SKU: BT.ARMEAMM064
SKU: FZ.1279
ISBN 9790230612791. 24.00 x 33.00 cm inches.
This facsimile of an original by Etienne-Nicolas Mehul is part of our Dominantes collection. Three sonatas for harpsichord or fortepiano, Opus I - Edition : Paris, Jouve, s. d. (=1783). Three sonatas for harpsichord or fortepiano with violin accompaniment, Opus 2 - Editions : Paris, Le Duc, s. d. (=1788). Two volumes: piano part of opus I and II - preface and violin part of opus II. Preface by Joel Pontet: The keyboard sonatas of E. N. Mehul - a precocious talent - remarks on performance (choice of instrument and indications of nuances - articulations - ornaments). The preface sets out the essential points for performance of these youthful works. Editions originales of 1783 and 1788, preserved at the library national of Paris. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the National Library of Paris (France). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: HH.HH425-FSP
ISBN 9790708146261.
Amon g Vienna’s many composers and pianists of the time, Anton Eberl (1765–1807) was the one considered most worthy of comparison with Beethoven. His Sonata in A minor, Op.10 No.1, is probably the third of his seven sonatas with violin, and was published with an optional ‘basse’ – doubtless intended to be a part for a cellist – which permitted performance as a piano trio. In its duration, formal and harmonic novelty, and in the lively relationship between the violin and keyboard, his Op.10 No.1 shares much of the musical ambition and quality of Beethoven’s early works in this genre.
SKU: HH.HH528-FSP
ISBN 9790708185413.
Amon g Vienna’s many composers and pianists of the time, Anton Eberl (1765–1807) was the one considered most worthy of comparison with Beethoven. His Sonata in B flat major, Op.10 No.2, is the first known Viennese sonata for keyboard with clarinet, offered as a first-named alternative to violin. The alternatives are included in this edition. It is probably the fourth of his seven sonatas which included the violin and was published with an optional ‘basse’ – doubtless intended to be a part for a cellist – which permits performance as a piano trio. The sonata was composed around 1800 and dedicated to Franz Joseph the Prince of Dietrichstein, an official at the court of Emperor of Russia Paul I in St Petersburg. Eberl spent two periods in that city, 1796-9 and 1801-2, as Kapellmeister, performer and teacher. The work was first published by the St Petersburg firm of Gerstenberg & Dittmar. As contemporary reviewers found Beethoven’s Sonatas Op.12 with violin – works published in 1799 – challenging and ‘overladen with strange difficulties’, so too were the two sonatas Op.10 thought to be overlong and excessively complex. But in its duration, formal and harmonic novelty, and in the lively relationship between the clarinet or violin and the keyboard, his Op.10 No.2 shares much of the musical ambition and quality of Beethoven’s works in this genre.
SKU: FZ.4340
ISBN 9790230643405. 23.50 x 32.50 cm inches.
This facsimile of an original by Johann Gottfried Eckard is part of our Dominantes collection. Six sonatas for harpsichord Opus I. Edition : Paris, l'Auteur, (undated=1763). Two sonatas for harpsichord or fortepiano- Opus II. Edition : Paris, l'Auteur, (undated=1764). Menuet d'Exaudet with variations for harpsichord Edition : Paris, l'Auteur, (undated=1764). Presentation by Jeanne Roudet : Introduction Dynamics and agogics - Use of pedal - Ornamentation - Appendix I - Appendix II. Facsimile of this composer's entire works. They can be played on harpsichord or fortepiano. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the National Library of Paris (France). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: FZ.5937
ISBN 9790230659376. 24.00 x 33.00 cm inches.
This facsimile of an original by Francois Devienne is part of our French classical music collection. Edition : Paris, Le Duc, 1785. Preface by the students of the CeFEdeM-Ile-de-France: the ornamentation of the three sonatas. Two separate instrumental parts: fortepiano, flute. The preface examines the ornamentation of the three sonatas, typical of the turning point between the eighteenth and nineteenth centuries. Like the flute part, the piano part contains almost no phrase marks: some research into the subject is therefore necessary it should be based on Devienne's own flute tutor. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the National Library of Paris (France). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: NR.103403
Dlia fortepiano = Vierte Sonate F-dur : fur Klavier, opus 18, 1926.
SKU: HH.HH422-FSP
ISBN 9790708146230.
Unli ke many of EberlaEUR(tm)s lesser contemporaries, in its duration, formal and harmonic novelty, and in the lively relationship between the violin and keyboard, his Op.14 shares much of the musical ambition and quality of BeethovenaEUR(tm)s works in this genre.
SKU: FZ.3034
ISBN 9790230630344. 24.00 x 33.00 cm inches.
