String Quintet No. 1

Par SCHUBERT FRANZ. Aucun amateur de musique ne peut se soustraire à la force expressive de cette oeuvre écrite par Schubert dans la dernière année de sa vie. Avec l’extraordinaire puissance des 1er et dernier mouvements, le caractère mélodieux, intime de l’«adagio», mais aussi le coloris exceptionnel de sa palette sonore, ce quintette est unique en son genre: à la formation instrumentale classique du quatuor à cordes vient s’ajouter un second violoncelle, qui occupe un rôle majeur dans le développement mélodique. Egon Voss, l’éditeur responsable de ce nouveau Urtext publié par Henle, rend non seulement compte scrupuleusement d’un état des sources passablement complexe, mais il ne néglige pas nonplus les exigences de la pratique musicale, proposant notamment de nouvelles solutions convaincantes pour les changements de page difficiles. ? / Partition brochée / Date parution : 1905-06-27/ Répertoire / Quintette à Cordes

Une publication à ne pas manquer pour tous les ensembles à cordes! Suite en effet aux découvertes récentes relatives aux sources il a été possible d?optimiser sur de nombreux détails le texte musical de ce classique du catalogue Henle. Le matériel des parties instrumentales revu et corrigé de tous les quintettes à cordes de Beethoven est désormais disponible après plusieurs années de recherches dans une gravure améliorée. Ce matériel est bien entendu accompagné d?une «StudienEdition» (HN 9267).?

With the publication of the masterpieces K. 593 and 614 all of Mozart’s string quintets are now available in Henle Urtext. Our edition corrects several widespread misreadings of the musical text and also draws on the firstprintings as important sources. The first printing of the Finale from the Quintet in D major K. 593 diverges greatly from the autograph. The editors consider it probable that the print version was authorized which is the reasonwhy we have published both versions of the movement (to enable a better comparison it is given as an ossia version above the musical text). In the Preface and Comments the editors shed light on the source situation to these twoimmortal works written in the last two years of Mozart’s life.

arranged for Pianoforte and String Quintet-Concerto for Pianoforte and Orchestra No.4 Op.58: arranged for Pianoforte and String Quintet.Piano Violin (2) Viola (2) Violoncello.This anonymous sextet arrangement of Beethoven’s Fourth Piano Concerto was highly popular in Vienna during the composer’s lifetime. We know this from at least two sets of handwritten parts which were then in circulation.No Piano part has been handed down; indeed the original sets of parts probably omitted the Piano.The soloist presumably studied his part from the first edition of the solo part published with the original performance material in 1808. (The full score did not appear until 1861).The sextetversion deftly integrates the original wind parts into the string texture. The arrangement stands in the tradition of Piano reductions with chamber music accompaniment of the sort which were also made for Mozart’s Piano concertos K.413 to 415 and later for the Chopin concertos.This Urtext edition edited by the renowned Beethoven scholar Jonathan Del Mar presents this arrangement for the first time in print. The musical text is supplemented by an informative Introduction and a Critical Commentary.First ever publication of this arrangement.Includes a separate solo part as was customary in Beethoven’s day.Provides new possibilities for soloists to perform this work.

Quintet For Strings (1888) by Carl Nielsen. Scored for two Violins two Violas and Cello.