Matériel : Partition
47 Pieces by 16 Composers-47 pieces by CPE Bach JS Bach Beethoven Burgmüller Chopin Grieg Gurlitt Heller Kuhlau Kullak Liszt MacDowell Mendelssohn Schubert Schumann and Tchaikovsky. All are at the intermediate level in a slim affordable volume. Includes - J.S. Bach: Invention No. 8 in F Major BWV 779; Prelude in C Major from The Well-Tempered Clavier Book 1 BWV 846; Beethoven: Six Variations on a Swiss Song WoO 64; Burgmüller:L'adieu from 25 Easy and Progressive Studies Op. 100 No. 12; Chopin: Prélude in E minor Op. 28 No. 4; Grieg: Arietta from Lyric Pieces Op. 12 No. 1; Heller: The Avalanche from 25 Melodious Etudes Op. 45 No. 2;LISZT: Gray Clouds; MacDowell: To A Wild Rose from Woodland Sketches Op. 51 No. 1; Mendelssohn: Song Without Words in A Major Op. 19 No. 4; Schumann: About Strange Land and People from Scenes from Childhood Op. 15 No. 1;Tchaikovsky: Sweet Dreams from Album for the Young Op. 39 No. 21
SKU: BT.EMBZ15083
English-German-Hungari an.
Bartók probably first played pieces by Domenico Scarlatti in public in 1911. During the next two decades he featured them in his piano recitals more than 60 times. His dedication to Italian and French Baroque music is also illustrated by the fact that, in 1920, he signed a contract with the Budapest publisher Rozsnyai to edit seven volumes of Baroque keyboard music. His plan was to select compositions by Couperin and Rameau in addition to pieces by Scarlatti, but during the 1920s it ended up being only two volumes of Couperin and another two comprising ten compositions by Scarlatti. In editing these masterpieces, Bartók's aim was primarily to counterbalance or evenovershadow the works by the Mendelssohn-Schumann epigones used in primary and secondary music education. The present, single-volume collection comprises Bartók's two Scarlatti volumes, complete with an editorial preface, his detailed performing instructions, and his commentary. The editor recommends these compositions for pianists with at least five years' experience, and gives practical recommendations for the grouping of individual items to form charming sonatina-like sets of pieces. Bartók spielte wahrscheinlich 1911 erstmals Werke von Domenico Scarlatti öffentlich und in den folgenden zwei Jahrzehnten ließ er sie an seinen Klavierabenden mehr als sechzig Mal erklingen. Seine Verbundenheit mit der italienischen und französischen Barockmusik beweist sich auch darin, dass er 1920 einen Vertrag mit dem Budapester Verlag Rozsnyai über die Herausgabe von sieben Heften mit Werken der Klaviermusik schloss. Geplant war, dass er das Material der Bände sowohl mit Werken Scarlattis als auch mit Kompositionen Couperins und Rameaus zusammenstellte. Im Laufe der 1920er-Jahre kam es schließlich zur Herausgabe einer Couperin-Auswahl in zwei Heften sowie - ebenso in zwei Heften - von zehn Scarlatti-Kompositionen. Mit der Veröffentlichung dieser Meisterwerke beabsichtigte Bartók in erster Linie, den Mendelssohn-Schumann-Epig onen bereits in der Musikausbildung in der Grund- und Mittelstufe entgegenwirken und ihre Werke in den Hintergrund treten zu lassen.
Die vorliegende Publikation versammelt in einem Band das Material der beiden mit Bartóks Vorwort, detaillierten Vortragsanweisungen und Anmerkungen erschienenen Scarlatti-Hefte. Der Herausgeber empfiehlt PianistInnen diese Kompositionen seit mindestens fünf Jahren zum Klavier spielen und gibt auch praktische Vorschläge dafür, wie man die einzelnen Stücke zu einem attraktiven Sonatina-artigen Ganzen gruppieren kann.
SKU: CF.PL1032
ISBN 9780825871276. UPC: 798408071271. 9x12 inches.
The Ultimate Collection of Piano Music is a collection of over 250 best-loved piano masterpieces from the Baroque period through the twentieth century. All-time favorite classical selections are perfect for late-beginners and intermediate players, and include works by such beloved composers as Bach, Bartók, Czerny, Beethoven, Dussek, Grieg, Haydn, Heller, Krebs, Mozart, Purcell, Schumann, Stravinsky, Tchaikovsky, and many more. This comprehensive volume provides an outstanding repertoire for endless hours of playing enjoyment, and is an essential collection for any piano library.
SKU: YM.GTP01101652
ISBN 9784636113334. 8.75 x 12 inches.
