Viola Studies

Sevcik Viola Studies-A collection of over fifty of Sevcic's preparatory studies in double-stopping arranged by Alan Arnold. Each study can be transposed and played in any of the twelve keys giving the violist ample material to improve the double-stop technique.

A second set of Easy Progressive Studies for Viola by Herbert Kinsey. These studies published by the Associated Board of the Royal Schools of Music provide invaluable practice material for the building of bowing technique. It also provides much useful note-reading practice within the positions indicated. Each exercise is clearly marked with the technique or skill that you are practicing.

Twenty-four studies in the first and third positions for viola. Written by Herbert Kinsey and transcribed from the violin by Margaret Banwell.

30 petites pièces mélodiques et rythmiques pour alto/ 30 Short Melodic and Rhythmic Pieces For Viola-Written for 2nd and 3rd year instrumental students My First Studies To Play Together for Viola presents itself as the little brother of the collection for Violin available under reference number AL30683. Valerie Bime-Apparailly once again deploys her usual teaching talent by transforming this genre often seen as boring and austere into a progressive introduction to the mysteries of technique captivating students with its clear clean design and focus on fun. In My First Studies To Play Together for Viola each unit begins with the melody that the young musician is to learn. The technical challenge to master is indicatedin boxed text. Explanations may follow (on the notation of Da Capo for example) after which comes the complete score and the accompaniment to be played by the teacher. Mozart Spohr and Beethoven but also great teachers like Charles de B?riot Jean-Delphin Alard and Maurice Hauchard help students absorb fundamental musical concepts like slurs syncopation appogiatura and bow indications without losing sight of the most important part: the pleasure of playing music.

Garth Knox is one of the most prominent violists of his generation, and as former long-time member of the Arditti Quartet he has developed and maintained a fondness of contemporary music. In the meantime, he gives concerts and teaches courses all over the world.With 'Viola Spaces' he wants to make contemporary playing techniques accessible to advanced players. The pieces, or 'playing spaces', are true concert studies, each of them dealing with specific techniques such as harmonics, pizzicato (with 9 fingers!) or tremolos which are explained in great detail.Another volume with modern playing techniques for two violas and a volume with variations on a piece by the French viola da gamba master Marin Marais for four violas are planned. / 2 Altos

Many violists have grown up on a diet of Violin studies transcribed for Viola and plenty have thrived on them even though the studies are in many cases composed with melodic patterns and fingerings that suit the Violin better than the Viola. Robin Ireland's aim in composing this new study material was to write specifically for the Viola in ways which suit it both technically and tonally.The twelve concert études set out to be musically attractive pieces which in addition to addressing most basic aspects of technique will encourage the development of 'musical' and expressive playing.The set of études is unusual perhaps unique in that it covers a rangeof styles and thus provides a focus for developing an understanding of bowing and articulation appropriate to different periods of music. The first eight études move through baroque classical and romantic styles while the later études include material for developing confidence with metre change and other basic rhythmic skills and with atonality. The last étude introduces an improvisatory style of playing.The concert études should be appropriate for Viola students from Grade 8 upwards. Details of a companion volume of 'technical' études and their availability can be found at www.robinireland.co.uk. These studies are each focused primarily on a single area of technical development in many cases an area not specifically addressed in currently available study material.The new études do not set out to provide a comprehensive alternative to existing study material but rather to complement it and extend its range.

This terrific book provides invaluable practice material for building technique over twenty-four studies in the first position. Originally for Violin it has been accurately and faithfully transcribed for Viola by Margaret Banwell from Kinseyâ??s classic studies. This is a comprehensive exploration of Viola playing and helps train left and right hand dexterity and bow strokes as well as honing knowledge of tempo and time signatures and varying keys. Musical varied and practical these elementary studies will help to point the early stages of development in the right direction.â??The building of technique understanding and reading â?¦ are very thorough and usefully progressiveâ??European String Teachers Associationâ??These transcriptions are a welcome addition to any young violistâ??s etude repertoire.â?? American Music Teacher

Maurice Hauchard (1870-1957) was a French violinist and composer. As a minor composer often in the shadow of his contemporary Maurice Ravel much of Hauchard's music is not widely known. However his Études Des Positions have enhanced the technical progression of many violinists and Alain Mames' transcription of the studies for Viola have also been well-received. As an excellent versatile musician Hauchard loved his art and remains one of the greatest contributors to music education. Études Des Positions (3rd Position) addresses the third handposition in the context of musical techniques such as intervals scales chromaticism and is studies of varying styles. Mames' adaption for the Viola of Hauchard's Études Des Positions is an imperative aid to technical progression.

For the development of technical skills and improved intonation this A Scale In Time - Viola edition features a full collection of scales chorales etudes and an expanded alternative styles section all in one book!A Scale In Time features:One and two octave scale patterns Major natural minor and melodic minor Improvisation loops studies and tunes for training in alternative styles Blues mixolydian and lydian scales Etudes Chorales Rhythm Studies

60 First Position Studies from Op. 45 54 74 - Selected and Arranged in-The quintessential Viola method just got even better with a new edition expertly updated and edited by world-famous violinist Rachel Barton Pine. It contains modernised fingerings bowings and dynamics by Pine all newly engraved for this edition. At the same time it remains faithful to the original maintaining the same pedagogical sequence as Aiqouni's classic edition. This edition also includes a DVD of Matthew Lipman playing all 60 etudes with two camera views so students can choose to see either the bow or the left hand technique. For beginning to intermediate players.