Ce volume de 'Groove Performances' s'adresse spécialement aux bassistes et batteurs débutants ou intermédiaires. Le but de cette méthode est de vous placer en situation réelle de travail en groupe. Nous vous proposons de véritables morceaux interprét des musiciens 'top niveau' qui vous permettront de travailler la mise en place, la régularité, l'endurance et le groove.Il s'agit pour vous de travailler des rythmiques 'simples' sur des morceaux 'simples' et de les faire tourner, ce qui est loin d'simple' ! Les musiciens confirmés y trouveront aussi largement matière à travailler.Sur le CD, chaque morceau est enregistré en deux versions. La première en stéréo vous sert de référence. La deuxième est une version play-back sur laquelle vous allvoir jouer. Il vous suffit de mettre votre balance à la position adéquate que vous soyez batteur ou bassiste. Les play-back font tous de 3 à 4 minutes, vous avez largement le temps de vous 'installer' sur le tempo. En suivant nos conseils et après qu / Guitare Basse Ou Percussions
SKU: HL.249677
UPC: 888680712372. 5.0x5.0x0.15 inches. Acts 1:8, Mark 16:15, Matthew 28:19-20, Romans 10:13-14.
In this anthem based on the Great Commission, the opening curtain-raising gesture in the accompaniment is a call to purpose, introducing a hymn-like tune in strong unison. A powerful song of commitment and discipleship, this one would be a thoughtful option for festival choirs, or a perfect choice for missions and evangelism-based services. Inspiring! Score and Parts (fl 1-2, ob, cl 1-2, bn, tpt 1-3, hn 1-2, tbn 1-3, tba, perc 1-3, hp, pno, vn 1-2, va, vc, db) available as a digital download.
SKU: HL.49007066
ISBN 9790001075695. UPC: 196288077459. 8.25x11.75x0.24 inches. German.
During the period in which these arrangements were created, Hans Werner Henze was far from being a Wagnerite. Despite this, he deliberately set out to study Wagner's music. Tristan und Isolde was the opera Henze found most accessible and it was therefore the Wesendonck-Lieder, dating from 1858 with their clear affinity to the harmony of Tristan, which became Henze's focal point of interest.In his arrangements he was aiming 'to evoke the pre-Tristan state. For this reason, I have selected a small ensemble consisting of seven wind instruments, two horns, harp and small string orchestra to retain the preliminary study character of these Lieder. At the same time however, I am attempting to permit the Tristanesque tone which is already inherent in the piano version to unfold through harmonic separation.'- Hans Werner Henze.
SKU: HL.282477
ISBN 9781540034342. UPC: 888680789213. 9.0x12.0x0.812 inches.
Almost 100 songs from the birth of the rock and roll era in the 1950s are included in this collection arranged for easy piano with lyrics. Songs include: All I Have to Do Is Dream * Bye Bye Love * Chantilly Lace * Don't Be Cruel * Earth Angel * Fever * Great Balls of Fire * Hound Dog * I Walk the Line * It's So Easy * Kansas City * Lonely Teardrops * Mister Sandman * Only You (And You Alone) * Peter Gunn * Rock Around the Clock * Sh-Boom * Shout * Sixteen Tons * Tequila * Tutti Frutti * Unchained Melody * Volare * Why Do Fools Fall in Love * Yakety Yak * Your Cheatin' Heart * and more.
SKU: PR.312416120
UPC: 680160049790. Text: Anonymous. Anonymous.
SKU: GI.G-7134
UPC: 785147713432. English, Latin.
Containing themes of divine providence, rescue, and sustenance, this collection comes from the heart of Joncas’s own suffering due to a bout with Guillain-Barré syndrome. After his recovery, Joncas experienced a new surge of musical creativity that gave birth to In the Sight of the Angels. The lush sounds of choral singing and the elaborate instrumentation of brass, harp, flute, organ, and other instruments make In the Sight of the Angels a beautiful recording replete with psalm settings, including “Drink in the Richness of God,” “In the Sight of the Angels,” and “Till the End of My Days.” Also present are settings of the three New Testament Lukan infancy canticles—the “Canticle of Zechariah,” the “Canticle of Mary,” and the “Canticle of Simeon.” But, perhaps most appropriate in light of Joncas’s recent experiences are the songs delineating the work of the Holy Spirit, God’s breath (ruach): “All Who Are Led by the Spirit,” “Lord, Send Out Your Spirit,” and “Veni, Sancte Spiritus.” This tranquil recording has a pastoral feel. It is tender and depicts a merciful God who gives us hope in light of suffering. Joncas’s newfound wisdom resonates through this music. It is his sincere wish that those who sing it, play it, and/or hear it will grow closer to God. CONTENTS: Veni, Sancte Spiritus • Till the End of My Days • All Who are Led by the Spirit • At Jesus' Name • Canticle of Mary • Lord, Send Out Your Spirit • Psalm 34: Drink in the Richness of God • To the Ends of Earth • Canticle of Zechariah • In the Sight of Angels • Canticle of Simeon.
