To the Summit! (Strive for the Highest)

SKU: HL.48182012

UPC: 888680905873. 9.0x12.0x0.048 inches.

“On the summits (Sur les cimes) by Eugène Bozza (1905-1991) is a very enjoyable piece for F Horn and Piano which lasts 7 minutes. Difficult to play, it requires the mastering of techniques such as the glissando, the lip trill and the mute. Also challenging because of its cadenza part, it was composed in one movement which features five sections. Eugène Bozza won different prizes at the Conservatoire de Paris such as the First Prizes for the Violin, conducting and composition, as well as the Grand Prix de Rome. He composed several operas, chamber works and ballets among others.”.

SKU: CL.012-4440-75

Brimming with energy and anticipation, this musical adventure stirs up images of nature's most majestic landscapes and mountain ranges. The journey begins with a majestic call and response theme divided amongst the sections, chasing after one another. Lighter versions of the themes appear, signifying the discovery of a breathtaking view at the summit. The intensity and excitement builds, hinting that the adventure continues - or perhaps begins, Beyond the Summit..

SKU: CL.012-4440-01

Brimming with energy and anticipation, this musical adventure stirs up images of nature's most majestic landscapes and mountain ranges. The journey begins with a majestic call and response theme divided amongst the sections, chasing after one another. Lighter versions of the themes appear, signifying the discovery of a breathtaking view at the summit. The intensity and excitement builds, hinting that the adventure continues - or perhaps begins, Beyond the Summit..

SKU: KJ.WB346F

The Summit is a programmatic piece written about a journey to the top of a mountain. Numerous visual pictures are presented regarding the journey: repeated eighth notes represent the endless walking necessary to reach the summit; the use of the minor mode to signifies fatigue; bold statements by the low brass and woodwinds indicate the beauty and grandeur that unfolds as the journey continues; and, of course, the grand finale describing the final ascent to the mountain top. A wonderful composition with varying tone colors.

About Standard of Excellence in Concert

Th e Standard of Excellence In Concert series presents exceptional arrangements, transcriptions, and original concert and festival pieces for beginning and intermediate band. Each selection is correlated to a specific page in the Standard of Excellence Band Method, reinforcing and expanding skills and concepts introduced in the method up to that point. Exciting parts with extensive cross-cueing are presented for every player. Accessible ranges, appropriate rhythmic challenges, and creative percussion section writing enhance the pedagogical value of the series.

Sold individually, each In Concert selection includes a full Conductor Score and enough student parts for large symphonic bands. Each student part also includes correlated Warm-Up Studies. The Conductor Score comes complete with rehearsal suggestions, a composer biography, program notes, a rehearsal piano part, several ready-to-duplicate worksheets and a duplicable written quiz.

SKU: FJ.B1237S

English.

This musical celebration embraces our human nature to constantly strive higher. Everyone must climb a personal mountain, and this metaphor reminds us to continue our journey and never stop - even when we think we've reached the summit.

About FJH Concert Band

Desig ned for high school groups and upper-level middle school groups. Independence is encouraged, but many lines are cross-cued. Usually includes an expanded percussion section. Grades 3 - 3.5

SKU: CL.012-4379-01

Energetic and uplifting, this compelling work will captivate your audience on the edge of their seats! Quest to the Summit is an overture for wind band that is inspired by the composer's friend's arduous journey to the peak of Indonesian volcano, Mount Semeru. Ample cross-cueing of parts have been carefully considered to allow your band to exploit the music to its fullest. Known for his distinctive lyrical writing, Benjamin Yeo's slow and heart-warming middle section offers excellent opportunities for your flute soloist and the band to showcase their best in tone, balance and phrasing. This masterfully crafted work is unbelievable at this grade level and will definitely take the spotlight in your next band concert, contest or festival performances. Very outstanding!

SKU: PR.110418160

ISBN 9781491114049. UPC: 680160640393. 9 x 12 inches.

