly became well-known throughout Europe and helped establish Vivaldi 's reputation./ Répertoire / Violon, Instruments à Cordes et Basse Continue

aus 'LEstro armonico' op. 3. Par VIVALDI ANTONIO. L'Estro Armonico Op. 3 or 'Harmonic Invention' is a collection of 12 concertos published in 1712 and dedicated to Ferdinand III. The music quickly became well-known throughout Europe and helped establish Vivaldi 's reputation./ Répertoire / Violon, Instruments à Cordes et Basse Continue

Delle Raccolte Edite In Vita Di A. Vivaldi Op.Iii 'L'Estro Armonico': Volume Ii. Par VIVALDI ANTONIO. Contents: Vivaldi: Concerto, Op. 3 No. 7 'Con quattro Violini e Violoncello obligato', RV 567 Vivaldi: Concerto, Op. 3 No. 8 'Con due Violini obligati', RV 522 Vivaldi: Concerto, Op. 3 No. 9 'Con Violino Solo obligati', RV 230 Vivaldi: Concerto, Op. 3 No. 10 'Con quattro Violini e Violoncello obligato', RV 580 Vivaldi: Concerto, Op. 3 No. 11 'Con due Violini e Violoncello obligato', RV 565 Vivaldi: Concerto, Op. 3 No. 12 'Con Violino Solo obligato', RV 265/ Répertoire / Violon, Cordes et Basse Continue

The sonata RV 820 represents two 'firsts': it is the latest work to be added to the Vivaldian canon, and it is also one of the oldest works by Vivaldi - perhaps the very oldest among those known. Having come to light among the numerous anonymous manuscripts preserved in the Sächsische Landesbibliothek - Staats- und Universitätsbibliothek in Dresden, it was attributed to him by Federico Maria Sardelli on the basis of several musical concordances with early works of known authenticity- in addition, a complex network of biographical and paleographical relationships has revealed how this sonata, copied in the hand of the very young Johann Georg Pisendel, belonged to an initial stock of compositions that Giuseppe Torelli brought with him from Italy after he was appointed Kapellmeister at Ansbach in 1698. In this context, Vivaldi's sonata finds itself in the company of two manuscripts that evidence early versions of two concertos that were later included in L'estro armonico ,, plus works by Torelli and his pupil Pietro Bettinozzi. From these facts we obtain a new picture that sheds light on on Vivaldi's period of apprenticeship and his debt to Torelli: from a stylistic viewpoint, RV 820 is an unusual type of trio sonata for violin and cello that remains structured in a late-seventeenth-century way, a work into which Vivaldi injects inventions that are completely new and individual. This is a rare jewel that reveals the work produced by its composer before he became himself. / Violon, Violoncelle Et Basse Continue

Vivaldi atteint une popularité dans toute l'Europe avec sa collection 'L'Estro Armonico', op. 3. Il a écrit le cycle qui se compose de douze concertos pour violon de l'orchestre de la 'Ospedale della Pietà', où il était professeur et directeur pendant de nombreuses années.Les deux mouvements rapides extérieures de l'opus 3/3 caractéristique ritournelles combinés avec d'autres sections solistes virtuoses, comme ce fut répandue à l'époque. Cette forme ritournelle donne une structure aux mouvements. Il donne également l'élève qui joue à la fois le solo et tutti dans cette édition, la possibilité de varier les motifs qui reviennent en termes de dynamique et de l'ornementation.Dans la courte mais expressive Largo, quartier distinct note alternent avec les modèles du XVIe à travers toutes les ficelles. Cela permet à l'élève de pratiquer diverses techniques d'archet. / Violon Et Piano

Delle Raccolte Edite In Vita Di A. Vivaldi Op.Iii. Par VIVALDI ANTONIO. Contents: - Concerto, Op. 3 No. 1 'Con quattro Violini obligati', RV 549 - Concerto, Op. 3 No. 2 'Con due Violini e Violoncello obligato', RV 578 - Concerto, Op. 3 No. 3 'Con Violino Solo obligato', RV 310 - Concerto, Op. 3 No. 4 'Con quattro Violini obligati', RV 550 - Concerto, Op. 3 No. 5 'Con due Violini obligati', RV 519 - Concerto, Op. 3 No. 6 'Con Violino Solo obligato', RV 356/ Répertoire / Violon, Cordes et Basse Continue