Matériel : Partition
Arranged for Flute (TWV 40: 26-37). Par TELEMANN GEORG PHILIPP. Georg Philipp Telemann composed thirty-six fantasias for solo instrument: twelve each for traverse flute, violin, and viola da gamba. While those for flute and violin belong to Telemann s most popular works today, the fantasias for viola da gamba were unknown throughout much of recent history until a copy of these fantasias was rediscovered in 2015. For this edition, flautist Leona Rötzsch arranged the viola da gamba fantasias for solo flute, thereby complementing Telemann s flute fantasias with another set of twelve. Carefully retaining Telemann s tonal language, these viol works were made accessible for the flute by use of transpositions, diminutions, and broken chords. / Date parution : 2022-11-08/ Répertoire / Flûte Traversière
SKU: CY.CC3050
ISBN 9790530110256. 8.5 x 11 in inches.
These Fantasias are part of a collection of Twelve Fantasias for Viola da Gamba Solo, originally published in 1735 but considered lost until rediscovered in 2015. Mr. Sauer has beautifully transcribed them for unaccompanied Euphonium and are appropriate for advanced performers. His editorial dynamics have been included as suggestions. Each of the Three Fantasias has contrasting fast and slow movements.
SKU: CY.CC3047
ISBN 9790530110225. 8.5 x 11 in inches.
These Fantasias are part of a collection of Twelve Fantasias for Viola da Gamba Solo, originally published in 1735 but considered lost until rediscovered in 2015. Mr. Sauer has beautifully transcribed them for unaccompanied Tuba or Bass Trombone and are appropriate for advanced performers. His editorial dynamics have been included as suggestions. Each of the Three Fantasias has contrasting fast and slow movements.
SKU: CY.CC3041
ISBN 9790530110164. 8.5 x 11 in inches.
These Fantasias are part of a collection of Twelve Fantasias for Viola da Gamba Solo, originally published in 1735 but considered lost until rediscovered in 2015. Mr. Sauer has beautifully transcribed them for unaccompanied Tenor Trombone and are appropriate for advanced performers. His editorial dynamics have been included as suggestions. Each of the Three Fantasias has contrasting fast and slow movements.
