So Small

SKU: HL.48182268

UPC: 888680839277. 9.0x12.25x0.099 inches.

”Smal l Suite for Flute and Piano is a piece written for the Paris Conservatoire contest by Pierre Petit. Really melodious, it lasts eight minutes and is divided into three distinct movements. The first part, ?Gai et allant? is quite fast and has to be played joyfully. It uses the whole range of the instrument with some really high notes and includes a Cadenza. The second part, ?Lent et très chanté?, is slower, slightly lower in range and really melodious. It is quite short compared to the other parts. The third and final movement has the same kind of range as the first one. Fast, it features a part to be played at Marzuka tempo and one to be played at the same tempo than the beginning. The piece ends on a really high trill. Small Suite is really enjoyable to play and to listen to. It however requires some strong skills in terms of technique and sonority that would be acquired by advanced players: the difficulty is therefore rated at 7.“.

SKU: HL.48185476

UPC: 888680837587. 9.0x12.0x0.069 inches.

Small modal suite is a piece written for Flute and Piano accompaniment by Henri Bert. Perfect for upper-beginner flautists, this nice work in five parts can be executed in its totality in 6?10 minutes. Each part can also be played separately. It includes: 1. Sonnerie 2. Legende 3. Tambourin 4. Cantilene 5. Saltarelle Henri Bert (1926-2007) was a French musician who received Harmony anc Conductor Prizes. He also studied the Organ and Choral songs..

SKU: HL.14004081

ISBN 9788759868829. International (more than one language).

Niels Bentzon's Seven Small Pieces or 7 Smaa Klaverstykker for Piano from Opus 3.

SKU: CF.SPS94

ISBN 9781491161449. UPC: 680160920037.

On November 5th, 2017, a mass shooting took place at the First Baptist Church in Sutherland Springs, Texas. Twenty-six innocent people lost their lives that day, including an unborn child. Overture to a Small Town is dedicated to these victims and the loved ones they left behind. From the biggest cities to the smallest towns, the senseless bloodshed must end. Despite the darkness of this tragedy, it is my intent through this music to portray a sense of hope, dignity, and innocence deserved by all America's cities and towns. The opening moments of this piece should be treated delicately, ensuring that the brass section moves together in one unified voice, and that the crotales evoke distant flickers of light. Similarly, in mm. 120-127, articulations in the flutes, trumpets and mallets should be strong enough to be heard, but without being aggressive. The textural layering in mm. 48-53 should be executed with machine-like precision of both rhythm and articulation. This passage should evoke the sound of many voices rising together. There should be a great contrast between the opening Piano dynamic and the final Forte dynamic. In mm. 65-69, both mallet percussionists may play the indicated notes in any octave they choose. Both players should move rapidly between notes in any order. This passage should sound fluid and ethereal. In mm. 69-73: If there is no English Horn available to the ensemble, the Trumpet should play this passage solo. If there is an English Horn, both instruments should play the passage together. This impressionistic composition about these vanished structures, although written for more advanced ensembles, has only one flute, clarinet, trumpet, horn and trombone part. As a result, smaller bands can play this composition without having to look for a flex-band arrangement. Use this to develop the essential skills of syncopation and counting while also offering the security of only having one part for each instrument voice. An exciting contrasting selection for bands looking for a harmonically interesting composition, this also works well as a contest selection.  .
On November 5th, 2017, a mass shooting took place at the First Baptist Church in Sutherland Springs, Texas. Twenty-six innocent people lost their lives that day, including an unborn child. Overture to a Small Town is dedicated to these victims and the loved ones they left behind. From the biggest cities to the smallest towns, the  senseless bloodshed must end. Despite the darkness of this tragedy, it is my intent through this music to portray a sense of hope, dignity, and innocence deserved by all America’s cities and towns.  The opening moments of this piece should be treated delicately, ensuring that the brass section moves together in one unified voice, and that the crotales evoke distant flickers of light. Similarly, in mm. 120-127, articulations in the flutes, trumpets and mallets should be strong enough to be heard, but without being aggressive.  The textural layering in mm. 48-53 should be executed with machine-like precision of both rhythm and articulation. This passage should evoke the sound of many voices rising together. There should be a great contrast between the opening Piano dynamic and the final Forte dynamic.  In mm. 65-69, both mallet percussionists may play the indicated notes in any octave they choose. Both players should move rapidly between notes in any order. This passage should sound fluid and ethereal.  In mm. 69-73: If there is no English Horn available to the ensemble, the Trumpet should play this passage solo. If there is an English Horn, both instruments should play the passage together.This impressionistic composition about these vanished structures, although written for more advanced ensembles, has only one flute, clarinet, trumpet, horn and trombone part. As a result, smaller bands can play this composition without having to look for a flex-band arrangement. Use this to develop the essential skills of syncopation and counting while also offering the security of only having one part for each instrument voice. An exciting contrasting selection for bands looking for a harmonically interesting composition, this also works well as a contest selection. .

