Matériel : Octavo
Voir toutes les partitions de Cy Coleman
SKU: HL.49015384
ISBN 9790001111874. UPC: 888680974213. 9.0x12.0x0.15 inches.
SKU: HL.1315334
ISBN 9781574244175. UPC: 196288178781. 6.0x9.0x0.249 inches.
The Rhythmic Journey: Unleashing the Beat Within is an inspiring and transformative exploration of the profound impact learning drums and embracing rhythm can have on an individual's life. Written with passion and expertise by acclaimed veteran drummer, studio musician, and educator Bart Robley, this book takes readers on a captivating journey through the vast world of percussion, highlighting the significance of rhythm in personal growth, creativity, and self-expression. Topics covered include: developing coordination and motor skills; creating a rhythmic connection; cognitive enhancements; building social connections and teamwork; emotional expression and confidence; discipline and time management; unleashing creativity and innovation; lifelong learning; motivation vs. determination; and more!
SKU: BT.DHP-1216333-015
English-German-French- Dutch.
The magnificent shows at the Moulin Rouge have left their mark on the collective imagination of all who read about them. For decades, a small but spectacular band formed one of the basic ingredients in this internationally famedcabaret theatre. With the first sounds of this composition by Peter Kleine Schaars, the exciting Parisian nightlife immediately comes to mind. The musette takes us to quartier Pigalle, the red-light district of Paris, and when thedoors of the Moulin Rouge open, we hear the recognizable rhythms of a contemporary disco: a combination of the rhythmic cells 8 / 4 and 3 / 14. In addition, the composition has been highlighted with a plentiful and varied use of rhythmic cell 5. Naturally, the themes and accompaniments have been divided equally among all parts.De schitterende shows in de Parijse Moulin Rouge spreken tot ieders verbeelding. Een klein maar spectaculair orkest vormde tientallen jaren een van de basisingrediënten in dit wereldwijd vermaarde variététheater. Met de eersteklanken van deze compositie van Peter Kleine Schaars wanen we ons meteen in de Franse hoofdstad. De musette brengt ons naar quartier Pigalle, de rosse buurt van Parijs, en als de deuren van de Moulin Rouge zich openen, horen we deherkenbare ritmieken van een hedendaagse disco: een combinatie van de ritmische cellen 8-4 en 3-14. Daarnaast is de compositie geaccentueerd met een veelvuldig en gevarieerd gebruik van ritmische cel 5. Uiteraard zijn de thema’sen begeleidingen evenredig verdeeld over alle stemmen.Die großartigen Shows im Moulin Rouge prägten das kollektive Bewusstsein all jener, die sich damit beschäftigt haben. Jahrzehntelang war eine kleine, aber fantastische Band Bestandteil dieses international bekanntenKabaretttheaters . Mit den ersten Klängen der Komposition von Peter Kleine Schaars fühlt man sich sofort in das aufregende Pariser Nachtleben versetzt. Die Musette führt uns ins Quartier Pigalle, das Rotlichtviertel von Paris, undwenn sich die Türen des Moulin Rouge öffnen, erklingen die bekannten Rhythmen einer modernen Disco: eine Kombination der Rhythmus-Einheiten 8 / 4 und 3 / 14. Darüber hinaus ist die Komposition durch eine vielfältige Verwendung derRhythmus-Einheit 5 geprägt. Die Themen und Begleitungen verteilen sich dabei gleichmäßig auf alle Stimmen.Les spectacles grandioses du Moulin Rouge ont laissé leur empreinte sur l’imagination de tous ceux qui connaissent leur histoire. Pendant des décennies, un orchestre de taille modeste mais d’une aptitude exceptionnelle formaitl’un des ingrédients de base de ce cabaret de réputation internationale. Dès les premières mesures, cette composition de Peter Kleine Schaars évoque la vie nocturne animée de Paris. Le style musette nous emmène Pigalle, lequartier chaud de la capitale, et lorsque s’ouvrent les portes du Moulin Rouge, nous entendons les rythmes bien reconnaissables d’une discothèque contemporaine : la combinaison des cellules rythmiques 8 / 4 et 3 / 14. Cette œuvrecontient aussi de nombreux exemples variés de la cellule rythmique 5. Naturellement, les divers thèmes et accompagnements sont divisés également entre toutes les parties.
