Matériel : Partition
This matching folio includes every song from Bob Dylan's album Shadows In The Night, the critically acclaimed album of standard pop tunes originally recorded by Frank Sinatra. Featuring all ten songs arranged for Piano, Voice and Guitar, with full lyrics and chord boxes, this songbook is perfect for fans of Dylan, Sinatra or simply fantastic tunes.The album itself was highly anticipated, with Bob Dylan announcing he was 'un-covering' a collection of classic pop standards, hand-selected by himself. Dylan is certainly no stranger to cover versions, drawing from the folk tradition in his early career and putting out 2 back-to-back folk cover albums in the early 1990s. The news that this album would be a collection of songs made famous by Sinatra came as a surprise, considering Sinatra's derision of the early days of the folk scene. Despite this, time forged a mutual respect, with Dylan even, perhaps half-jokingly, claiming he was merely a 'song and dance man'. Dylan's long-term love for songs such as these resulted in Shadows In The Night, a collection of songs made famous by one of the greatest singers ever, performed by possibly the greatest songwriter ever.Shadows In The Night is not just a collection of standards, however, it's a beautiful reinterpretation of simple songs featuring some of Dylan's best singing in recent years. With this Bob Dylan sheet music, you can learn all songs from the album, including I'm A Fool To Want You, Full Moon And Empty Arms, and Why Try To Change Me Now. The career of Bob Dylan has been full of twists, turns and continual reinvention. Throughout, though, the consistent thread has been that he dictates his own path, and this album is an intensely personal one. On the album, you can hear the rustling of paper, the measured intake of breath, and you get the real sense that these songs are truly meaningful. The Shadows In The Night sheet music allows you to learn these wonderful new arrangements in their entirety, the subdued Guitar chords, the Piano accompaniment, and Dylan's unmistakeable vocal part. Songs like Stay With Me and Autumn Leaves feature melancholy melodies that take on an entirely new meaning when sung by such a musical legend, while the highlight of the album, That Lucky Old Sun, has a stunningly uplifting vocal performance that perfectly complements the quietly beautiful arrangement of his band.The subtle, subdued and simple arrangements of these tunes are begging to be covered, performed and played in your own home. The calm backing instruments throughout the album make this Shadows In The Night sheet music songbook perfect for a solo Piano performance, a singer's reinvention or an intimate and acoustic band cover. With accurate transcriptions, this Bob Dylan sheet music is the best place from which to learn these incredible covers that just call out to be sung over and over.The best thing about Shadows In The Night is how universal and timeless it is. These are songs composed by some of the greatest, that were then made famous by one of the greatest, and now reinvented by one of the greatest - it doesn't get much better than that! The album is perfect for purists, consummate for casual players and brilliant whether you're a pianist, guitarist or singer. If you want to learn how Dylan played these wonderful tunes, check out this Shadows In The Night sheet music songbook. / Piano/Vocal/Guitare (PVG)
SKU: HL.14030976
ISBN 9788759853757. 9.5x14.25x0.086 inches. English.
The composer writes, 'Quite some time ago I heard - through a conversation in a mobile phone - a wonderful concert of ringing church bells from an European capital. I found it very hard to concentrate about the conversation, because I was so engrossed by the chaotic world of bell sound. The night after, I dreamt that the sound of those low singing bells was rising up from a piano in a huge empty concert hall. That experience became the starting point for my piano piece, 'The Shadows of Silence'. But before the piece gets to the ringing bells it moves through a landscape of shadows - Shadows of the silence before the bells - Silence before the storm - Shadows of melodies which all the time leaves traces even in the short passages of storm. After the passage with the low ringing bells the shadows of silence returns melted in to a lament, which are sending two regards. One to two small beautiful - not very well known - bars by Mozart, and one to the sextet in my own opera, 'Under the Sky'.
SKU: FP.FBS02
ISBN 9790570500192.
Sara h Baker is Vocal Composer in Residence at Education Music Services, an ABRSM examiner and a well known composer of songs and musicals for primary schools and massed-choral events.All this experience has come together in the creation of this first published album of piano pieces, inspired by the sounds heard at night from the woodland just beyond Sarah’s childhood home.Suitable for players of around grade 4-5 standard, her evocative sound pieces begin at the tranquillity of dusk and end with the exuberant dawn chorus.The composer writes:'I grew up with woods behind my house, and the nocturnal noises and images that I remember were the inspiration for these eight short sound pictures on the theme of night. The music moves first from the tranquility of dusk and evening mists, to the emerging starlight of twilight. As night falls it takes on on a darker quality with shadows and dreams disturbing peace and calm.The night birds and bats swoop and flit past as they seek their prey, but gradually dawn approaches and peaceful sleep is restored. The morning is heralded in the joyful exuberance of the dawn chorus.'.
SKU: HL.14043546
9.0x12.0x0.088 inches.
