Matériel : PartitionLangue : Français
Cette partition SOLO DE BALLET OPUS 87 de Michelis Vincenzo De a été éditée par les éditions Billaudot. La référence de cette partition de musique est GB8007. Cette oeuvre d'une durée de 00:07:00 est idéale pour les musiciens pratiquant Flûte Traversière. Après quelques heures de pratique, cette partition n'aura plus de secret pour vous. / Piccolo Et Piano / Partition
SKU: HL.49002680
ISBN 9780901938039. English.
Ballet an its Music traces the influence of the outstanding personalities in the world of ballet from the seventeenth century to the present day. The development of dance-technique and ballet music is followed from the courtly and peasant dances of the High Renaissance through to contemporary productions. The author deals in detail not only with the great choreographers, past and present, but also with the composers whose names are especially linked with ballet and who have made a significant contribution to music for the dance. She combines a historical narrative with a perceptive treatment of world-famous Schools and Companies. Ballet and its Music is copiously illustrated with photographs and engravings. A special feature of the book is the collection of music extracts from many famous ballets, arranged for piano solo, which will make it particularly attractive to the student an amateur musician. Althrough primarily intended for young people embarking on a study of ballet, the wealth of information contained in this book will make it a stimulating and invaluable guide for readers of all ages.
SKU: HL.49019903
ISBN 9790001193917. UPC: 888680623616. 9.25x12.0x0.069 inches.
Maurice Bejart's great admiration for the films of Federico Fellini and their accompanying music prompted the French choreographer to seek the opportunity to collaborate with composer Nino Rota who remained Fellini's musical alter ego throughout his life.The music for Le Moliere imaginaire, a comedie-ballet in two acts in commemoration of the great French dramatist, was created during an extended period in the summer of 1976 when Bejart and Rota had allotted almost a month to be devoted solely to this project.The version of this music for piano originated during the collaborative working phase of the two artists and appears in abbreviated form at the beginning of the ballet when the curtain rises on the first act.
