SKU: TL.TCL014948
ISBN 9780857364678.
This audio CD contains exam pieces on the Trinity College London Violin syllabus for 2016-2019, featuring renowned violinist, Ofer Falk. (alternative pieces are not included). In addition to full recordings of each piece, the CD also includes 'minus one' style backing tracks, allowing students to practise with the piano accompaniment played by Peter Wild.These recordings are not definitive but may be employed as an aid to preparation for Trinity College London examinations.
SKU: TL.TCL014689
ISBN 9780857364418.
Sele cted pieces for Trinity College London violin exams for 2016-2019, expertly graded and edited by leading music educators. This item contains both the full score and violin part.
SKU: BT.EMBZ7817
English-German-Hungari an.
The sonatas are not grouped according to their degree of difficulty, they are given in the order which corresponds with the Kirkpatrick numbering. This is approximately identical with the order in which they were composed. In this way it became possible for the pairs of sonatas included in the selection to be placed closely after one another. Apart from inevitable minor alterations this edition follows the original text and its markings exactly. This does not apply to the fingering which is entirely an editorial addition. (In the original there is no fingering.) An ABRSM syllabus title, 2013-14, Grade 6.Die Sonaten bringen wir nicht nach Schwierigkeitsgraden geordnet, sondern in der Reihenfolge von Kirkpatricks Verzeichnis. Diese Anordnung entspricht annähernd der Entstehungszeit der Stücke. Dadurch ist es möglich die paarweise zusammengehörenden Sonaten der Auswahl nebeneinander zu stellen. Unsere Ausgabe folgt, von kleineren, notwendigen Umstellungen abgesehen, genau dem Originaltext und dem ursprünglichen Zeichensystem. Dies bezieht sich jedoch nicht auf den Fingersatz, der durchweg ein Vorschlag des Herausgebers ist.
SKU: BT.EMBZ8666
The sonatas are not grouped according to their degree of difficulty, they are given in the order which corresponds with the Kirkpatrick nimbering. This is approximately identical with the order in which they were composed. In this way it became possible for the pairs of sonatas included in the selection to be placed closely after one another. Apart from inevitable minor alterations this edition follows the original text and its markings exactly. This does not apply to the fingering which is entirely an editorial addition. (In the original there is no fingering.) ABRSM Cello Syllabus title, 2013-14, Grade 8.
SKU: IS.G6765EM
ISBN 9790365067657.
This sonata (WeissSW No. 4, Dresden) is one of a new series of eight sonatas by Silvius Leopold Weiss arranged for the first time for guitar and published by Metropolis Music. Sonata XXIV comes from a set of tablature manuscript volumes in the Sächsisches Landesbibliothek in Dresden (Ms. Mus. 2841-â?V-â?1). There are five volumes with a total of 34 sonatas of Weiss for solo lute. The sonatas are ordered by key and further sorted by size or complexity. Sonata XXIV comes from Weissâ??s late â??productiveâ?? period, after 1730. The Sonata has six movements: Prelude, Ouverture (including allegro and largo), Courante, Bourée, Menuet and Gavotte. There is another copy of this Sonata, known as Parte (or Partita) no. 11, in a London Manuscript (British Library Ms. Add. 30387). The London Manuscript seems to be incomplete. It does not include a Menuet and a Gavotte. The Sonata in this Edition is based on the Dresden Manuscript. However, both the Prelude and the Bourée are coming from the London copy. The Dresden Prelude is regarded as spurious, and the London Bourée is more lively and in balance with the other movements. In a few passages of the Ouverture and the Courante I have made some adaptions on the basis of the London manuscript, to create the best of the two versions. In the Ouverture I have omitted the repeat indications. There are two Menuets in the Dresden Sonata. One has been crossed in the original manuscript with the accompanying note: ist nicht von Mr Weis. The other one has been added later, probably by the compiler of the volumes. The original London Prelude of this particular Sonata is composed in a â??simplifiedâ?? style; a common practice for adding preludes to lute sonatas in the 18th century. I have added the original example to my transcribed version. Perhaps it invites others to make their own arrangement. Originally, the Sonata is written in B flat major, a key often used by Weiss as it is appropriate for playing the lute. With the guitar, however, the key is rather awkward. For ease and effectiveness of playing, I have transposed the Sonata a minor third lower to G major. To create more concordance with the baroque tuning of the lute, the G string is lowered by a semitone to F sharp. I suggest using a capodastro to achieve the original pitch. Based on the present standard of A at 440 Hertz, the capo should be placed at the 3rd fret. However, during Weissâ??s lifetime, it was more common in many parts of Germany to use a standard of A at 415 Hertz -â? a semitone lower. So, to hear the pitch heard by Weiss and his contemporaries, the capo should then be positioned at the 2nd fret.
SKU: HL.48025116
ISBN 9781784547325. UPC: 196288074397. 9.0x12.0 inches.
Leokadiya Kashperova (1872-1940), hitherto consigned to a footnote in musical history as Stravinsky’s piano teacher, is undergoing rediscovery. A double graduate of the St Petersburg Conservatoire, she emerged as a virtuoso pianist and composer in the romantic tradition. She was associated with some of the great musicians of her day, including Balakirev and Auer. She performed in both Germany and the UK in the 1900s, but her career petered out after 1920. The pencil manuscript of the Piano Trio in A minor (c1930-40) was discovered in 2019 in the Russian National Museum of Music, Moscow. The work has been edited for performance by Graham Griffiths in close collaboration with members of the Gould Piano Trio, who gave the world première in 2020. A four-movement work of 28 minutes' duration and in full-blooded Romantic idiom, it joins the recently republished Cello Sonatas 1 & 2 in the Kashperova Edition.
SKU: HL.49016788
ISBN 9790001148429. UPC: 841886009103. 9.0x12.0x0.256 inches.
Many people know E.T.A Hoffmann (1776-1822) only as an author, but he composed many works as well. These sonatas are lovely intermediate level pieces.
SKU: HL.14043723
ISBN 9781783059522.
This is an updated edition of Francis Poulenc 's 1962 work Sonata For Oboe And Piano , edited by Millan Sachania . Featuring the full score and a separate Oboe part, this exclusive edition also includes a download card, giving you instant online access to demonstration and accompaniment tracks. Originally completed in 1962, Poulenc 's Sonata For Oboe And Piano had been brewing in his mind for at least five years. The last of Poulenc 's trio of sonatas for woodwind instruments, he tragically passed away before it could be definitively engraved, leaving behind a work with a number of ambiguous notational marks that resulted in an incomplete first edition, publishedposthumously. A number of revisions have taken place, but this, expertly edited by Millan Sachania , aims to provide a playable, legible, precise and authoritative score that reflect closest Poulenc 's intentions. This new edition revises many minor details, including Piano chords, tied notes, the correction of various bars throughout as well as his crescendos during the third movement. At all points, Sachania has aimed to reproduce an authoritative and accurate score that is at once playable and a reflection of what Poulenc himself may have intended. This is a most exciting prospect considering the reputation that this work has garnered as a piece of profound poignancy. Dedicated to Sergey Prokofiev, it has been said that the mournful final movement, Deploration , is something of an obituary. What makes this edition of Sonata For Clarinet And Piano really special is the unique download card that provides exclusive online access to demonstration and accompaniment audio tracks. Professionally-recorded by renowned oboist Christopher Cowie and pianist Huw Watkins, the demonstration track allows you to hear exactly how the piece as a whole should sound, before the independent Piano-only track lets you take the place of the Oboe in your very own performance. This is a unique opportunity for oboists to learn from an authoritative.
