A Ring of Eyes

The Original First and Second Books Including Dowland's Original Lute Tablature. THE FIRST BOOK OF SONGS
I. Unquiet thoughts
II. Who ever thinks or hopes of love
III. My thoughts are wing'd with hopes
IV. If my complaints could passions move
V. Can she excuse my wrongs'
VI. Now, O now, I needs must part
VII. Dear, if you change
VIII. Burst forth, my tears
IX. Go crystal tears
X. Think'st thou then by thy feigning
XI. Come away, come sweet love
XII. Rest awhile you cruel cares
XIII. Sleep, wayward thoughts
XIV. All ye, whom Love or Fortune
XIVa. All ye, whom Love or Fortune
XV. Wilt thou, unkind, thus reave me
XVI. Would my conceit
XVII. Come again
XVIII. His golden locks
XIX. Awake, sweet love, thou art return'd
XX. Come, heavy Sleep
XXI. Away with these self-loving lads
------ My Lord Chamberlain his Galliard
(For two to play...)
THE SECOND BOOK OF SONGS
I. I saw my Lady weep
II. Flow my tears
III. Sorrow, stay
IV. Die not before thy day
V. Mourn, day is with darkness fled
VI. Time's eldest son, Old Age (The first part)
VII. Then sit thee down (The second part)
VIII. When others sing Venite (The third part)
IX. Praise blindness eyes
X. O sweet woods
XI. If floods of tears
XII. Fine knacks for ladies
XIII. Now cease my wand'ring eyes
XIV. Come ye heavy states of night
XV. White as lilies was her face
XVI. Woeful heart
XVII. A shepherd in a shade
XVIII. Faction that ever dwells
XIX. Shall I sue
XX. Toss not my soul
XXI. Clear or cloudy
XXIa. Clear or cloudy
XXII. Humour say what mak'st thou here (a Dialogue)

Four popular classics by the likes of Cecil Mack and Cole Porter have been lovingly arranged as close-harmony songs for men's voices. Capturing perfectly the mood and spirit of the original Broadway favourites, David Nield presents a programme of guaranteed crowd-pleasers that continue to transcend fashion as the years go by, brimming with the swing and swagger of the Barbershop style. Arranged for a quartet of Alto, Tenor, Baritone and Bass voices, each piece includes a Piano accompaniment for easier rehearsal. Nield's ingenuous and effervescent writing sparkles with jazzy energy without ever becoming difficult to sing. The close-harmony style not only presents a uniquely satisfying and playful challenge to the singers, but will also delight and amuse audiences everywhere, no matter what the occasion! / Voix Masculines

The two existing manuscripts (1915 and 1926) of these extracts 'arranged' by Falla himself correspond to the very beginning and end of a long period during which El Amor Brujo can be seen in a series of different states.They demonstrate the care which the composer generally brought to the task of instrumentation and more particularly the aptness and validity of this piece in his own eyes as chamber music. It is clear that Falla's art oforchestration (and notably his feeling for instrumental idiom) gives his score a profound sense of balance. String parts only. Piano player reads from full score available separately.

10 Intermediate-Level Arrangements. Par DIVERS AUTEURS (ARR.BROOKER DAVID). Since graduating from the Guildhall School of Music and Drama, David Brooker has been a performer on the viola and a music educator with a special interest in using ensemble music in instrumental teaching. His first two books, 'Stringplay” and 'Stringplay Around the World” reflected this, providing resources for elementary string orchestra and now 'String Trios from Around the World” takes the idea to the smaller ensemble of violin, viola and cello. This book of folk music from four continents, with an emphasis on love songs, keeps to the spirit of the original pieces while making the music idiomatic and fun to play. The parts are equal in difficulty (easy to intermediate) - in fact, David says that, as a violist himself, he has made sure that the violinist doesn't get all the tunes! The arrangements include a few unusual techniques but David promises they are not as hard as they look or sound./ Recueil / Trio à Cordes

