Viola Concerto C Maj Score

Nico Muhly’s Viola Concerto is a work for Solo Viola and Orchestra co-commissioned by Orquesta y Coro Nacionales de España Detroit Symphony Orchestra Festival de Saint Denis & the National Arts Centre Orchestra and Alexander Shelley. It was first performed on 6th February 2015 and lasts around 24 minutes. This is the Full Score.

Full Score-Gong's Viola Concerto was premiered by the Shanghai Philharmonic with fellow Julliard graduate Liyuan Liu on viola. The work is based on J. D. Salinger's Catcher in the Rye as part of a program addressing the emotional health of teenagers along with the composer's autobiographical 6th Symphony. Instrumentation: 2.2.2.2: 4.2.0.0: Timp.Perc(1).Pno.Hp: Str Duration: c. 35 minutes

Per Nørgård's Remembering Child - Viola Concerto No. 1  (1985-86/rev 1987) -Two movements for Viola and Chamber Orchestra.. The title refers to the original meaning of the word 'remembering': Making whole. Thework should not be considered as a sort of requiem for Samantha Smith - the late 13 years old fighter for nuclear disarmament - but as an evocation of the childish creative forces in all people young and old. Therefore the work applies thematic material of a certain 'dawning' quality including two Gregorian chants appearing intertwined in the beginning of the 2. movement. And therefore the work also may be considered as a tribute to the still living child-heretics fighting against the global lunacy of grown-up such as Eamon Burke the Australian boy continuing independently the work of Samantha. REMEMBERING CHILD was commissioned by St. Paul Chamber Ochestra and dedicated to Pinchas Zukerman soloist at the premiere performance ( September 12. 1986).   Viola solo part: KP00116 Piano reduction: KP00117

Piano reduction for Per Nørgård's Remembering Child - Viola Concerto No. 1  (1985-86/rev 1987) by Steen Pade.

Performed by Elissaveta Staneva violaAccompaniment: Plovdiv Youth OrchestraConductor: Nayden TodorovHoffmeister's viola concerto is one of the first major concerti to feature the viola as a virtuoso soloinstrument. One of the most popular of this prolific composer's works it is a beautiful piece in the classical tradition. Includes a printed music score with informative liner notes; and a compact disc with the concerto performedfirst in stereo with the soloist then again in Stereo minus you the soloist.

The Concerto in G major (TWV 51: G 9) is not only Telemann’s only concerto for the viola but one of the earliest viola concertos in history. It belongs to the standard repertoire of every violist and is also suited for less experienced players being relatively easy to master.Full score parts (BA5878) viola & piano reduction (BA5878-90) available for sale

The Concerto in G major (TWV 51: G 9) is not only Telemann’s only concerto for the viola but one of the earliest viola concertos in history. It belongs to the standard repertoire of every violist and is also suited for less experienced players being relatively easy to master.Full score parts (BA5878) viola & piano reduction (BA5878-90) available for sale

Georg Philipp Telemann's Concerto No.1 In C arranged for 4 Violas by Alan Arnold. Score and parts.

The tenth concerto in B minor in L'Estro Armonico (best translated as The Harmonious Inspiration) which is edited here in A minor - for four solo guitars - is one of the most famous in the entire collection -- indeed inVivaldi's entire output. Scored for four solo violins two solo violas solo violoncello and an strings orchestra. Johann Sebastian Bach not only admired Vivaldi's Opus 3; he copied it openly. In a general sense the Vivaldipieces gave impetus to much that is in the German master's Brandenburg Concertos. More particulary six concertos of Vivaldi's Opus 3 were copied by Bach as the basis for six of his concertos: two for 0rgan (BWV 593 and 596 basedon Opus 3 nos. 8 and 11 respectively) three for solo harpsichord ) BWV 978 972 and 976 based on Opus 3 nos. 3 9 and 12 respectively) and one for four harpsichords and orchestra in A minor (BWV 1065 based on Opus 3 no. 10).Bach frequently rewrote concertos scored for one kind of instrument substituting another. It is evident that Bach thought not so much in terms of the violinistic nature of the originals but in their harmonic and rhythmicpotential which could be realized on any instrument. Since Bach has already justified an arrangement of Opus 3 number 10 by the great aesthetic success of his four-harpsichord version it serves to reason that an arrangementfor four guitars is equally valid. Just as Bach preserved everything of the original Vivaldi and added only a few doubling to accomodate the left hands of the harpsichordists so in this version the substitution of guitars is donewith little or no change of original-notes. The arpeggios especially prominent in the second movement lend themselves ideally to guitar playing and the ability of the guitar to play both lyrical lines as well as passage worksuits the violinistic lines and passages of the original.

Study score for Concerto No.5 Op.31 for Viola And Orchestra (1943) by Vagn Holmboe.

Anders Koppel's Concerto for Viola and Orchestra. Commissioned by South Jutland Symphony Orchestra. First performed February 10th 2011.