Preludes And Fantasias

Johann Sebastian Bach is regarded as one of the greatest composers of all time. His music is revered for its technical command artistic beauty and intellectual depth. However during his lifetime Bach wasbest known throughout Europe as an organist Organ consultant and composer of Organ works in both the traditional German free genres?such as preludes fantasias and toccatas?and stricter forms such as chorale preludes andfugues. During his most productive period (1708 14) he composed about a dozen pairs of preludes and fugues five toccatas and fugues and the Little Organ Book an unfinished collection of forty-six short chorale preludes thatdemonstrates compositional techniques in the setting of chorale tunes.Essential Organ Works Of Bach includes Toccata And Fugue In D Minor BWV 565 Passacaglia And Fugue In C Minor BWV 582 Concerto in A minor 'after Vivaldi' BWV 593 Fantasia in G 'Piéce d'Orgue' BWV 572 In dulci jubilo BWV 729 Liebster Jesu wir sind hier BWV 731 Prelude and Fugue in Eb BWV 552 Prelude and Fugue in G BWV 541 Vater unser im Himmelreich BWV 683 and Watchet auf ruft uns die Stimme BWV 645. A must-have collection for any organist!

Par LOEB DAVID. David Loeb's new collection Fantasias on Eurasian Melodies, for piccolo alone, gathers together his Balinese Fantasies, Tibetan Fantasias, and Preludes on Eurasian materials for a thorough tour through these interconnected musical languages. The Fantasias, distinct among Loeb's works, draw on native musical sources while building complex, intriguing music more akin to concert repertoire than native folk music. The Balinese Fantasies utilize several Balinese scale types, rarely combined in single native works. Here they are allowed to intermingle freely throughout the fantasies, and within the ornamentations and variations. The Tibetan Fantasias are evocations of images, tone poemsfor the solo piccolo player. Surprising complexity hides within the three works - the first a beautiful day on a highland plain, the second a moonlight night, and the third a Tibetan minstrel song painted with a particularly haunting brush. The Preludes draw from a huge variety of traditions, even occasionally crossing languages within single movements, though each movement still emphasizes a single mood. This collection contains the previous stand-alone books - catalog numbers P-04, P-09, and P-17. David Loeb's new collection Fantasias on Eurasian Melodies, for piccolo alone, gathers together his Balinese Fantasies, Tibetan Fantasias, and Preludes on Eurasian materials for a thorough tour through these interconnected musical languages. The Fantasias, distinct among Loeb's works, draw on native musical sources while building complex, intriguing music more akin to concert repertoire than native folk music. The Balinese Fantasies utilize several Balinese scale types, rarely combined in single native works. Here they are allowed to intermingle freely throughout the fantasies, and within the ornamentations and variations. The Tibetan Fantasias are evocations of images, tone poemsfor the solo piccolo player. Surprising complexity hides within the three works - the first a beautiful day on a highland plain, the second a moonlight night, and the third a Tibetan minstrel song painted with a particularly haunting brush. The Preludes draw from a huge variety of traditions, even occasionally crossing languages within single movements, though each movement still emphasizes a single mood. This collection contains the previous stand-alone books - catalog numbers P-04, P-09, and P-17./ Répertoire / Piccolo

Bach, Johann Sebastian Organ Works, Volume 6 Preludes, Toccatas, Fantasias and Fugues II / Early Versions and Variants to I (Volume 5) and II (Volume 6) Editor Kilian, Dietrich / Wollny, Peter Johann Sebastian Bach: Complete Organ Works in revised editions Any complete scholarly critical edition of the works of Johann Sebastian Bach must incorporate new research findings in the interest of scholars and performers alike. Now all of Bärenreiter's new performing editions of Bach's organ works are being revised to reflect the current state of scholarship and to convey maximum fidelity to the sources by being linked to 'Bach digital'. The present volume is an updated edition of Series IV, Volume 6 of the 'New Bach Edition' (NBA), prepared by Dietrich Kilian in 1964. The discovery of new sources and a reassessment of existing handwritten copies have brought about changes to the contents of the volume, which now includes the 'Fantasia in C minor' (BWV 1121), the 'Fantasia in G major' (BWV 571), the 'Fugue in G major' (BWV 577) and the C major version of the 'Toccata and Fugue in E major' (BWV 566). On the other hand, the 'Prelude in G major' (BWV 568) as well as the alternative versions of the 'Fugue in C minor' (BWV 574a) and the 'Prelude in A major' (BWV 536a) have been discarded as presumably spurious. Besides the new compilation and corrections of the musical text, the volume also contains a detailed Foreword by Peter Wollny with observations on each work and the extant sources. Page turns have been re-examined and improved. In collaboration with the Bach Archive Leipzig and its 'Bach' digital database, links are provided to all the major sources. The website http://links.baerenreiter.com enables readers to access the relevant page in the source simply and conveniently via short URLs. The links stored there are examined for their validity on a regular basis. Contents: BWV 551, 563-566 (version in E major), 569-571, 573-575, 577-579 and 1121 / Early versions and variants to I (Vol. 5) and II (Vol. 6): BWV 532a, 533a, 535a, 543a, 545a, 549a, 566 (version in C major) and 574b ' New detailed Foreword (Ger/Eng) by Peter Wollny on the works and their sources ' New contents reflecting the current state of source evaluations ' Links to sources in 'Bach digital' ' Complete new engraving and revised page-turns · Composer / Author: Bach, Johann Sebastian Toccata in C BWV 564 · Composer / Author: Bach, Johann Sebastian Fantasia in C BWV 570 · Composer / Author: Bach, Johann Sebastian Fantasia in c BWV 1121 früher BWV Anh. 205 · Composer / Author: Bach, Johann Sebastian Fantasia in C BWV 573 Fragment · Composer / Author: Bach, Johann Sebastian Fuga in c BWV 574 über ein Thema von Giovanni Maria Bononcini · Composer / Author: Bach, Johann Sebastian Fuga in c BWV 575 · Composer / Author: Bach, Johann Sebastian Toccata con Fuga in d BWV 565 · Composer / Author: Bach, Johann Sebastian Toccata in E BWV 566 · Early Versions and Variants to I (Volume 5) and II (Volume 6): · Composer / Author: Bach, Johann Sebastian Praeludium con Fuga in C BWV 545a · Composer / Author: Bach, Johann Sebastian Toccata Fassung in C zu BWV 566 · Composer / Author: Bach, Johann Sebastian Fuga in c BWV 574b über ein Thema von Giovanni Maria Bononcini · Composer / Author: Bach, Johann Sebastian Fuga in D BWV 532a · Composer / Author: Bach, Johann Sebastian Praeludium ô Fantasia in d BWV 549a · Composer / Author: Bach, Johann Sebastian Praeludium in e BWV 533a · Composer / Author: Bach, Johann Sebastian Praeludium con Fuga in g BWV 535a · Composer / Author: Bach, Johann Sebastian Praeludium in a BWV 543a · Composer / Author: Bach, Johann Sebastian Fantasia in G BWV 571 · Composer / Author: Bach, Johann Sebastian Fuga in G BWV 577 · Composer / Author: Bach, Johann Sebastian Fuga in g BWV 578 · Composer / Author: Bach, Johann Sebastian Praeludium in a BWV 569 · Composer / Author: Bach, Johann Sebastian Praeludium con Fuga in a BWV 551 · Composer / Author: Bach, Johann Sebastian Fantasia in h BWV 563 · Composer / Author: Bach, Johann Sebastian Fuga in h BWV 579 über ein Thema von Arcangelo Corelli

