Matériel : Conducteur et Parties séparées
SKU: CL.038-0095-00
SKU: CF.FAS59
ISBN 9780825873201. UPC: 798408073206. 8.5 x 11 inches. Key: C major.
Your students will have a great time with Shuffleupagus, a fun blues shuffle meant to be played in a loose swing style. A solo section gives students an opportunity to break free and improvise. Performers can swing hard on this piece! Duration: 2:56.Shuffleupagus is a blues shuffle. A shuffle has a triplet swing feel, and the eighth notes are swung. A solo section gives students an opportunity to improvise using a G blues scale (G, B≤, C, C≥, D, F) or G minor pentatonic scale (G, B≤, C, D, F). Staccato notes should be very short. Performers should swing hard on this piece!
SKU: BT.DHP-1216336-215
English-German-French- Dutch.
From the beginning of the Middle Ages, we have known performance practices in which the duration of the notes can differ from the actual notation. In some cases, binary written melodies were performed in a ternary way. This isalso the case in the present-day shuffle: the written quavers are performed in a long-short system in which the ratio is 2:1. In other words, the performance practice is based on a triplet feel. In this composition, allingredients of the shuffle are featured: a vigorous swing rhythm, a walking bass, the successions of thirds in the accompaniment and the frequent use of triplets. To make sure that the binary written rhythms in the accompanimentsare performed in the correct ternary manner, Peter Kleine Schaars has notated the melody themes in triplets as much as possible. Thus, this composition is a very useful exercise for the swing development of your ensemble.Additionally, the work is a treat to listen to, so your audience will really appreciate this up-tempo big band like composition. All ternary rhythmic cells 17 till 24 pass in revue, furthermore much attention had been paid to acorrect performance of cell 4 in swing feel. Al vanaf het begin van de middeleeuwen kennen we uitvoeringspraktijken waarbij de lengte van de noten anders kan zijn dan de daadwerkelijke notatie. Zo werden in sommige gevallen binair uitgeschreven melodieën ternair uitgevoerd.Dat is ook het geval bij de hedendaagse shuffle: de geschreven achtsten worden uitgevoerd in een lang-kortsysteem waarbij de verhouding 2:1 geldt. Oftewel de uitvoeringspraktijk is gebaseerd op een triolenfeel. In deze compositiekomen alle ingrediënten van de shuffle aan bod: een stevig swingritme, een walking bass, oplopende tertsenreeksen in de begeleiding en veelvuldig gebruik van triolen. Om ervoor te zorgen dat de binair genoteerde ritmieken in debegeleidingen op de juiste ternaire wijze worden uitgevoerd, heeft Peter Kleine Schaars de melodiethema’s zoveel mogelijk uitgeschreven in triolen. Hierdoor is deze compositie een zeer bruikbare oefening voor de swingontwikkelingvan uw ensemble. Daarnaast is het werk een feest om naar te luisteren en zal het publiek deze uptempo bigbandachtige compositie zeker waarderen. Alle ternaire ritmische cellen 17 tot 24 passeren de revue, daarnaast is er veelaandacht voor een juiste uitvoering van cel 4 in swingfeel. Seit Beginn des Mittelalters sind uns Aufführungspraktiken bekannt, bei denen die Dauer der Noten von der tatsächlichen Notation abweichen kann. In einigen Fällen wurden binär geschriebene Melodien ternär gespielt. Dies ist auchbeim modernen Shuffle der Fall: Die notierten Achtelnoten werden in einem Lang-Kurz-System“ im Verhältnis 2:1 ausgeführt. Mit anderen Worten, die Aufführungspraxis basiert auf einem Triolengefühl. In dieser Komposition sind alleZutaten des Shuffle enthalten: ein kräftiger Swing-Rhythmus, ein Walking Bass, eine Abfolge von Terzen in der Begleitung und die häufige Verwendung von Triolen. Um sicherzustellen, dass die binär geschriebenen Rhythmen in denBegleitungen ternär ausgeführt werden, hat Peter Kleine Schaars die Melodiethemen so weit wie möglich als Triolen notiert. Daher eignet sich diese Komposition zum Üben des Swings. Darüber hinaus hört sich das Stück so schön an,dass Ihr Publikum von dieser schnellen Big-Band-ähnlichen Komposition begeistert sein wird. Die ternären Rhythmus-Einheiten 17 bis 24 kommen alle vor, außerdem wurde ein Schwerpunkt auf die korrekte Umsetzung der Rhythmus-Einheit4 im Swing-Stil gelegt.Si nous remontons au début du Moyen ge, nous savons que, selon certaines coutumes d’interprétation, la durée des notes pouvait différer de la notation. Parfois, des mélodies écrites en binaire étaient même interprétées enternaire. C’est le cas de ce shuffle contemporain : les croches écrites sont jouées selon un système long-court où le rapport est de 2:1. Autrement dit, en pratique, l’interprétation est fondée sur un ressenti ternaire. Tous lesingrédients du shuffle sont présents dans cette composition : un rythme de swing vigoureux, une basse walking, les successions de tierces dans l’accompagnement et l’emploi fréquent de triolets. Pour s’assurer que les rythmesécrits en binaire dans l’accompagnement soient interprétés en ternaire, Peter Kleine Schaars a, dans la mesure du possible, noté les thèmes de la mélodie en triolets. Cette pièce forme donc un exercice très utile pour permettre votre ensemble d’apprendre le swing. En outre, son écoute est un vrai plaisir, et votre public appréciera pleinement cette pièce de style big band au rythme enlevé. Toutes les cellules rythmiques ternaires 17 24 sont passées enrevue et une grande attention a été portée l’interprétation correcte de la cellule 4, donc avec un ressenti swing.
