At The Piano With Mozart

14 famous themes from music history, from Bach to Offenbach, each with its own jazzy interpretation - just as in Vol. 1. This edition shows that 'classical music' and jazz are not that distant from one another after all. Just imagine Grieg's Piano Concerto played on a bandoneon - and you have got the perfect tango! Brahms' Hungarian Dance No. 1 is also ideal as a salsa ('Hungarian Salsa No.1'). Schubert's trout suffers a terrible fate, here it may continue to live in a lively ragtime ('Fish Rag'). With Mozart, the night is merry and friendly. but 'A Black Night Music' shows its dark side. The accompanying CD provides examples and suggestions as to how all of these pieces can be interpreted.

Par MOZART WOLFGANG AMADEUS. Mozart Requiem (K.626) (Ostrzyga completion) (Vocal Score) This publication offers a source-critical edition of Mozart’s fragmentary “Requiem” as well as an alternative to the traditional Süssmayr version. It makes it possible to perform 1) the fragment, identified in print in both the score and the parts, 2) the authentic sections left incomplete by Mozart, now in a stylistically appropriate orchestration, and 3) those sections missing entirely in the fragment, newly added in Mozart’s idiom taking into account historical additions by Süssmayr and Eybler. When completing the fragment, the editor drew on comprehensive comparative and analytical studies of Mozart’s church style and compositional workmanship. The influence of Handel and Bach manifested in his final years, particularly in the “Requiem” fragment, is taken into account in those sections requiring completion or fresh composition. At two points readers may choose between alternative movements (or sections), since proceeding from Süssmayr’s historical version, two divergent options cannot be weighed against each other but each one may well reflect Mozart’s intentions: the “Lacrimosa” may end with or without “Amen” fugue, and the “Sanctus” may begin in the customary D major or in D minor. Above all, this makes it possible to retain the B-flat major “Hosanna” from Süssmayr’s autograph, a movement which, until now, has not been appreciated as compositionally flawless. - Scholarly-critical edition of the “Requiem” fragment - With performance material for presentation of 1) the fragment, 2) a version with completions of the authentic Mozart sections or 3) a full completion consistent with Mozart’s musical idiom - Missing sections were completed by drawing from other fragmentary sacred works by Mozart - Added or completed sections incorporate influences from Bach and Handel already detectable in the fragment - Alternative performance options for the “Lacrimosa”, “Sanctus” and “Benedictus” - Straight-forward piano reduction - Extensive foreword (Ger/Eng) on the work’s history, reception and modern completions, with analytical stylistic critique - Detailed Critical Commentary (Eng), partly available on the Bärenreiter website - Tried and tested on many occasions, e.g. at Harvard University, the Rheingau Music Festival, the Monadnock Music Festival (New Hampshire), in Salt Lake City (Utah), as well as in radio broadcasts (NDR, SWR, WDR) and CD recordings with Concerto Köln, Chorwerk Ruhr and Florian Helgath (“Le Disque classique du jour” from francemusique.fr and three nominations for Opus Klassik 2021 in the categories “Ensemble”, “Choral Recording” and “Editorial Achievement”) - Full Score (BA11310), Vocal Score (BA11310-90) and performance material (BA11310) available for sale / Date parution : 2022-07-20/ Répertoire / Choeur Mixte SATB et Piano

In Full Score. With Mozart's Cadenzas for Nos. 9 and 10. Par MOZART WOLFGANG AMADEUS. Mozart's supremacy as a composer is nowhere more apparent than in his piano concertos, which were a lifelong preoccupation for him. This volume includes the Triple Concerto No. 7 in F, Mozart's only concerto for three pianos, with the composer's cadenzas for all three movements. Reproduced and unabridged from the authoritative Breitkopf & Hartel Complete Works edition./ Répertoire / Piano