Here is the ultimate, official, complete edition of Studio Ghibli Piano Solo Collection, featuring 77 of Studio Ghibli's essential musical masterpieces, fully supported in three languages: Japanese, English and Simplified Chinese! From 20 of Studio Ghibli's most beloved films, including My Neighbor Totoro, Princess Mononoke, Spirited Away, and more, comes a piano solo collection featuring 77 iconic songs. In addition to timeless favorites, songs from popular soundtracks such as Kiki's Delivery Service and Porco Rosso are included. Featuring Studio Ghibli's musical masterpieces in solo piano arrangements, this collection includes the film's theme songs as well as fan-favorite instrumental music. The difficulty levels range from easy to intermediate, making them accessible to a wide range of players, and the simpler arrangements can be fully enjoyed by players who can feel the essence and atmosphere. The book cover features official Studio Ghibli artwork. The book is supported in Japanese, English and Chinese. This single volume offers a comprehensive, special collector's edition for enjoying the music of Studio Ghibli. Studio Ghibli 77 Selections is sure to take you on a musical journey through 20 Studio Ghibli films!
SKU: AP.6-424251
ISBN 9780486424255. English.
No composer in musical history has taught the pianist more new and permanently valuable things, says Grove's Dictionary of Music and Musicians, describing Impressionist Claude Debussy. This compilation of the composer's most colorfully atmospheric works attests to his extraordinary powers of invention and to his reassessment of keyboard color and technique. Twenty selections range from such fanciful pieces as the impudent Golliwog's Cake Walk and the misty Sunken Cathedral to the brilliant Fireworks. A rich compilation of works by France's most innovative and influential composer, this convenient and modestly priced volume will be welcomed by pianists, students, teachers, and music lovers. Dover original compilation of works from authoritative editions.
SKU: HL.49047366
ISBN 9783795731823. UPC: 196288207634. 9.0x12.0x0.207 inches.
For use in lessons or for your first concert performance â Easy Concert Pieces for Cello and Piano contains easy and well-known solo pieces from the Renaissance to the modern era, carefully selected according to technical and musical demands: Volume 1 very easy (1st position), Volume 2 easy (1st and half position), Volume 3 easy to intermediate (1st to 4th position). Besides original compositions by Bréval, de Fesch, Reinagle or Gretchaninoff there are readily playable arrangements of classical masterpieces and modern compositions from the world of pop, jazz, spirituals, bossa nova and tango. All pieces can be downloaded as an audio file.
SKU: HL.49046242
ISBN 9783795716691. UPC: 888680950040. 9x12 inches. German - English - French.
“Thes e real masterpieces, even if only a few minutes long, are of tremendous melodiousness and expressiveness!”, Franz Schubert said about Friedrich Kuhlau's sonatinas.The four Sonatinas Op. 88 were written in 1827, i.e. during Friedrich Kuhlau's middle creative period, even before the great success of the opera “Elfenhügel.&r dquo; and the year of Beethoven's death. All four works contain beautiful melodic ideas, but Sonatina Op. 88 No. 3 with its minor tonality, its free treatment of form and tempo in the first movement and the lively last movement is something special. Of medium difficulty, this sonatina is great fun to play.This edition is accompanied by a preface and “Teaching Notes” by Monika Twelsiek. It is part of the new Schott Student Edition series which offers varied literature at five different levels of difficulty, from 1 (easy) to 5 (difficult), for instrumental lessons. For further information on this series, see www.schott-student-editio n.com.
About Schott Student Edition
Th e Schott Student Edition gathers instrumental works for music lessons providing a unique and varied repertoire resource including standard teaching works, lesser known pieces which are perfectly suited to lessons as well as to student concerts and competitions.Th e repertoire is divided into levels 1-5, from very easy to difficult, and includes works from the Renaissance up to modern performance pieces. Each title is graded, from very easy works for beginners up to demanding pieces for more advanced students who are preparing for further study or examinations.Ev ery work in the series has been carefully selected and edited by experienced music teachers. The editions also contain a wealth of information on the pieces as well as useful advice on studying, rehearsing and interpreting the works. The first titles to be published in the Schott Student Edition series contain works for violin, violoncello, flute, clarinet and recorder. Further editions are in preparation.
SKU: HL.50603593
ISBN 9788881920709. UPC: 840126945102. 8.0x10.5x1.3 inches. Italian-English.