SKU: CF.FAS59F
ISBN 9780825873218. UPC: 798408073213. 8.5 x 11 inches.
Your students will have a great time with Shuffleupagus, a fun blues shuffle meant to be played in a loose swing style. A solo section gives students an opportunity to break free and improvise. Performers can swing hard on this piece! Duration: 2:56.
SKU: FJ.HX9003S
English.
Brown Shuffle was first recorded by Norway's Oslo Groove Company on their jaw-dropping album Anno 1990. Now, for the first time, this newly-engraved edition is available in the United States. Lars Erik Gudim's excellent scoring brings the full ensemble together with dovetailed flourishes and a hard 12/8 groove built from interlocking rhythms across the band. This fusion/shuffle chart features primary sections in 12/8, 15/8 and 9/8 with interspersed sections of straight-ahead swing in 4/4. Alto sax 1 doubles on soprano and flute, alto 2 doubles on flute, and trumpets 1 and 2 double on flugelhorns. The solos are scored for trumpet 2 and trombone 2 and can optionally be opened up for more. A wonderful chart for advanced groups!
SKU: KN.TDB2304
12 x 9 inches.
This hard driving shuffle will be a hit with groups at many levels. The combination of a strong melody, an infectious groove and an open solo section make this a winning choice for any program. And, there is a wealth of ensemble work in this chart, too. Perfect for concert or festival!
SKU: CL.032-2453-01
A hard hitting R & B flavored shuffle that really kicks! The Tenors and Trombones take the lead and build to a wide open powerhouse finish. Contains an open solo section that can be used by any instrument and written solo suggestions are provided. Southside Shuffle is a perfect example of why Howard Rowe’s charts have become so popular with mid-level bands.
SKU: CL.032-3609-01
Did someone say shuffle? From the stop-time intro to a poppin’ shout chorus, this Howard Rowe chart is maximum excitement! Subway Shuffle is an excellent showcase for soloists and ensemble alike and builds to a rousing finale!
SKU: KN.42842
UPC: 822795428421.
With a driving groove from the rhythm section, a strong melody and blues based harmonies, this shuffle for medium level groups is equally great as an opener or closer. An open solo section features any soloist, with solo sheets provided for all. Duration 4:32.
SKU: KN.TDB2304FS
SKU: KN.11803
UPC: 822795118032.
JAMZ is a collection of 15 full-length solos written in contemporary styles including funk, hip-hop, rock, funk ballad, shuffle and gospel grooves. Appropriate for individual use or in private lessons, these pieces can be played unaccompanied or with the provided backing MP3 tracks recorded by excellent studio musicians. The only thing missing is you!COLLE CTION CONTENTS After Hours Jam; Back Nine Shuffle; Bounce; Escape Velocity; Eye On The Prize; Fish 'N Grits; I Remember When; Mid City Groove; Never The Same; One Last Time; Steep & Deep; Takin' It Home; Tune For T; Updraft and Wind Dancer.
SKU: CL.032-3609-00
SKU: KN.60046FS
If you are looking for a a blues tinged shuffle that features all the sections of the band, you've found the right chart with The Biscuit Shuffle! The catchy riff that starts the chart is the figure that ties this piece together beautifully. There is a cool passage for the brass and saxes with light rhythm section figures that follows the solo section.
SKU: AP.1-ADV7645
UPC: 805095076455. English.
Boogie Stop Shuffle by Charles Mingus and arranged by Andrew Homzy is a up-tempo shuffle jazz chart arranged for saxophone quartet (AATBar).
SKU: KN.GJK2301FS
Alternating between an easy two feel and a shuffle four this solid chart just sounds great. Composer Carl Strommen has a knack for making very playable charts sound full and appealing and there is a lot to like in this new selection.
SKU: KN.11367
UPC: 822795113679.
SKU: KN.60046
