Soft to Touch

Par PERRONE DAVIDE. Une ambiance Soft (y) à la flûte à bec qui, appelée par les claquements de doigts du pianiste, se met au jazz. Le rythme ternaire et l'ambiance décontractée des premières mesures rappellent le piano bar… mais les imitations, septièmes diminuées, inversions sont bien là, et la pièce se déroule en profitant de tout le registre de la flûte à bec, qui prend alors une dimension lyrique. / Niveau : Assez Facile / Moderne / Répertoire / Flûte à Bec Alto et Piano

Originally part of Walton's film score to Henry V composed in 1943 'Touch her soft lips and part' has been taken from the original string version and arranged beautifully by Michael Berkeley for a smaller ensemble.

Now Touch the Air Softly a lovely poem by former United States Poet Laureate William Jay Smith has been set with great care for developing voices by David Brunner. A simple and lilting piano accompaniment and a dancing oboe part combine with the voices to make this a beautiful addition to your treble choir repertoire.

Piano Solo-10 refreshing hymn settings with a touch of light jazz. Gentle on the ear and enriching to the soul these arrangements are well-suited for church services recitals or personal enjoyment. Includes a foreword by Joseph M. Martin and Mark Hayes. Titles include: Down at the Cross (Glory to His Name) · I Will Sing of My Redeemer · Jesus Paid It All · Let Us Break Bread Together · Near to the Heart of God · Savior Like a Shepherd Lead Us · Softly and Tenderly · Stand Up Stand Up for Jesus · Trusting Jesus · What a Friend We Have in Jesus.

New to the Schott Saxophone Lounge, this latest edition, arranged by Dirko Juchem, takes us on a musical journey through the decades of pop music. With his usual mastery, he adds a surprisingly 'saxy' touch to 14 immortal hits like Hotel California, Angie, Wind Of Change and Layla. All of these accessible arrangements are included on the audio CD as play-along and full performance versions, recorded by the author himself. / Saxophone Tenor

For novice and intermediate musicians, Alfred's Piano Play-Along series makes possible the satisfying experience of playing popular songs along with professionally recorded backing tracks. Incorporating vocal melody and signature instrument parts from classic recordings, these custom arrangements also sound great completely on their own, and will have you rocking out from the comfort of your living room in no time. The sound-alike backing tracks on the included DVD-ROM come in two formats: play-along MP3s that can be loaded onto your computer, smartphone, or iPod- or, if you access them via our exclusive TNT 2 Custom Mix software, you can mix the vocals and instruments in the track to your liking, slow the audio down without changing the pitch, change keys, and loop parts for practice! / Piano

14 Famous Pop Ballads. Par . Pop Ballads continues our new Schott Clarinet Lounge series which is aimed at Clarinet players looking for new playable arrangements. Our popular author Rudolf Mauz (Klarinette spielen - Mein schönstes Hobby) has arranged the exquisite selection of pop gems in an emotional, gripping, glamorous, yet also touching way. The melodic and easy-to-play arrangements - as performed by the author himself - are provided as downloadable audio tracks (voucher code printed inside). / Date parution : 2022-07-23/ Recueil / Clarinette et Piano

The 14 Most Beautiful Popsongs. Par DIVERS AUTEURS / JUCHEM DIRKO (ARR.). Un nouveau renfort pour le Schott Saxophone Lounge : dans la toute nouvelle édition, le célèbre arrangeur Dirko Juchem invite à un voyage musical à travers des dizaines d\'années de musique pop. En habitué et en familier des lieux, il confère à 14 succès immortels tels que \'Hotel California\', \'Angie\' ou\' Layla\', une touche étonnamment \'saxy\'./ Recueil / Saxophone Ténor

Piano Duets edited by Michael Aston-An attractive and varied collection of 20th-century Piano duets by British composers. The album includes a reprint of Lambert's classic and witty work 'Trois piéces nègres pour les touches blanches' as well as new arrangements of Walton's 'Popular Song' and Vaughan Willliams's beautiful but little know 'The Lake in the Mountains'. This collection will be of interest to Piano duettists everywhere and an ideal introduction to the medium for students of grades 6-8 standard.Contents:York Bowen: Serenade Op.90 No.3Benjamin Britten: Playful Pizzicato from Simple SymphonyBenjamin Britten: Sentimental Saraband from SimpleSymphonyEdward Gregson: Four Pictures Nos. 3 and 4Constant Lambert: Trois pièces nègres pour les touches blanches (Aubade; Siesta; Nocturne)Ralph Vaughan Williams: The Lake in the MountainsWilliam Walton: Touch her soft lips and part from Henry VWilliam Walton: Popular Song from Façade

Par ADAMS JOHN LUTHER. John Luther Adams' Everything That Rises for String Quartet. John Luther Adams' Everything That Rises for String Quartet. Composers note: I never imagined I would write a string quartet. Then I heard the JACK Quartet, and I understood how Imight be able to make the medium my own. The result was The Wind in High Places - a twenty-minute work composed entirely on natural harmonics and open strings. Over the next few years, twomore quartets followed. The second quartet, untouched, is a further exploration of the aeolian sound world of the first. Then, in Canticles of the Sky, the musicians finally touch the fingerboards of theirinstruments. And now comes Everything That Rises . This fourth quartet is more expansive, both in time and in space. It grows out of Sila: The Breath of the World - aperformance-length choral/orchestral work composed on a rising series of sixteen harmonic clouds. Everything That Rises traverses this same territory, but in a much more melodic way. Each musician isa soloist, playing throughout. They surround the audience. Time floats. Over the course of an hour, the lines spin out - always rising - in acoustically perfect intervals that grow progressively smaller as they spiralupward... until the music dissolves into the soft noise of the bows, sighing. Duration: 60 minutes/ Répertoire / Quatuor à Cordes

Federico Ruiz finds constant inspiration in the rich popular and folkloric music of his country.No. 10 The little Peruvian girl is featured by the Associated Board of the Royal Schools of Music in their Grade 4 piano exam pieces 2013 & 2014.Clara has recorded these pieces on CD: The Music of Federico Ruiz - on Nimbus Alliance Records (Catalogue No. NI6179).They first met in 1993 and she became acquainted not only with his music but through it discovered the precision and the soft expressiveness of each of the numerous rhythms of Latin America and the Caribbean. His music is a sophisticated synthesis of Latin American styles that amongst manyother traits expresses the subtle interface between 'classical' and 'popular' music of the continent.Clara Rodriguez is often described as an Ambassador of Latin-American piano music recognising the great number of concerts she has given and CDs where this music features prominently. Born in Caracas Clara studied there with Giomar Narváez and with Phyllis Sellick after winning a scholarship from the Venezuelan Arts Council to train in London at the Royal College of Music. At the age of sixteen she made her debut playing Mozart's last piano concerto with the Simón Bol var Orchestra under the baton of José Antonio Abreu which was the starting point of her international career as a concert pianist.Her discography includes CDs of the piano music of Venezuelan composers Moises Moleiro (Nimbus NI6104) Teresa Carreño (Nimbus NI6103) VENEZUELA (Nimbus NI 6122) receiving glowing reviews from international publications such as Gramophone Magazine: 'Clara Rodriguez makes the most of her innate feel for the exuberant and languorous dispatching the toe-tapping cross-rhythms with panache and a light touch. This is a treasure chest from which to cherry-pick.' She regularly plays in London's Wigmore Hall Southbank Centre St. John's Smith Square St. Martin in-the-Fields and at Barbican Centre. Clara Rodriguez teaches the