This piece is derived from the solo in Carter's Soundings piece from 2005. / Tuba
SKU: HL.48023729
ISBN 9781495053481. UPC: 888680101411. 9x12 inches.
SKU: CF.MXE21M
ISBN 9780825871627. UPC: 798408071622. 11 x 17 inches.
A Glimpse Retraced is scored for piano solo, flute (dbl piccolo), clarinet in Bb, violin and violoncello. The title of this concerto for piano with four instruments is a metaphor for its formal design: a fleeting observation, made in passing, is retraced and elaborated, then condensed and distilled. Eckardt's A Glimpse Retraced was commissioned by Carnegie Hall and is dedicated to Marilyn Nonken, who gave its first performance in Weill Recital Hall at Carnegie Hall, New York City on April 12, 1999.
SKU: HH.HH389-FSP
ISBN 9790708146032.
The inspiration for Tread Softly came from two contrasting sources: the religious music of early medieval Spain, and Debbie Locke’s work of art ‘Retracing Your Steps - Bristol I’. Although over a thousand years apart, these two sources share a common feature - a powerful sense of movement enclosed within a static form. In early Spanish music this manifests in the use of extended melisma, and in Locke’s work it is depicted through the seemingly moving, web-like form of the central image. Tread Softly explores the idea of movement within stasis through the use of a main melodic gesture that transforms very slowly, but constantly, throughout.
SKU: HP.8802
UPC: 763628988029.
Lent & Easter Musical Retracing Christ's final days and journey to the cross, this new musical for Lent and Holy Week includes a mixture of traditional and contemporary hymns and songs set in a variety of styles. Arranged for SATB choir with narrator(s), and options to include soloists and congregation, plus a 5-piece instrumental ensemble, scored by Ed Hogan, this 38-minute program focuses on our Savior's sacrifice and the hope in the shadows to which we cling. The Publisher grants permission to the purchaser to print parts from the CD-ROM for use in your church's performance.
SKU: HL.50600993
8.0x11.75x0.078 inches.
The ensemble work “Scattered Shades,” composed in 2014, of the Chinese composer Guoping Jia for the instrumentation flute, clarinet, violin, violoncello and piano was premiered on 21 May 2014 in Beijing at the 'Beijing Modern Music Festival,' performed by the ensemble 'Les Temps Modernes.' Although this work received its essential inspiration from ancient Chinese pen-and-ink painting, it also simultaneously documents the overcoming of a creative crisis. During an artistically difficult period, Jia assigned himself the task in 1997 to compose a study that was to supersede the compositional techniques used so far with the means of rational construction. “Scattered Shades” has recourse to this study, retracing its structure in a more profound way with a different ensemble.
SKU: BR.KM-2296
ISBN 9790004502891. 9 x 12 inches.
An original by Bach Sr. and Jr. Klaus Hofmann has retraced the path to the ur-sonata! With convincing arguments, he has shown that two well-known Bach works were originally based on one and the same model that is no longer extant. He believes that both the Trio Sonata in G major BWV 1038 and the Violin Sonata in F major BWV 1022 are concealing an original work for violin, viola and basso continuo a work that can easily be reconstructed by a Bach expert. Hofmann has already given ample proof of his unerring sense of style and authenticity in the two B flat major Trio Sonatas (KM 2277 and M 2287). He diplomatically attributes the authorship of the newly recovered sonata to both Johann Sebastian and his son Carl Philipp Emanuel to equal extents. This should preclude any posthumous family arguments, and lovers of Baroque chamber music will be delighted with this rare example of an original Bach piece for viola!
SKU: BR.PB-4713
In our new edition of this often performed work, many details pertaining to performance-practical matters have been revised.
ISBN 9790004210499. 9 x 12 inches.
In our new edition of this often performed work, many details pertaining to performance-practical matters have been revised. It is known that Bach reused the music of Cantata BWV 213 in his Christmas Oratorio and, as Hans Gruss convincingly explains, paid close attention to the preparation of the performance material in light of the repeated use of the new work. The final version of the cantata is recognizable in the parts of the Christmas Oratorio, states Gruss. The specifics of the later revision can thus be retraced. They have also entailed a number of editorial consequences which cast a new light on the Cantata BWV 213.
SKU: BR.OB-4713-11
ISBN 9790004333709. 12.5 x 10 inches.
In our new edition of this often performed work, many details pertaining to performance-practical matters have been revised. It is known that Bach reused the music of Cantata BWV 213 in his Christmas Oratorio and, as Hans Gruss convincingly explains, paid close attention to the preparation of the performance material in light of the repeated use of the new work. The final version of the cantata is recognizable in the parts of the Christmas Oratorio, states Gruss. The specifics of the later revision can thus be retraced. They have also entailed a number of editorial consequences which cast a new light on the Cantata BWV 213.In our new edition of this often performed work, many details pertaining to performance-practical matters have been revised.