Stacy Garrop began hiking in northern Colorado’s Rocky Mountain National Park in her early 20s. From the start, she was drawn to a jagged stretch of rock formations linking Longs Peak to Pagoda Mountain, at over 13,000 feet. These formations are called the “Keyboard of the Winds,” as their thin, spindly peaks suggest splintered keys of an old, broken piano. Inspired by one particular journey the composer took through the Keyboard of the Winds en route to Pagoda’s summit, this work is a tribute to the Keyboard of the Winds. Its fast, whirling gestures depict swirling clouds above, and the musical high points represent a hiker reaching the peak of Pagoda Mountain. These sections are set in contrast with quiet, introspective material embodying the hiker quietly surveying the grandeur and beauty of the valley below, as well as the soaring pinnacle of Longs Peak overhead.
I began hiking in the Rocky Mountain National Park in northern Colorado when I was in my early twenties. RMNP is home to some of the most gorgeous mountains in North America, encompassing 265,000 acres of wilderness, flora, and fauna. Among the park’s numerous summits is Longs Peak, a mountain that is 14,259 feet high (the highest in the region). From my earliest days of hiking, I was drawn to Longs Peak, as well as to a jagged stretch of rock formations that link Longs Peak to Pagoda Mountain (which stands at 13,497 feet). These formations are called the Keyboard of the Winds, as their thin, spindly peaks loosely suggest the splintered keys of an old, broken piano.One summer, I made the ascent to Pagoda Mountain using a route that took me along the right side of the Keyboard of the Winds. My hiking partner and I started up the trail in the pre-dawn hours, and the weather was stormy. Dawn had broken by the time we reached the base of the Keyboard, but its peaks were still surrounded by clouds. As we climbed higher and higher, the Keyboard’s thin spires became visible, along with the top of Pagoda Mountain. We reached the summit of Pagoda, admired the view (what we could see through the clouds), and made our descent.My piece is a tribute to the Keyboard of the Winds. The fast, whirling gestures depict swirling clouds, and the musical high points represent a hiker reaching the peaks of the Keyboard. I have contrasted these sections with quiet, introspective material; these embody the hiker quietly surveying the grandeur and beauty of the valley below (on a cloudless day), as well as the soaring pinnacles of Longs Peak and Pagoda Mountain overhead.

SKU: KN.62045S

UPC: 822795620450.

This 2015 Grammy-nominated arrangement, was recorded by the Pete McGuinness Jazz Orchestra on Strength In Numbers' (Summit Records). The original Stephen Foster waltz is refitted here as a medium-bright tempo samba in 4/4 time. The 1st alto has an optional double on soprano, and solos are included for piano and alto/soprano sax. Recording courtesy of Summit Records.

SKU: KN.62045

UPC: 822795620450.

This 2015 Grammy-nominated arrangement, was recorded by the Pete McGuinness Jazz Orchestra on Strength In Numbers' (Summit Records). The original Stephen Foster waltz is refitted here as a medium-bright tempo samba in 4/4 time. The 1st alto has an optional double on soprano, and solos are included for piano and alto/soprano sax. Recording courtesy of Summit Records.

SKU: KN.3268

UPC: 822795032680.

Commi ssioned by Scott Prebys and the University of Mary Jazz Ensemble, this Mantooth original funks out from top to bottom. Solo honors go to alto and guitar, and in his score notes Frank says this chart is meant to be fun and raucous, not intellectually demanding. 2nd, 3rd, and 4th Trumpets are asked to double on flugel, and an optional part for vibes contributes extra color and depth.

SKU: KN.62525S

UPC: 822795625257.

Commi ssioned by the University of Miami Concert Jazz Band, this swinging riff-oriented blues employs sophisticated reharmonizations and modern horn voicings. Given the popularity of Pete McGuinness' recordings (Summit), this chart for proficient groups will make a great addition to your library. Solos are offered for piano, alto sax, and trombone over straight-ahead blues changes in the key of concert F. Duration ca. 5:00.

SKU: CF.YPS244

ISBN 9781491159859. UPC: 680160918447.

Brass town Bald is the highest point in the U. S. state of Georgia standing at 4,784 ft. It is located in the northeastern part of the state and is part of the southern Appalachians. The mountain received its name from the Cherokee word Itse'yi (New Green Place) or (Place of Fresh Green) referring to its grassy, instead of timbered summit. The term Brasstown came from a confusion of Itse'yi with Untsaiyi (brass). The mountain itself is known to the native Cherokee people as Mt. Enotah. The term Bald is common terminology describing mountaintops that have 360-degree unobstructed views. Brasstown Bald Overture was written to depict the beauty and grandeur of the panoramic views from the top of this mountain. The opening fanfare sets the mood for the majesty of the Appalachians. The addition of the woodwinds during the second time through the fanfare portrays the dancing sunlight across the mountain peaks. The middle section is a quaint folk tune to represent the quiet stillness of the night. The fanfare return and a new day breaks forth.
Brasstown Bald is the highest point in the U. S. state of Georgia standing at 4,784 ft.  It is located in the northeastern part of the state and is part of the southern Appalachians.  The mountain received its name from the Cherokee word Itse’yi (“New Green Place”) or (“Place of Fresh Green”) referring to its grassy, instead of timbered summit. The term “Brasstown” came from a confusion of Itse’yi with Untsaiyi (“brass”). The mountain itself is known to the native Cherokee people as Mt. Enotah. The term “Bald” is common terminology describing mountaintops that have 360-degree unobstructed views.  Brasstown Bald Overture was written to depict the beauty and grandeur of the panoramic views from the top of this mountain. The opening fanfare sets the mood for the majesty of the Appalachians. The addition of the woodwinds during the second time through the fanfare portrays the dancing sunlight across the mountain peaks. The middle section is a quaint folk tune to represent the quiet stillness of the night. The fanfare return and a new day breaks forth.

