/ Violon Et Orgue
SKU: HL.48182310
UPC: 888680839703. 9.0x12.0x0.086 inches.
“Fren ch composer and conductor, Henri Tomasi (1901-1971) published Gregorian Variations on a Salve Ragina 1964. As with his other wind compositions, Gregorian Variations for Trumpet and String Orchestra and Organ reduction was well-received by audiences. Tomasi was born in Marseille, but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured in to musical studies by his parents, Tomasi dreamed of becoming a sailor, and during the summer, he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However, in 1921, he began his studies at the Paris Conservatoire and went on to become a high profile composer and conductor. Tomasi did not forget his Corsican routes, often incorporating themes of the songs he had learnt during the summers with his Grandmother into his compositions. Gregorian Variations on a Salve Regina is a highly unusual and modern work based on an old Marian Hymn (a song for the Virgin Mary). The variations exploit tonality, rhythm and structure amongst other aspects. This Tomasi piece is suitable for advanced trumpeters, providing an exciting, alternative addition to the instrument's repertoire.â€.
SKU: HL.14001664
UPC: 884088447700. 6.75x9.75x0.05 inches.
Richard Allain presents a beautifully sombre and gentle setting of the Salve Regina for SSAATTBB chorus. Allain's close harmonies are set across a staggered texture, creating a seamless continuous halo of sound with each syllable melding into the next. The effect is developed as the density of the music builds, allowing each singer a level of metric freedom that allows a series of repeating phrases to blur into an undulating layer of sound against which the lower voices sing. A captivating and hugely atmospheric devout setting.
SKU: BT.ALHE33150
French.
This edition of Salve Regina by Pierre Villette is a version of this Marian hymn for SATB a cappella. It's written with lyrics in Latin and should be sung at a slow tempo (52). The lyrical piece features a long introductionfollowed by the Soprano solo and a finale. At the end of the solo, the voices alternate between the initial tempo and some slower parts to arrive to the close and finish in harmony. Pierre Villette (1926-1998) was a Frenchcomposer of choral and instrumental music. Strongly influenced by Catholicism, his musical heritage ran from Fauré to Messiaen.
SKU: CA.5409000
ISBN 9790007091132. Key: B flat major. Language: Latin.
Some forty settings of the four Marian antiphons by Johann Michael Haydn are extant, among them 17 settings of the Salve Regina. The Salve Regina in B flat MH 90, here published for the first time, dates from about 1765, and it survives in a contemporary manuscript copy at Gottweig in Lower Austria. This early composition by Haydn already bears witness to this talent for setting a liturgical text to music. The dialogue between the bass soloist and the choir gives this work a radiance of its own.
SKU: CA.5409011
ISBN 9790007225902. Key: B flat major. Language: Latin.
Some forty settings of the four Marian antiphons by Johann Michael Haydn are extant, among them 17 settings of the Salve Regina. The Salve Regina in B flat MH 90, here published for the first time, dates from about 1765, and it survives in a contemporary manuscript copy at Gottweig in Lower Austria. This early composition by Haydn already bears witness to this talent for setting a liturgical text to music. The dialogue between the bass soloist and the choir gives this work a radiance of its own. Score and part available separately - see item CA.5409000.
SKU: CA.5409013
ISBN 9790007225926. Key: B flat major. Language: Latin.
SKU: CA.5409019
ISBN 9790007145460. Key: B flat major. Language: Latin.
Some forty settings of the four Marian antiphons by Johann Michael Haydn are extant, among them 17 settings of the Salve Regina. The Salve Regina in B flat MH 90, here published for the first time, dates from about 1765, and it survives in a contemporary manuscript copy at Gottweig in Lower Austria. This early composition by Haydn already bears witness to this talent for setting a liturgical text to music. The dialogue between the bass soloist and the choir gives this work a radiance of its own. Score and parts available separately - see item CA.5409000.
SKU: CA.5409012
ISBN 9790007225919. Key: B flat major. Language: Latin.
SKU: CA.5409005
ISBN 9790007112653. Key: B flat major. Language: Latin.
Some forty settings of the four Marian antiphons by Johann Michael Haydn are extant, among them 17 settings of the Salve Regina. The Salve Regina in B flat MH 90, here published for the first time, dates from about 1765, and it survives in a contemporary manuscript copy at Gottweig in Lower Austria. This early composition by Haydn already bears witness to this talent for setting a liturgical text to music. The dialogue between the bass soloist and the choir gives this work a radiance of its own. Score available separately - see item CA.5409000.
SKU: CA.5409049
ISBN 9790007225933. Key: B flat major. Language: Latin.
SKU: GI.G-4925
Text by Various.
CONTENTS: SALVE REGINA - A GREAT SIGN APPEARED - THE FAVORED ONE.
SKU: CA.9101219
ISBN 9790007145620. Key: B flat major. Language: Latin.
This Salve Regina was originally intended to be accompanied by strings and wind instruments. However, the wind parts merely double the strings and the voices, adding color but not indispensable. In our edition the wind parts are omitted, so that the intimate choral texture is heard to far greater effect, the strings providing it with a sometimes virtuosic frame. Score and parts available separately - see item CA.9101200.
SKU: CA.5199805
ISBN 9790007131760. Key: G minor. Language: Latin.
Haydn composed his four-movement Salve Regina at Eisenstadt in 1770/71. It is distinguished by its use of the organ as a solo instrument. Here Haydn proves himself a master of the musical setting of the Marian text. Originally written for four solo singers, it may also be performed chorally. Score available separately - see item CA.5199800.