SKU: HL.368607
ISBN 9781705141632. UPC: 840126968866. 9.0x12.0x0.19 inches.
Matching guitar transcriptions to Fahey's iconic 1968 album featuring 14 guitar solo arrangements of Christmas classics: Auld Lang Syne • Bells of St. Mary's • Go I Will Send Thee • God Rest Ye Merry Gentlemen Fantasy • Joy to the World • Lo, How a Rose E're Blooming • Silent Night, Holy Night • and more.
About Hal Leonard Guitar Recorded Versions
G uitar Recorded Versions are note-for-note transcriptions of guitar music taken directly off recordings. This series, one of the most popular in print today, features some of the greatest guitar players and groups from blues, rock, and heavy metal. Guitar Recorded Versions are transcribed by the best transcribers in the business. Every book contains notes and tablature.
SKU: BR.EB-9191
ISBN 9790004183434. 11.5 x 16.5 inches.
Ich denke beim Komponieren immer an Horer. Ich selbst bin mein erster und oftmaliger Horer. Aber zuallererst denke ich immer an Tone. Sie stehen mir gegenuber, auch in ihren angereicherten Formen als Klange, Gerausche, Positionen. In diesem Stuck gibt es einige Tone, deren Lautstarken nicht ihre eigenen sind, sondern mit denen sie uns Horer um Aufmerksamkeit bitten, ja sie geradezu erflehen. Ihr Hauptselbst, meine ich, ist ihre Lange. Nur wenn diese Langen mit offenem Horen empfangen werden, erfahrt man Charakter, Blickrichtung, Sehnsuchte, Tonwelten. Daneben gibt es eine Menge eleganter, fluchtiger Tone, eine Art Frequenzhupfer: Engelsstaub. Ich begegnete diesem Begriff kurz vor Beginn meiner Kompositionsarbeit in Naomi Kleins erschreckendem Buch ,,Die Schock-Strategie, in dem zu Beginn die Psychoschockversuche (CIA / USA und Dr. E. Cameron / Montreal) zur totalen Zerstorung von Personlichkeit geschildert werden. Zu diesen Entpragungs-Versuchen gehort(e) auch ein Drogencocktail mit LSD und PCP (Phenyl-Cyclidin-Piperidi n). Dieses PCP ist auch als Angel Dust bekannt. Es stellte sich heraus, dass Entpragung mit anschliessender Um- und Neupragung nicht moglich war. Nur katastrophale Personlichkeitszerstorung . Diese hat allerdings zur Entwicklung heutiger amerikanischer (nur?) Foltertechniken Zentrales beigetragen. Dagegen ist Musik ein Klacks! Sie hat eine andere Realistik als die Realitat. Das beinhaltet ihre Freiheit! Zeigen baut auf! Alle Ereignisse des Stuckes sind in eine Massstabstruktur von 80x13 eingesperrt und bewegen sich doch dauernd in erneuerter Teilung. Die harmonische Grundstruktur fallt mit der syntaktischen Gliederung nicht immer zusammen. Tone verlieren dadurch ihre Deutlichkeit. Sie gewinnen entlokalisierte Beweglichkeit. Und ein Einsperrmodell, in dem ein Ereignis (A) an Beginn und Ende (B1 / B2) umklammert ist, wird zum polyphonen Bewegungsprozess des Entgleitens und Entkommens. Realitat als Anstoss musikalischer Realistik. Dialektisch? Ansprechpartner?? Ihr Zeuge, lieber Horer!!! Nicolaus A. Huber (14. Januar 2008)World premiere: Stuttgart, December 5, 2009.
SKU: GI.G-CD-730
At long last, GIA proudly releases Michael Joncas’s first collection in over eight years. Containing themes of divine providence, rescue, and sustenance, this recording comes from the heart of Joncas’s own suffering due to a bout with Guillain-Barré syndrome. After his recovery, Joncas experienced a new surge of musical creativity that gave birth to In the Sight of the Angels. The lush sounds of choral singing and the elaborate instrumentation of brass, harp, flute, organ, and other instruments makes In the Sight of the Angels a beautiful recording replete with psalm settings, including “Drink in the Richness of God,” “In the Sight of the Angels,” and “Till the End of My Days.” Also present are settings of the three New Testament Lukan infancy canticles—the “Canticle of Zechariah,” the “Canticle of Mary,” and the “Canticle of Simeon.” But, perhaps most appropriate in light of Joncas’s recent experiences are the songs delineating the work of the Holy Spirit, God’s breath (ruach): “All Who Are Led by the Spirit,” “Lord, Send Out Your Spirit,” and “Veni, Sancte Spiritus.” This tranquil recording has a pastoral feel. It is tender and depicts a merciful God who gives us hope in light of suffering. Joncas’s newfound wisdom resonates through this music. It is his sincere wish that those who sing it, play it, and/or hear it will grow closer to God.