SKU: BT.DHP-1216333-215
SKU: HL.294336
ISBN 9781540059178. UPC: 888680941406. 9.0x12.0x0.127 inches. Rhythm Cup Activities by John Jacobson.
Change up your rhythm teaching with MUSICAL CUPS! With simple plastic cups and great rhythmic songs, you can teach rhythm reading, accurate performance, physical coordination, music literacy, and teamwork. The printed song collection features singer lead sheets with musical cup patterns in standard notation. Our easy-to-read iconic cup notation for the patterns in each song is also included on a separate page. The musical cup language (such as tap table, pat cup, pass cup) is explained with pictures and a detailed description. Each book comes with a unique code for online access to audio recordings and demonstration videos of each cup pattern. From simple to more challenging patterns, these 10 songs and activities will add a flexible way to engage music students in grades 3-6 in rhythm reading and performance.
SKU: HP.2662R
UPC: 763628226626. By Green Day.
Popular secular rock-song by Green Day With its infectious melody and recognizable rhythm, this megahit by the rock band Green Day is a staple at graduation ceremonies. The optional rhythm parts lend a touch of authenticity. Program this fun, easily playable 3-5 octave arrangement for your concert/promotion/graduat ion, and listen as your group, and your audience, has the time of its life.
SKU: DY.DO-1525
ISBN 9782897963057.
J'ai me les formes musicales concises telles que le Prélude et la Fugue, où il y a une idée claire et directe, suivie d'une autre plus complexe et développée.Conf ormément à cette idée, cette œuvre se compose de deux pièces distinctes, la première - Transfigured Life - vise à attirer l'auditeur avec son rythme rapide et dansant et sa partie de violon simple et mélodique. Il se «transfigure» via quelques courts intermèdes au piano solo en seulement deux notes alternées pour terminer - qui sont le cœur de l'idée originale, maintenant clarifiée en effaçant tout le reste.Le deuxième morceau - Still Life - conserve son sentiment de quiétude grâce à une ligne de piano simple qui laisse beaucoup d'espace à la partie contrastée (mais encore une fois simple) du violon. En tant que pièce absolue et non programmatique, le titre fait référence uniquement à la couleur et au rythme atmosphériques ; c'est à l'auditeur de voir la « nature morte » de son choix dans son esprit.Une note sur les performances :Malgré ma référence à des lignes « simples » et l'évitement déterminé par l'œuvre des grincements modernistes traditionnels, l'œuvre présente certains défis d'exécution en termes de phrasé et d'ensemble qui nécessitent des compétences et une musicalité considérables. L'œuvre a eu le privilège d'être récemment enregistrée par le violoniste Ezgi Sarıkcıoğlu et la pianiste Rossitza Stoycheva, et est disponible sur toutes les principales plateformes :https://open.spo tify.com/album/6p5YIe17ci 0UMuo2RqZgjRhttps://m usic.apple.com/gb/album/t ransfigured-life-still-li fe-world-premiere-recordi ng/1738035953Envoyer des commentairesTrans figured Life - Still Life, Op. 165 (violin & piano) - David BraidI am keen on concise musical forms such as Prelude and Fugue, where there is one clear straightforward idea, followed by another that is more involved & developed. In keeping with that idea, this work consists of two distinct pieces, the first - Transfigured Life - aims to draw in the listener with its quick, dancing rhythm and simple, melodic violin part. It 'transfigures' via a few short solo piano interludes into just two alternating notes to end - which are the core of the original idea, now made clear by clearing everything else out of the way.The second piece - Still Life - retains its sense of stillness through an uncomplicated piano line that gives lots of space for the violin's contrasting (but again simple) part. As an absolute, not programmatic, piece the title refers to the atmospheric colour and pacing only; it's up to the listener to see 'Still life' of their choosing in their own mind.A note on performance: Despite my reference to 'simple' lines, and the work's determined avoidance of mainstream modernist squeak - the work has certain performance challenges of phrasing and ensemble that requires considerable skill and musicianship. The work has had the privilege of being recently recorded by violinist Ezgi Sarıkcıoğlu and pianist Rossitza Stoycheva, and is available on all major platforms:https:/ /open.spotify.com/album/6 p5YIe17ci0UMuo2RqZgjR https://music.apple.com/g b/album/transfigured-life -still-life-world-premier e-recording/1738035953.
