See Ya Thursday

This Ordinary Thursday the extraordinary debut album of songs by Georgia Stitt features vocals by some of Broadway's brightest stars including Sara Ramirez (Tony Award-winner for Spamalot currently starring on TV's 'Grey's Anatomy') Faith Prince (Tony Award-winner for Guys and Dolls) Susan Egan (Broadway's original Belle in Beauty and the Beast) Kelli O'Hara (Tony nominee for The Pajama Game opposite Harry Connick Jr.) and Matthew Morrison (Tony nominee for The Light in the Piazza). Seen by millions each week as the vocal coach on NBC's primetime series Grease: You're the One That I Want Georgia Stitt is known as a composer-lyricist with a style andsensibility all her own.

POD-Holy Thursday is a work by Julian Marshall for Solo Soprano and Unaccompanied SATB Choir. A setting of a William Blake poem from his collection 'Songs of Innocence' a performance lasts around 2 minutes.

Combining the 'Ubi Caritas? text with two dramatically different 'Holy Thursday? texts of the same name by William Blake, James Lavino has created a work for SATB divisi choir, SATB semi-chorus and organ that is both thrilling and thought provoking. Chosen by Philip Brunelle for the Cathedral series and performed by his world renowned 'Vocal Essence? choir, this work requires both advanced singers and conductor but produces a powerful emotional impact. / Choeur Mixte (SATB) Et Piano

En 1887, Antonín Dvorák deux terzettos pour deux violons et alto en succession rapide sous forme de compositions pour les amateurs occasionnels. Un peu plus tard, Dvorák a organisé la deuxième terzetto que quatre pièces pour violon et piano avec le titre 'Romantic Pieces', op. 75. Les deux oeuvres, qui est le premier 'Terzetto en ut majeur' et 'Pièces romantiques', ont été publiés en mai 1887 par Simrock à Berlin.- Basé sur le 'édition complète des oeuvres d'Antonín Dvorák', Vol. IV / 4- Répertoire de difficulté moyenne / 2 Violons Et Alto

TaReKiTa. for SSAA unaccompanied TaReKiTa is a refreshing concert piece that effortlessly fuses the Hindustani (North Indian) and Western classical music styles. The composer's scats are combined with a fast triple metre, vocal slides, andcaptivating melodies built on the Jog raga.

Music Minus One Viola-Dvorak's beautiful Terzetto composed in 1887 at the very height of his career is one of only two works using the combination of 2 violins and viola. His masterful scoring for strings so evident in his symphonies and other works is brilliantly displayed in this lovely trio for strings. Highly recommended. Includes a complete high-quality printed music score and a compact disc containing a complete performance with soloist then performed again with accompaniments only minus you the soloist. Performed by Hugh Loughran viola Accompaniment: Emanuel Vardi violin Tony Rapport 2nd violin

In Recital Throughout The Year is a series that focuses on fabulous repertoire with musically engaging pieces by leading FJH composers and arrangers. This series of books is carefully levelled to ensure that goals are attainable which is essential in motivating students. Providing excellent teaching material these books address the strengths and weaknesses of students with progressive discussions by Dr. Helen Marlais on the art of performance and an analysis of performance strategies.The pieces presented in these books provide repertoire for the entire year including pieces for Halloween and Christmas as well as arrangements of famous classicalthemes with original solos and duets.The accompanying CD includes demonstrations of the pieces presented in this book allowing the student to develop their interpretive skills.Volume Two Book 4 is suitable for Early Intermediate pianists and covers many basic principles including:Dotted rhythmic patterns as well as sixteenth-note patternsPlaying pieces with common time signatures as well as simple compound metersPlaying with more intricate finger crossovers Playing pieces with numerous changes of tempo articulation and moodMajor Minor and diminished root position chords and their inversions are reinforced as well as subdominant and dominant chordsPlaying hand-over-hand arpeggiosPlaying pieces in which one hand holds down notes while simultaneously playing moving notesOctave scale passages and blocked octavesLeft-hand parts increase in intricacy with more involved accompaniment figures or in some cases the left hand plays the melody while the right hand accompaniesPlaying pieces which include modulations from one key to anotherHand positions expand to larger than a fifthReinforcing basic musical terminology and symbols such as ritardando diminuendo subito piano subito