Schubert, Franz Fantasies for Piano Early evidence of Schubert s interest in music of the past can be found in his Fantasy in C minor of 1811 (D 2 E), with its echoes of Mozart s fantasy in the same key. A recurring motivic snippet in the virtuosic Graz Fantasy in C major (D 605 A), probably composed between 1818 and 1821, already foreshadows the monumental Wanderer Fantasy of 1822 (op. 15 - D 760). Printed with spacious new engraving, BA 10862 unites Schubert s great fantasies for solo piano in a single volume and presents the early work Fantasy in C minor for the first time in a scholarly-critical Urtext edition. It offers advanced pupils, students and professional pianists a richly varied, musically and technically thrilling addition to their repertoire. The edition features notes on performance practice, an informative preface, practical page turns and an elegant engraving. The most famous of the fantasies, the Wanderer Fantasy, now appears in a separate edition (BA 10870). While Schubert was playing the Wanderer Fantasy for a circle of friends, he faltered and exclaimed impatiently: The Devil should play this stuff! Yet it wasn t the Devil but Liszt like Schumann a great admirer of the piece who later arranged the Wanderer Fantasy for piano and orchestra and again for two pianos. It was also Liszt who gave the work the nickname it has retained to the present day. Based on the Urtext of the New Schubert Edition First scholarly-critical performing edition of the Fantasy in C minor (D 2 E) Notes on performance practice (Ger/Eng) Includes an informative foreword (Ger/Eng) and a Critical Commentary (Eng) Contents Fantasy in C minor D 2 E Fantasy in C major D 605 A Graz Fantasy Fantasy in C major , op. 15 D 760 Wanderer Fantasy Edition no.: BA 10862 ISMN: 9790006526659 Editor: Dürr, Walther / Goldberger, David Language(s) of text: German, English Product format: Performance score(s), Anthology, Urtext edition Includes the following individual parts: Piano Comments: Replaces BA 19101 Binding: Stapled Pages / Format: XIV/38 S. - 31,0 x 24,3 cm
SKU: BT.1956-13-400-M
ISBN 9789043137546. 9x12 inches. English-German.
Ani ko Drabon, the editor of this book of piano masterworks, is also the pianist on the accompanying CD recordings. She is known among other things as the author of the successful Tastenzauberei piano tutor method. PIANO MASTERWORKS richtet sich an fortgeschrittene Klavierspieler, die eine pianistische Grundausbildung absolviert haben, wie z. B. die bekannte Klavierschule TASTENZAUBEREI von Aniko Drabon. Während ihrer langjährigen Tätigkeit als Klavierpädagogin sammelte die Herausgeberin die Lieblingsstücke ihrer Schüler. Die schönsten Titel wählte sie nun für dieses Buch aus. Die Audio-CD dient als Beispiel für eine Interpretation der Werke.
SKU: LM.PN06213
ISBN 9790230300568.
TELE MANN Georg Philipp : Menuet et gigue - FRANCK Cesar : Les plaintes d'une poupee - CLEMENTI Muzio : Final Op.86 No. 2 - HELLER Stephen : Etude Op.47 No. 7 - SCHUMANN Robert : Le moine bourru - DIABELLI Anton : Rondo Op.168 No. 3 - SCARLATTI Domenico : Menuet - HELLER Stephen : Le Cor d'Oberon - WEBER Carl Maria von : Valse-Laendler - COUPERIN Francois : Fanfare - HAENDEL Georg Friedrich : Petite sonate - SCHUMANN Robert : Chant du berceau - HELLER Stephen : Mazurka - MOZART Wolfgang Amadeus : Sonate en Ut maj. KV545 - SCHUBERT Franz : Moment musical Op.94 No. 6 - TELEMANN Georg Philipp : Gigue - DIABELLI Anton : Rondo Op.168 No. 1 - CHOPIN Frederic : Mazurka Op.7 No. 1 en Sib maj. - TCHAIKOVSKY Petr Ilitch : Marche des soldats de bois - BACH Carl Philip Emanuel : Fantaisie - KUHLAU Frederik : Sonatine Op.55 No. 5 - BEETHOVEN Ludwig van : Lettre a Elise - HELLER Stephen : Etude Op.47 No. 18 - BEETHOVEN Ludwig van : Rondo en Ut maj. Op.51 No. 1 - FIELD John : Concerto No. 1 - HAYDN Joseph : Sonate No. 5 en Ut maj.
SKU: LM.P1063
ISBN 9790230913263.
SKU: BT.EMBZ20004A
English-German-Hungari an.
Supplementary Volume 16 of the New Liszt Edition contains free arrangements and technical exercises. In the first section can be found early versions of three arrangements. The first consists of the first and intermediary versions of a transcription of Die Rose, a song Schubert composed to a poem by Schlegel. The arrangement of the second movement of Berlioz's Harold Symphony also draws on literary inspiration: Lord Byron's (1788-1824) narrative poem Childe Harold's Pilgrimage (1812-18) was a literary experience Liszt shared with Berlioz. The fantasy on themes from Bellini's opera La sonnambula [The Sleepwalker] (here the first version of 1842, and the second version dating from the following decade are given) is important in music history because it was while he worked on this (and other operatic fantasies) that Liszt developed a new concept of the form, which took shape in more complex and more concentrated fantasies than before. Particularly interesting material can be found in the appendix. In addition to sketches and drafts for arrangements of Spanish themes, there are three sources published here for the first time, which shed light on technical aspects of Liszt's piano teaching. These are three sets of exercises: the first written by Liszt himself for Valérie Boissier in 1832; the second a copy in an unidentified hand from the same period or slightly later; and finally the third which was noted down in 1871 by Henri Maréchal in Rome based on the composer's dictation. This latest volume of the New Liszt Edition includes a detailed preface in German, English, and Hungarian containing new research findings, together with five manuscript facsimiles and critical notes. Simultaneously with the cloth-bound Complete Edition, a practical paperback version has been published, the contents of which are identical to those of the hardcover edition, minus the inclusion of critical notes.
SKU: BT.SLB-00394900
SKU: HL.50571431
SKU: PR.510046620
UPC: 680160554379. Key: F minor.