SKU: YM.GPE01100795
ISBN 9784636105780.
Abou t the book: The ELS-02 is the latest Electone model in the STAGEA series. Featuring the latest electronic technology, it offers a broader range of performance expression with higher quality sounds and rhythms than ever before. The Basic Book provides a complete and detailed explanation of the functions of the ELS-02 series. Starting with basic operations such as how to change Volume, it covers the basics of creating registration data, including various Displays and Voice Condition Displays. In addition, the Super Articulation Voice, first introduced in the ELS-02 series, is explained in detail. The Advanced Book, a sequel to the Basic Book, provides more detailed and advanced explanations of Rhythm Programs, Effects, Voice Edit, and other important topics and tips for creating original data. This guide is recommended for those who want to challenge making original data differently than before because it always sounds the same. Also included as an appendix is a list of Voice, Effect, and Effect Parameter useful for creating original data. We hope the perfect guides will deepen your understanding of STAGEA and enrich your Electone life. Electone and STAGEA are the trademarks of Yamaha Corporation.
SKU: HP.2662C
UPC: 763628926625. By Green Day.
SKU: YM.GPE01100797
ISBN 9784636105803.
This is Simplified Chinese (Mandarin) Edition. THIS IS NOT ENGLISH EDITION, which is available as another book. About the book: The ELS-02 is the latest Electone model in the STAGEA series. Featuring the latest electronic technology, it offers a broader range of performance expression with higher quality sounds and rhythms than ever before. The Basic Book provides a complete and detailed explanation of the functions of the ELS-02 series. Starting with basic operations such as how to change Volume, it covers the basics of creating registration data, including various Displays and Voice Condition Displays. In addition, the Super Articulation Voice, first introduced in the ELS-02 series, is explained in detail. The Advanced Book, a sequel to the Basic Book, provides more detailed and advanced explanations of Rhythm Programs, Effects, Voice Edit, and other important topics and tips for creating original data. This guide is recommended for those who want to challenge making original data differently than before because it always sounds the same. Also included as an appendix is a list of Voice, Effect, and Effect Parameter useful for creating original data. We hope the perfect guides will deepen your understanding of STAGEA and enrich your Electone life.
SKU: LP.765762082908
UPC: 765762082908.
Creat ed for the weeks surrounding Easter, The Risen One is a contemporary program for the growing and changing church. Choirs, ensembles and praise teams will easily have the ability to lead worship with the nine featured pieces including Resurrection Life; The Uprising; Beautiful Wounds; Crown Him with Many Crowns; and more.Rhythm charts include percussion, drums/bass, guitars, rhythm, keyboards and string reduction parts. No score is included.
SKU: HP.2662
UPC: 763628126629. By Green Day.
SKU: HL.14034652
ISBN 9780950276748. 4.5x7.5x0.219 inches. Balint Andras Varga - Author.
Many people will know something about the life of Lutoslawski, but few know anything about Lutoslawski the man. In this record of a unique series of conversations which took place in March 1973, Balint Andras Varga fills out the picture of the Polish composer - his life and career, his compositional methods, and his views on the contemporary music scene, all combine to present a fascinating portrait of Lutoslawski, who holds a unique and individual place in music today.