SKU: CF.CM9743IN
ISBN 9781491162231. UPC: 680160920990. Key: E minor. English. Iyana Davis. Negro Spiritual with Rap crafter by Ayana Davis.
This Negro Spiritual was made popular by the Golden Gate Quartet in the 1930s. Willie T. Johnson, the lead singer of the group, is the father of Kevin P. Johnson the arranger of this version. The composer, like his father, uses rhythm in exciting new ways to deliver Negro Spirituals to contemporary audiences. The text of this spiritual has been interpreted in many different ways over the years. Here's a popular interpretation of the text. One for the little bitty baby born, born, born in Bethlehem: This refers to the infant Jesus. Two for Paul and Silas: This verse honors Paul and Silas who went on many missionary journeys to spread the teachings of Christ. Three for the Hebrew children: The three Hebrew children could be Shadrach, Meshach and Abednego. Four for the four that stood at the door: Many people interpret the four to be the four writers of the Gospel books - Matthew, Mark, Luke and John, though this does not explain the part about standing at the door. Five for the gospel preachers: The five are Matthew, Mark, Luke, John and Peter. Paul is already mentioned above, in line two. Six for the six that never got fixed: Could this mean the sinners who never change their ways? Seven for the seven that went up to heaven: The seven in heaven could be the seven stars in Ursa Major or the sevenfold spirit of God or the seven early Christian churches or the seven stars in the right hand of Christ mentioned in the Revelation. Eight for the eight that stood at the gate: This could refer to the eight people who entered Noah's ark (Noah, his wife, their three sons and their wives). Nine for the nine that dressed so fine: This could refer to the nine orders of Angels in heaven. Ten for the ten commandments: This refers to the ten commandments given to Moses. Performance notes: Swing the 8th notes Djembe drums should be played freely with flexible precision The rap can be optional The ending solo can be sung down an octave and can be changed to match the ability of the soloist. Do not clap louder than you sing If doing choral movement on the piece, pay attention to detail synchronizing movements as much as possible. While the rap is words in rhythm, if adding one is not possible for your performance, consider a spoken word of your own choosing Have fun!.This Negro Spiritual was made popular by the Golden Gate Quartet in the 1930s. Willie T. Johnson, the lead singer of the group, is the father of Kevin P. Johnson the arranger of this version. The composer, like his father, uses rhythm in exciting new ways to deliver Negro Spirituals to contemporary audiences.The text of this spiritual has been interpreted in many different ways over the years. Here's a popular interpretation of the text. One for the little bitty baby born, born, born in Bethlehem: This refers to the infant Jesus. Two for Paul and Silas: This verse honors Paul and Silas who went on many missionary journeys to spread the teachings of Christ. Three for the Hebrew children: The three Hebrew children could be Shadrach, Meshach and Abednego. Four for the four that stood at the door: Many people interpret the four to be the four writers of the Gospel books – Matthew, Mark, Luke and John, though this does not explain the part about standing at the door. Five for the gospel preachers: The five are Matthew, Mark, Luke, John and Peter. Paul is already mentioned above, in line two. Six for the six that never got fixed: Could this mean the sinners who never change their ways? Seven for the seven that went up to heaven: The seven in heaven could be the seven stars in Ursa Major or the sevenfold spirit of God or the seven early Christian churches or the seven stars in the right hand of Christ mentioned in the Revel ation. Eight for the eight that stood at the gate: This could refer to the eight people who entered Noah’s ark (Noah, his wife, their three sons and their wives). Nine for the nine that dressed so fine: This could refer to the nine orders of Angels in heaven. Ten for the ten commandments: This refers to the ten commandments given to Moses.Performance notes: Swing the 8th notes Djembe drums should be played freely with flexible precision The rap can be optional The ending solo can be sung down an octave and can be changed to match the ability of the soloist. Do not clap louder than you sing If doing choral movement on the piece, pay attention to detail synchronizing movements as much as possible. While the rap is words in rhythm, if adding one is not possible for your performance, consider a spoken word of your own choosing Have fun!
SKU: CF.CM9743
ISBN 9781491161562. UPC: 680160920211. Key: E minor. English. Iyana Davis. Negro Spiritual with Rap crafter by Ayana Davis.
SKU: CF.CM9742
ISBN 9781491161555. UPC: 680160920204. Key: E minor. English. Iyana Davis.