SKU: KN.62750S

UPC: 822795627503.

Recor ded by the Pete McGuinness Jazz Orchestra on First Flight (Summit DCD481), this breezy and relaxed melodic arrangement for proficient groups features warmly orchestrated brass, inviting chords for soloists, and a swinging sax section soli. The major solos are given to tenor saxophone and flugelhorn. Rhythm section parts are partially notated with chords cued. Duration 8:00.

SKU: FJ.B1767

UPC: 241444399156. English.

This dramatic work follows a hiker from the base of Pikes Peak to the summit, encountering all the legend and history along the way. From the numerous reported signs of Big Foot to spectacular views, the opening embodies many different moods. An energetic section introduces small elements of America, the Beautiful before being fully realized in a powerful moment reflective of when Katharine Lee Bates reached the summit herself in 1883 and penned the words shortly thereafter. Ideal as a festival work while also perfect for directors looking for a different kind of patriotic piece.

About FJH Symphonic Band

Appro priate for accomplished high school, college, and professional groups. Includes expanded instrumentation and ranges. Grades 4 - 5

SKU: KN.62215S

UPC: 822795622157.

The title track of the Pete McGuinness Jazz Orchestra's CD (Summit Records DCD 481), this bright samba for proficient groups has an uplifting feel. Filled with dynamic shading and catchy grooves, this flight will take audiences on a rewarding journey. Plenty of melodic and supporting work is provided for each section of the band. Solos are offered for trumpet, tenor saxophone, piano, and drums. Colorful chord structures and accessible modal changes are perfect for adventurous soloists. Duration 7:30.

SKU: CF.YPS244F

ISBN 9781491159866. UPC: 680160918454.

Brass town Bald is the highest point in the U. S. state of Georgia standing at 4,784 ft. It is located in the northeastern part of the state and is part of the southern Appalachians. The mountain received its name from the Cherokee word Itse'yi (New Green Place) or (Place of Fresh Green) referring to its grassy, instead of timbered summit. The term Brasstown came from a confusion of Itse'yi with Untsaiyi (brass). The mountain itself is known to the native Cherokee people as Mt. Enotah. The term Bald is common terminology describing mountaintops that have 360-degree unobstructed views. Brasstown Bald Overture was written to depict the beauty and grandeur of the panoramic views from the top of this mountain. The opening fanfare sets the mood for the majesty of the Appalachians. The addition of the woodwinds during the second time through the fanfare portrays the dancing sunlight across the mountain peaks. The middle section is a quaint folk tune to represent the quiet stillness of the night. The fanfare return and a new day breaks forth.
Brasstown Bald is the highest point in the U. S. state of Georgia standing at 4,784 ft.  It is located in the northeastern part of the state and is part of the southern Appalachians.  The mountain received its name from the Cherokee word Itse’yi (“New Green Place”) or (“Place of Fresh Green”) referring to its grassy, instead of timbered summit. The term “Brasstown” came from a confusion of Itse’yi with Untsaiyi (“brass”). The mountain itself is known to the native Cherokee people as Mt. Enotah. The term “Bald” is common terminology describing mountaintops that have 360-degree unobstructed views.  Brasstown Bald Overture was written to depict the beauty and grandeur of the panoramic views from the top of this mountain. The opening fanfare sets the mood for the majesty of the Appalachians. The addition of the woodwinds during the second time through the fanfare portrays the dancing sunlight across the mountain peaks. The middle section is a quaint folk tune to represent the quiet stillness of the night. The fanfare return and a new day breaks forth.

SKU: CL.012-3653-75

Heroic themes abound as noted composer James Swearingen weaves a tapestry of musical styles to depict the emotional story of John Harlin. At the age of nine, John lost his father when he tragically fell 4000 ft. to his death while attempting to climb the mountain known as Eiger (pronounced eye-ger). The Eiger North Face is considered to be the most treacherous climb in all of Europe. Yet, forty years later John, with a burning desire to reconnect with his father, began the perilous journey of climbing the mountain with the nearly impossible goal of reaching the summit. Brilliantly scored, simply stunning and beautifully breathtaking!

About C.L. Barnhouse Spotlight Series

The Barnhouse Spotlight series includes publications for solo instruments with concert band accompaniment. These publications are designed to feature outstanding members of your band as soloist, and to provide unique and entertaining programming options. Solo parts are graded more difficult than the band accompaniments