Do nizetti's Lucrezia Borgia was premiered at Milan's Teatro alla Scala on 26 December 1833 and is considered one of the composer's most important and innovative operas of the 1830s. Although, because of censorship issues, particularly in the south of Italy, it was initially slow to become popular, by the late 1830s it had become one of the composer's most popular operas, both in Italy and abroad, and remained an essential part of the composer's oeuvre until at least the end of the nineteenth century. Remarkable for its daring subject matter (with an unconventional, forceful heroine), it is also renowned for its challenging mixture of the comic and the tragic, something very unusual at the time and clearly an important influence on Giuseppe Verdi's middle period masterpieces. The present reduction for voice and piano derives from the critical edition of the score, recently published in this catalog: is based on Donizetti's autograph manuscript (housed in the Ricordi Archives in Milan), on the libretto for the premiere, on several printed editions of voice and piano, and on numerous additional scores of the period. It presents for the first time all the numerous additions that the composer made to the score over the course of ten years: a fascinating record of his changing music dramatic attitudes during this period. There is also a synthetic historical reconstruction of the genesis of the opera and of the description of the Sources as well as a selection of most interest to singers of Critical Commentary Notes.Rappresenta ta per la prima volta al Teatro alla Scala il 26 dicembre 1833, Lucrezia Borgia e considerata una fra le piu importanti e innovative opere di Donizetti. Sebbene le resistenze della censura, soprattutto nel sud Italia, ne causarono inizialmente una lenta diffusione, dalla fine degli anni '30 dell'Ottocento essa divenne uno dei lavori piu popolari e significativi del compositore e tale rimase fino alla fine del XIX secolo. Notevole per il suo audace soggetto (con un'eroina non convenzionale e dalla forte personalita) essa e rinomata anche per l'impegnativa commistione di comico e tragico, un tratto piuttosto inusuale per l'epoca, che ebbe una chiara influenza sui capolavori verdiani di meta secolo. La presente riduzione per canto e pianoforte e condotta sull'edizione critica della partitura, da poco pubblicata in questo stesso catalogo: si basa sul manoscritto autografo di Donizetti (conservato presso l'Archivio Storico Ricordi di Milano), sul libretto della prima rappresentazione, su alcune riduzioni a stampa per canto e pianoforte e su varie altre fonti dell'epoca. L'edizione presenta per la prima volta tutte le aggiunte che il compositore apporto alla partitura nel corso di dieci anni, costituendo un'affascinante testimonianza dei mutevoli approcci di Donizetti alla materia drammatico musicale durante questa fase della sua carriera. Il volume comprende una sintesi della ricostruzione della genesi storica dell'opera e della descrizione delle fonti e una selezione di Note del Commento Critico fra quelle piu funzionali alle esigenze di cantanti e pianisti accompagnatori.
SKU: HL.50606645
ISBN 9781705199770. UPC: 196288153528.
This book is to some extent a continuation of Dr. Kiss's 2015 textbook A Practical Approach to Harmony: From the Birth of Polyphony to the Baroque Era. The aim of this book is to support conservatory students (aged 14-22) and their teachers with a collection of carefully selected material from which to learn the necessary musical concepts and practical knowledge of music theory, form, and harmony. The target era is the Viennese Classical period, which spans just under one hundred years between around 1730 and 1830. The focus ison the greatest representatives of their time: Haydn, Mozart, and Beethoven. The book concentrates on the practical aspects of studying music theory, form, and harmony. This means that all musical concepts become practical knowledge and are integrated into skills that a cultured musician needs (score reading, writing, singing or playing, composing, memorizing, transposing, arranging, analyzing, and so on). The book consists of ten units grouped into three levels of difficulty: Basic (units 1 to 5), Intermediate (units 6 to 8), and Advanced (units 9 and 10). The structure of each unit is identical: 1. Listening and Analysis Analysis of selected compositions based on the following considerations: the structure of melody, rhythm, harmony, tonality, instrumentation, and form. 2. Theory and Practice Learning theoretical concepts from masterpieces, and applying them to singing, playing, transposing, piano reduction writing, improvising, composing, and analyzing. 3. Keyboard Harmony Creative activities such as: writing and realizing figured basses; harmonizing melodies; and playing, composing, and transposing chord progressions. 4. Ear Training Harmonic singing exercises and notating chords and complex musical excerpts after listening to them. 5. Appendix The Appendix of each unit contains the solutions to the tasks in that unit.
SKU: KJ.WB233F
This dashing work in one of Wolfgang Amadeus Mozart's more frequently heard German Dances (K. 605, No. 3), which he specifically titled The Sleigh Ride. The composition was originally written during the last year of Mozart's life in 1791. That year was one of his more productive years, composing other well known masterpieces such as The Magic Flute, Piano Concerto in B-Flat Major, The Concerto for Clarinet, and his very last composition, the Requiem which he finished only twelve of the fifteen sections before his death. German Dance captures the wonderful melodies, lively rhythms, and ingenious colors of Mozart's style. This is a charming arrangement with three separate bell parts bringing forth the festive sound of ringing sleigh bells. Arranged to re-create classical scoring, this joyful programmatic piece will be a favorite with young musicians and audiences alike.
About Standard of Excellence in Concert
Th e Standard of Excellence In Concert series presents exceptional arrangements, transcriptions, and original concert and festival pieces for beginning and intermediate band. Each selection is correlated to a specific page in the Standard of Excellence Band Method, reinforcing and expanding skills and concepts introduced in the method up to that point. Exciting parts with extensive cross-cueing are presented for every player. Accessible ranges, appropriate rhythmic challenges, and creative percussion section writing enhance the pedagogical value of the series.Sold individually, each In Concert selection includes a full Conductor Score and enough student parts for large symphonic bands. Each student part also includes correlated Warm-Up Studies. The Conductor Score comes complete with rehearsal suggestions, a composer biography, program notes, a rehearsal piano part, several ready-to-duplicate worksheets and a duplicable written quiz.