Instrumentation: Vln?Pf Editor: Eisen ISMN: M-57708-560-9 Format: Sheet Music Details: Contents: Sonatas K296, K376-K380; Andante and Fugue K402 (completed by Stadler); Sonata K403 (completed by Stadler). Contents: This complete edition of the Mozart sonatas for violin and keyboard has been researched and prepared by Cliff Eisen, one of the mostdistinguished Mozart scholars of our time. Professor Eisen recognizes that many of the apparent inconsistencies and idiosynchrasiesof Mozart's notation are perfectly deliberate, and that the attempts in many other editions to impose uniformity upon similar phrases or musical paragraphs can bemisguided. As he writes in the preface, '...the notion that the classical style represents a model of symmetry, balance and clarity is for the most part an 19th-centuryfiction...it has little to do with Mozart's actual practice, which is based primarily onvariety of both content and articulation.' So in this new edition, alternative readingsfound in parallel passages are preserved, rather than being sterilized by a spurious quest for conformity. Naturally all such instances are noted within the Critical Commentary. The highly individual beaming within Mozart's autographs is also respectedin the new edition, as this often contributes to our aural perceptions of phrase structure and accent. Professor Eisenis conscious that there is no single 'Urtext' for this music. On the contrary, hebelieves that 'there is compelling evidence that Mozart's later performances of his works were characterized by changes--sometimes substantial changes--in the musical text.' It is the achievement of thisedition to indicate how far this freedom of musical expression can extend, and as such it is likely to take pride of place in the collections of all those involved in the study and performance of these masterpieces.

An irresistible collection of show-stopping Arias from the great Operas all arranged as concert pieces for the solo Piano. From Mozart and Offenbach to Rossini and Puccini some of the most powerful poignant and beautifulmelodies reside in the arias of the Opera canon. Just imagine Carmen without Habañera or Turandot without Nessun Dorma...A selection of 14 stunning musical moments have now been lovingly arrangedas Piano Solos for the confident student representing a spectacular addition to any performance repertoire and a satisfying challenge to your skills and techniques. With melodies from Rigoletto Lakmé and LaBohème you'll never be stuck for a suitable solo piece that's both familiar and impressive!

In Full Score. With Mozart's cadenzas for Nos. 17-19-Republication from Wolfgang Amadeus Mozart's Werke (Breitkopf And Hartel 1878-79). With Mozart's cadenzas for Nos.17-19.

Baritono - Baritone - a cura di - edited by Ilaria Narici-A selection of 40 arias for voice and piano with plot synopses and translations in Italian and English.

in Full Score. With Mozart's Cadenzas for Nos 12-16.-With Mozart's Cadenzas for Nos 12-16. Breitkopf & Hortel edition.

Description Graded selected Classical and Romantic pieces for Piano, with fingering, phrasing, tempo and expression marks added by Dorothy Bradley. Songlist A Little Study Op.68 No.14 [Schumann, Robert] Allegretto In C [Diabelli, Anton] Allegro In F [Haydn, Franz Joseph] Allegro Vivace (Sonatina In C) [Kuhlau, Friedrich] Andante (Sonatina In F Op.36 No.4) [Clementi, Muzio] Berceuse (Study In C) Op.47 No.19 [Heller, Stephen] Ecossaise In G [Beethoven, Ludwig Van] First Movement (Sonatina In C) Op.36 No.3 [Clementi, Muzio] Landler In A [Steibelt, Daniel] Le Petit-rien (The Trifles) [Couperin, Francois] L'harmonie Des Anges Op.100 No.21 [Burgmuller, Friedrich] March In D Major (Notebook For Anna Magdalena Bach) [Bach, Johann Sebastian] Marche In C [Purcell, Henry] Melody Op.68 No.1 [Schumann, Robert] Minuet In A Minor (Anna Magdalena Note-book) [Bach, Johann Sebastian] Minuet In F K.5 [Mozart, Wolfgang Amadeus] Minuet In F Major [Mozart, Wolfgang Amadeus] Minuet In G (Anna Magdalena Note-book) [Bach, Johann Sebastian] Minuet In G [Purcell, Henry] Rondo (Petites Morceaux) [Bertini, Henri] Rondo (Sonatina In F) [Beethoven, Ludwig Van] Rondo [Diabelli, Anton] Rondo Militaire [Pleyel, Ignaz] Siciliano (Album For The Young) Op.68 No.11 [Schumann, Robert] Slumber Song Op.224 [Gurlitt, Cornelius] Sonatina In C [Clementi, Muzio] Trallerliedchen (Humming Song) Op.68 No.3 [Schumann, Robert]

Tenore - Tenor - A cura di - Edited by Ilaria Narici-A selection of 40 arias for voice and piano with plot synopses and translations in Italian and English.

These sonatas for piano duet will it is hoped be a welcome addition to the domestic and educational music repertoire. Even amateurs will have little trouble with them.The sonatas were arranged in the order of the composers' dates of birth. Anyone wishing to play the sonatas in the order of their difficulty is advised to start with Wolf and continue with Mozart Haydn Häßler and Bach.