Judith Weir 'S Day Break Shadows Flee For Solo Piano. This 10 Minute Work Was Commissioned By Bbc Radio 3. It Was First Performed By Benjamin Grosvenor On 1St September 2014, As Part Of The Proms Chamber Music Series At Cadogan Hall. ' Day Break Shadows Flee , Written For Benjamin Grosvenor, Is A Two-Part Invention, A Piano Solo Composition In Which The Two Hands Work In Close Co-Ordination But Independently. My Intention Was Generally To Avoid Using Thick Chords (Although Octaves And Other Clear Sonorities Are Included) While Allowing Both The Right And Left-Hand Lines To Be Free, Mobile And Expressive. The Treble And Bass Sectors Of The Keyboard Are Clearly Contrasted AndOften Widely Separated. In Atmosphere And Expression The Music Is Another Kind Of Two-Part Invention, Contrasting Bright, Upwards-Arching Phrases (Heard At The Opening And Evoking The Arrival Of Light At The Beginning Of The Day) With Veiled, Mysterious Scurryings, Suggesting The Stranger, More Nervous Life Lived At Night And In The Early Morning. ' - Judith Weir.
SKU: CF.YAS1
ISBN 9780825840630. UPC: 798408040635. 8.5 X 11 inches. Key: G major.
Moonlight Shadows is a passionate and colorful piece for strings that explores the expressive power of the string orchestra. Sean O'Loughlin uses a lush harmonic palette and variety of texture (including a short pizzicato section), to create an important and soulful addition to the repertoire for younger string ensembles. Duration: 2'30.Moonlight Shadows is a work for string orchestra that reflects my great love for the music of Samuel Barber. His compositions from the 1930s and 1940s were characterized by plush harmonies, flowing melodies and engaging suspensions. These elements are what I focused on in the composition of Moonlight Shadows.The material represents my mood and feelings when I look at a big, bright moon. The shadows it casts create an eerie feeling, while at the same time providing a deep, rich tapestry for the earth at night.The harmony features many major seventh-chords with half-step suspensions. These suspensions function as common tones to the next chord and create the tension of the piece. They also move, in order to provide resolution to the piece which allows the listener to rest. With this in mind, these suspensions should be brought out during performance.Moonlight Shadows is an emotional piece that allows the young musician the opportunity to play with much expression.
About Carl Fischer Young String Orchestra Series
Thi s series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:--Occasionally extending to third position--Keys carefully considered for appropriate difficulty--Addition of separate 2nd violin and viola parts--Viola T.C. part included--Increase in independence of parts over beginning levels
SKU: PR.14440515S
UPC: 680160667819. 9 x 12 inches.
In 1979, Martin produced a set of three quintets, in consideration of Gorky's piece Nighttime Enigma Nostalgia. Each is scored for flute, clarinet, violin, cello, and piano. One role of music is to evoke. Therefore, Nighttime is a nocturne, a night piece suggestive of flickering shadows, perhaps created by firelight. It is a recurrent setting in human existence. The music opens with the scene of twilight calm, gently disturbed with the slight uncertainty about what is around us, what we cannot see. Later, the clarinet takes on a solo role, and the notes bleed like careless paint into the other instruments that quietly sustain them. Next, the flute takes over the role of solo. The piece ends with a repeated cadence of morning light. (From the performance notes.).
SKU: PR.144405150
UPC: 680160667857. 9 x 12 inches. Robert Martin.
SKU: AP.1-ADV7675
UPC: 805095076752. English.
This suite was inspired most notably by the saxophone quartets of Phil Woods and was written in a conscious attempt to wed certain stylistic elements of classical and jazz music. The players are not asked to improvise, but the piece does feature sections that sound spontaneous and freely created. The piece is difficult, but no more so than other quartets, like Glazunov and Desenclos, that are standard repertoire for this instrumentation. Talented high school and all college groups will find success working on this piece. Soft Shadows of the Night features the alto saxophone in a quasi Bolero setting. The piece conveys a feeling of a big city in the tranquil pre-dawn hours---hence the title. Arranged for saxophone quartet (SATBar).
SKU: AP.37824S
UPC: 038081429755. English.
As summer ends, the chill of the autumn air awakens feelings within us. The shadows are longer in late afternoon and darkness comes early. The trees are losing their leaves and their gnarled trunks and branches take on sinister profiles against the looming twilight. We shudder at the cold wind. Our pulse quickens and we suddenly want to return to the safety and warmth of home. Night falls and we are once again at peace. We say a final farewell to the carefree days of summer and accept the relentless march of the seasons. Winter will soon be here. Shadows of the Equinox is a dramatic and lyrical piece inspired by a late Midwest autumn. It was commissioned by the 2010 Festival of Bands, Vincennes, Indiana, including the bands from Barr-Reeve, Loogootee, Mitchell, North Daviess, North Knox, and South Knox High Schools. This title is available in MakeMusic Cloud.
SKU: CF.O5025
9 X 12 inches.