This facsimile of an original by Alexandre Pierre Francois Boely is part of our Dominantes collection. Two sonatas for the fortepiano, Opus I - Paris, Ignace Pleyel, Naderman (undated = 1810). Presentation of Jeanne Roudet : Biographical details Elements of interpretation (accentuation, articulation). Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of a copy in the National Library of Paris (France). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: FZ.4897
ISBN 9790230648974. 24.00 x 32.50 cm inches.
This facsimile of an original by Wolfgang Amadeus Mozart is part of our Dominantes collection. Edition: Vienne, Torricella, (undated=1784). Presentation by Norbert Kaltz: General remarks (Origin of the edition and the dedication Sonatas). Particular remarks (Sonate I, Sonate II, Sonate III). Torricella's original edition is very legible. The violin part of the third sonata is published as a separate part. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from:- British Library of London (England). - Library of the University of Basel (Switzerland). Anne Fuzeau Classique propose period copies of classical music scores.
SKU: UT.QC-3
ISBN 9788881094639. 6.5 x 9.5 inches. Performed by Arthur Schoonderwoerd.
Saggi di Rudolf Angermüller, Bianca Maria Antolini, Luca Aversano, Otto Biba, Ala Botti Caselli, Anik Devriès-Lesure, Arnfried Edler, Markus Engelhardt, Christoph Flamm, Anselm Gerhard, Rudolf Hopfner, Roberto Illiano, Janina Klassen, Laurence Libin, Elena Previdi, Rudolf Rasch, Massimiliano Sala, Guido Salvetti, Duane White, Christian Witt-DörringThis volume offers the reader a journey into the highways and byways of the culture of the pianoforte, covering certain new aspects. The range of themes treated is vast, proof of the central nature of the instrument in European musical life on the cusp of the eighteenth and nineteenth centuries. On the basis of original research, investigations have been made into the different ways in which the spread of instruments and printed music occurred; into the movements of musicians circulating from one end of Europe to the other; into the circulation of genres, forms, musical styles and stylistic elements conveyed including through the teaching of the instrument; into the presence of the pianoforte in the European literature and the arrangements for instruments at the beginning of the nineteenth century; into the role of the pianoforte in certain important centres in Europe and the United States. A rich period for European music, therefore, in which the opportunities for contact and mutual exchange among the musicians were particularly intense and in which the pianoforte acted as a catalyst in private and public musical life in all the cities of Europe.The volume comes with the bonus of a CD, appositely providing pianoforte sonatas by Cramer, Hummel, Eberl and Beethoven.
SKU: HH.HH170-SOL
ISBN 9790708059004.
The Anhang of Köchel’s catalogue is full of pieces that for more than a century after his death were thought to be his work; the Müller sonata, a very effective piece on both fortepiano and clavichord, is still suspected of containing some elements of original Mozart in it, and deserves to be rescued from oblivion in this Mozart anniversary year.
SKU: NR.93676
SKU: HH.HH241-SOL
ISBN 9790708059837.
The second instalment of the three volume collection of Zinck’s complete keyboard music contains the printed sonatas which followed his enormously successful 1783 set together with the first appearance in print of two sonatas from a manuscript source in the Royal Library, Copenhagen. The published sonatas show Zinck’s mastery of the styles of both C.P.E. Bach (his teacher) and Haydn, while the manuscript works are simpler in their technical demands, but include original fingering from the composer. All the sonatas in this volume would be effective on either clavichord or fortepiano.
SKU: HH.HH301-SOL
ISBN 9790708092506.
The second volume of keyboard music from the reclusive Carl Fasch contains two unpublished sonatas (one unusually in the key of B flat minor) and his considerable output of character pieces, short descriptive works which justify contemporary opinion that he was the true successor to C.P.E. Bach. These individual vignettes are ideal for playing on either clavichord or fortepiano and provide an expressive foil to the more extrovert and extended sonatas in the first volume. The third and final voume will contain all Fasch’s keyboard variations. .
SKU: M7.BP-2758
ISBN 9790015275807.
Die von Amadeus als ERSTDRUCK publizierte Sonate für Violoncello und Clavier von Carl Heinrich Graun ist 1775 entstanden, also während der spätbarocken Übergangszeit, als das Fortepiano das Cembalo langsam zu verdrängen begann. Die dreisätzige Sonate (Largo, Poco Allegro und Allegretto) ist eine willkommene Ergänzung zur Literatur dieser Zeit. Sie ist einfallsreich, aber nicht schwer zu spielen.
SKU: NR.80368
SKU: NR.76960
SKU: NR.73490
SKU: NR.81477
Belov, V. S., ed, Neigauz, Genrikh Gustavovich, 1888-1964, ed.
SKU: NR.75145
SKU: NR.74403