BWV 536 BWV 545 BWV 579 BWV 578 BWV 562 BWV 537-Fantasias Preludes and Fugues. Edited by Sir Frederick Bridge and James Higgs.

Par BACH JOHANN SEBASTIAN. A selection of Bach’s best-known, most-performed and most-recorded works for the keyboard, reproduced from the authoritative Bach-Gesellschaft edition. The l6 works, principally preludes, fugues and fantasias, are reproduced in a format ideal for study and practice./ Répertoire / Clavier ou Orgue Electronique

Volume 2 contient les oeuvres des années plus tard de composition, y compris les fantaisies populaires et rondos ainsi que plusieurs ébauches de forme sonate complétés par comtemporaries de Mozart. En outre, la présente édition contient des versions de piano solo du Concert Rondo K 382, le rondo le duo pour violon et alto 423 K, ainsi que l'ouverture de la ' enlèvement au sérail '. / Piano

Par BACH WILHELM FRIEDEMANN. Following the acclaimed, award-winning publication of The Notebooks for Anna Magdalena Bach 1722 and 1725 (Best Edition 2020, German Music Publishers Association), Edition Peters is proud to present the Notebook for Wilhelm Friedemann Bach 1720 in a new premium Urtext edition by world-renowned Bach scholar Christoph Wolff. Bach's 'notebooks' provide a fascinating glimpse into the domestic music academy of the Bach family home. They contain original compositions, exercises, and model examples by other composers, all collected with a view to providing a rounded musical education to family members. The Notebook for Wilhelm Friedemann Bach was compiled for Johann Sebastian's eldest son, who himself went on to become one of the leading organists, improvisers and composers of his day. The book contains systematic exercises, first or early versions of three of Bach's most important keyboard cycles (some of the preludes from the Well-Tempered Clavier, Preambulums for the Two-part Inventions and Fantasias for the Three-part Sinfonias) and suites by Richter, Telemann and Stölzel among other items. This luxury linen-bound edition with gold-embossed cover lettering is in line with the quality of the production of the much-praised Notebooks for Anna Magdalena Bach. It is produced in the original landscape format, ideal for use on a keyboard stand, and contains illustrations, premium-quality new engravings and full critical commentary. This edition is the first new Urtext edition of the notebook in 60 years. It presents cutting-edge scholarship from the world's leading Bach authority Professor Christoph Wolff including the most up to date research regarding attributions of authors and writers, new fragments brought to light by recently rediscovered manuscripts and the latest dating of sources. New Urtext Edition of the Notebook for Wilhelm Friedemann Bach 1720 by Christoph Wolff First new Urtext Edition for 60 years Highest possible level of scholarship Follows acclaimed publication of The Notebooks for Anna Magdalena Bach 1722 and 1725 Landscape format, optimal for piano and keyboard players Premium linen binding Bibliophile edition Praise for The Notebooks for Anna Magdalena Bach: 'Every aspect of this edition screams quality; it is quite simply a thing of great beauty!' - Pianodao.com 'There are countless editions of the Notebook for Anna Magdalena Bach. Edition Peters has now published a complete edition for the first time, containing the complete material from Bach's 1722 and 1725 notebooks. Christoph Wolff, renowned Bach specialist, professor at Harvard University and long-time director of the Bach Archive in Leipzig, is the editor of this bibliophile Urtext edition. Bibliophile is the right term here [...] the publication shows the company's deep connection to Bach in several ways. In addition to a foreword, the inside pages contain all piano pieces from Bach's books in a clean, very well-placed typesetting. Reproductions of Bach's original manuscript make the bridge between the past and the present easy to understand. Close to the original and very beautifully realised, this Notebook is worthy of distinction.' - Deutsche Musikverleger-Verband (Best Edition 2020) / Date parution : 2021-12-09/ Recueil / Piano