SKU: CF.SPS94F

ISBN 9781491161838. UPC: 680160920518.

On November 5th, 2017, a mass shooting took place at the First Baptist Church in Sutherland Springs, Texas. Twenty-six innocent people lost their lives that day, including an unborn child. Overture to a Small Town is dedicated to these victims and the loved ones they left behind. From the biggest cities to the smallest towns, the senseless bloodshed must end. Despite the darkness of this tragedy, it is my intent through this music to portray a sense of hope, dignity, and innocence deserved by all America's cities and towns. The opening moments of this piece should be treated delicately, ensuring that the brass section moves together in one unified voice, and that the crotales evoke distant flickers of light. Similarly, in mm. 120-127, articulations in the flutes, trumpets and mallets should be strong enough to be heard, but without being aggressive. The textural layering in mm. 48-53 should be executed with machine-like precision of both rhythm and articulation. This passage should evoke the sound of many voices rising together. There should be a great contrast between the opening Piano dynamic and the final Forte dynamic. In mm. 65-69, both mallet percussionists may play the indicated notes in any octave they choose. Both players should move rapidly between notes in any order. This passage should sound fluid and ethereal. In mm. 69-73: If there is no English Horn available to the ensemble, the Trumpet should play this passage solo. If there is an English Horn, both instruments should play the passage together.
On November 5th, 2017, a mass shooting took place at the First Baptist Church in Sutherland Springs, Texas. Twenty-six innocent people lost their lives that day, including an unborn child. Overture to a Small Town is dedicated to these victims and the loved ones they left behind. From the biggest cities to the smallest towns, the  senseless bloodshed must end. Despite the darkness of this tragedy, it is my intent through this music to portray a sense of hope, dignity, and innocence deserved by all America’s cities and towns.  The opening moments of this piece should be treated delicately, ensuring that the brass section moves together in one unified voice, and that the crotales evoke distant flickers of light. Similarly, in mm. 120-127, articulations in the flutes, trumpets and mallets should be strong enough to be heard, but without being aggressive.  The textural layering in mm. 48-53 should be executed with machine-like precision of both rhythm and articulation. This passage should evoke the sound of many voices rising together. There should be a great contrast between the opening Piano dynamic and the final Forte dynamic.  In mm. 65-69, both mallet percussionists may play the indicated notes in any octave they choose. Both players should move rapidly between notes in any order. This passage should sound fluid and ethereal.  In mm. 69-73: If there is no English Horn available to the ensemble, the Trumpet should play this passage solo. If there is an English Horn, both instruments should play the passage together.

SKU: HP.2983

UPC: 763628129835.

Volum e 5 in the Smaller But Mighty Series The eight titles contained in this collection are versatile, musical, and fun. Playable with two, three, or four ringers, these are ideal for socially distant ringing without tables. Perfect for the small ensemble looking for a diverting challenge, or for the larger choir on those Sundays when you're missing members. All the arrangements written for the treble clef.

SKU: HP.2985

UPC: 763628129859.