A selection of folk ballads from England Ireland Scotland and Wales.A ballad is the blending of words the beauty of melody tone rhythm and expression. They reflect the history of a people their legends religion love and work. British ballads are renouned for their verse melodic construction and for the enormous range of expression.1 The Lass of Richmond Hill is a poem by Leonard McNally a barrister about a lass who became his wife in 1787. The music is by James Hook (1746 1827).2 Sally in our Alley. The words are by Henry Carey who also wrote the original music but this was replaced by the tune we now know an English traditionalmelody in 1790.3 Caller Herrin'. The poem is by Lady Nairne (1766 1845). Nathaniel Gow the famous Scottish violinist wrote the music in 1798 as a harpsichord piece combining the traditional Edinburgh fish wives cry Caller Herrin' with the bells of St Andrew's Church Edinburgh.4 Men of Harlech. The music is traditionally Welsh and the ballad probably originated from North Wales where the native princes had ruled the longest.5 David of the White Rock (Dafydd y Garres Wen). Sir Walter Scott (1771-1832) wrote the words to this ballad The Dying Bard. David Owen the Welsh bard of the ballad composed the tune on his death-bed on awakening from a trance in which be believed himself to have heard the tune in heaven.6 Oft in the Stilly Night. The words describe an old man's memories of the smiles the tears of boyhood years. The eyes that shone now dimmed and gone and how oft in the stilly night he remembers other days. The ballad is by the Irish poet Thomas Moore (1779 1852) who set the words to a traditional air.7- The Meeting of the Waters. Written by Thomas Moore music Irish traditional.The Meeting of the Waters is the confluence of the rivers Avonmore and Avonberg in a beautiful valley near Avoca County Wicklow.8 Oh! Charlie is my Darlin'. The

Three Small Pieces for String Quartet. Par AYRES RICHARD. Richard Ayres’ Three Small Pieces for String Quartet each have distinct characters that illustrate the composer’s vivid imagination and skill for combining energetic, touching and sometimes wild music. The first piece is a short tribute to the Romanian singer Maria Tanase, a long forgotten performer who was once a star in her country. The second is a rough, fast and folk-like section in 11/16 time and the third, subtitled “Countess Eva von Spendu (on a horse) gallops through the forest (pausing four times to contemplate natural splendour)”, contains (in the words of the composer) “hunting gallops, a Feldmanesque 19 bar blues, some devilish fiddling, moments of repose and contemplation, and a lyrical finale.”/ Recueil / Quatuor à Cordes

60 popular themes from the movies in arrangements for solo Clarinet (level 2-3). The books in Alfred's Ultimate Movie Instrumental Solos series feature 60 film favourites in solo arrangements for Flute Clarinet Alto Saxophone Tenor Saxophone Trumpet Horn in F Trombone Violin Viola and Cello with optional Piano accompaniment. All wind instrument arrangements are fully compatible and can be successfully performed as ensembles or solos by students who have completed the first book of any standard band method. A fully orchestrated accompaniment MP3 CD is provided featuring each song as a live performance demo track followed by a play-along track. The CDalso contains a PDF of the Piano Accompaniment and Alfred's Tempo Changer Software. Please note: Due to level considerations regarding keys and instrument ranges the wind instrument arrangements are not compatible with the string instrument arrangements in this series.

If youve learned enough piano to feel comfortable picking up your first songbook and you love country music, this collection is for you! Arranged at an easier level so beginners can play 50 quintessential country classics and sound great. Includes: Always on My Mind • Behind Closed Doors • Could I Have This Dance • Crazy • Dont It Make My Brown Eyes Blue • Folsom Prison Blues • Forever and Ever, Amen • Friends in Low Places • The Gambler • Gentle on My Mind • Green Green Grass of Home • Happy Trails • Help Me Make It Through the Night • Hey, Good Lookin • Jambalaya (On the Bayou) • King of the Road • Mammas Dont Let Your Babies Grow up to Be Cowboys • On the Road Again • Ring of Fire • San Antonio Rose • Stand by Your Man • Wichita Lineman • You Are My Sunshine • Your Cheatin Heart • and more!/ Recueil / Piano