Volum e 3 in the Smaller But Mighty Series The eight titles contained in this collection are versatile, musical, and fun. Playable with two, three, or four ringers, these are ideal for socially distant ringing without tables. Perfect for the small ensemble looking for a diverting challenge, or for the larger choir on those Sundays when you're missing members. All the arrangements have been written for the treble clef, F5-F6.

SKU: HP.2959

UPC: 763628129590.

Volum e 4 in the Smaller But Mighty Series These 8 arrangements for 8 bells are accessible and beautiful. The piano fills out the harmonies and give a large breadth of sound. The handbell parts contain only 8 bells and can be rung without tables. An accompaniment CD is also available.

SKU: CA.5027100

ISBN 9790007298357.

As well as 20 organ sonatas and seven collections of stand-alone organ pieces with opus numbers, Rheinberger composed a whole range of smaller works for organ methods or organ collections for his favorite instrument, mainly at the request of colleagues and friends.

The posthumously compiled collection of ten smaller organ pieces WoO 25 brings together a series of interesting pieces from the years 1854 to 1896. It includes one of just two chorale settings by Rheinberger, the prelude on “Wenn ich einmal soll scheiden”. With short trios, preludes and fugues in different keys, the collection is particularly suitable for use in worship, but also for teaching.

Separate edition from Supplementary Volume 3 of the Rheinberger Complete Edition

SKU: HP.2981

UPC: 763628129811.

Volum e 2 in the Small-er but Mighty series The eight titles contained in this collection are versatile, musical, and fun. Playable with two, three, or four ringers, these are ideal for socially distant ringing without tables. Perfect for the small ensemble looking for a diverting challenge, or for the larger choir on those Sundays when you're missing members. All the arrangements have been written for the treble clef, F5-F6.

SKU: HP.2963

UPC: 763628129637.

Eight Settings for 12 Bells Intended for the small ensemble, this collection includes 8 arrangements that have been written for the treble clef, F5-C7. They can be used for 3 to 6 ringers.

SKU: HP.2979

UPC: 763628129798.

For 8 Bells Intended for the small ensemble, this collection includes eight arrangements that have been written for the treble clef, F5-F6. They can be played by two to four ringers or small ensemble. This collection includes many titles that are useful for your Advent and Christmas planning: O Come, O Come Emmanuel; Angels We Have Heard on High; The First Noel; Love Came Down at Christmas; Away in a Manger; O Come, All Ye Faithful; Cold December Flies Away and We Three Kings.

SKU: HP.2986

UPC: 763628129866. Jason Krug.

Volume 6 in the Small But Mighty series Intended for the small ensemble, this collection includes eight versatile, musical, and fun arrangements for Lent, Holy Week and Easter. Each setting has been written for the treble clef, F5-C7. They can be used for 3 to 6 ringers.

SKU: HP.2959D

UPC: 763628229597.

Volum e 4 in the Smaller But Mighty Series These 8 arrangements for 8 bells are accessible and beautiful. The piano fills out the harmonies and give a large breadth of sound. The handbell parts contain only 8 bells and can be rung without tables. An accompaniment CD is also available.

SKU: HP.2959C

UPC: 763628929596.

Volum e 4 in the Smaller But Mighty Series These 8 arrangements for 8 bells are accessible and beautiful. The piano fills out the harmonies and give a large breadth of sound. The handbell parts contain only 8 bells and can be rung without tables. An accompaniment CD is also available.

SKU: GI.G-CD-541

Commissioned through grants from four Marianist provinces, the music on this special recording reaches out to the over 40,000 small Christian communities in the United States. Music for Small Christian Communities is a collection of 28 songs (with some selections in both English and Spanish) written by eight of today's best liturgical composers. Some of the music is responsive to typical events in a community's life, such as adding new members, public commitment to a community's mission, and gathering at table together. Other songs are written for regular ritual moments including Call to Prayer and Worship, Liturgy of the Word, Prayers of the Faithful, and Mission (Sending). There are also several selections dedicated to Mary, Mother of the Church and a community's commitment to social justice. This unique project was conceived by Bernard Lee, SM, and David Kauffman, a lay Marianist, both committed to their Marianist charism of Community and Hospitality.  .