Psalm 149 - Brass Set

Crimond' By Jessie Seymour Irvine-The 23rd Psalm is perhaps the most revered of all Psalms. In this arrangement Scotman Jessie Irvine set it to the tune Crimond. Douglas Smith has arranged this piece for 2 B flat trumpet/cornet a trombone/baritone/horn in F and a trombone/baritone with optional tuba.

Par PANUFNIK ROXANNA. Fairfield Fanfare (expanded version) by Roxanna Panufnik is a 4-minute work for youth and mixed choirs, brass band and orchestra. Originally commissioned to celebrate the 50th anniversary of the Fairfield Halls, Croydon in 2012, the opening chords are based on all the alphabetic note names from FA-ir-F(#)-i-E-l-D, heralding a flourishing section of hustle and bustle that is the city of Croydon today. This expanded version includes brass band and choirs, with a setting of the text from Psalm 127. The expanded version was commissioned by the London Mozart Players, who premiered the piece on 30 June 2016 at Fairfield Halls, Croydon. This edition is the full score in C (EP 72880). It is available for sale as part of the Peters Contemporary Library. The performance material can be hired as well as a transposed full score, if preferred. / Date parution : 2022-09-07/ Répertoire / Brass Band, Voix d'Enfants, Orchestre, Voix Mixtes

St. Michael. Par BOURGEOIS LOUIS. The French composer Louis Bourgeois lived from c. 1510 to 1560. Bourgeois was cantor in Geneva and, commissioned by John Calvin, he composed melodies for metrical (rhyming) versions of the psalms. After completing about a hundred one-part psalms, he made some four-part arrangements, which were denounced and even resulted in his imprisonment for a day. Later, Bourgeois published a number of psalm collections, and judging from his book Le droict chemin de musique he was also an excellent educator. The melodies Bourgeois composed, are (contrary to Gregorian chants) particularly suitable for community singing. This applies to his hymn tune Saint Michael, which is why this melody hasbeen used for various texts, written for many occasions. John Blanken made this arrangement for a wedding ceremony: an occasion in which faith and trust play a large - if not the largest - role. Hence the title Hymn of Faith. The arrangement contains four verses of the hymn. After a majestic opening the hymn follows twice, the second verse being embellished in the tenor register. After a short interlude verse three follows, played by a quartet. The majestic opening is then repeated as a modulation into the fourth verse, which concludes the work in a brilliant tutti. / Niveau : 3 / Hymnes et chorals / Répertoire / Brass Band

Par SCHUTZ / MARIER. Composed by Heinrich Schutz, Psalm 150, SWV 38 is taken from ; Psalmen Davids, Dresden 1619 and is a piece for Double Chorus, Double Brass Choir and Organ. This Baroque Dramatic Concertato is one of the first choral compositions by the author which was initially in German. This religious piece features both German and English lyrics and is also titled ; Praise ye the Lord. Heinrich Schutz (1585-1672) was a German composer and Organist, often regarded as the greatest composer before J. S. Bach./ Répertoire / Partie de Choeur

Uses: General Call To Worship ConcertScripture: Psalm 100; Exodus 25:8; Habakkuk 2A driving psalm of praise with brass and percussion punctuates this mixed meter “tour de force” with afestive sensibility that energizes any worship gatherings. Some counterpoint interacts with richly harmonized choral styled writing for a good balance of compositional elements. Incorporating God Himself Is With Us thisanthem provides a lofty call to worship for choirs of distinction.

Par RUTTER JOHN. European Sacred Music est une collection de plus de 50 des plus beaux exemples de la musique chorale sacrée de l'Europe continentale, allant du XVIe au XXe siècles. John Rutter a préparé complètement nouvelles éditions de tous les éléments pré-XXe siècle, remontant au manuscrit premiers et les plus fiables ou de sources imprimées. De nouvelles traductions en anglais sont fournies chantant pour la plupart des morceaux, et les réductions de clavier jouable. Orchestrations sont disponibles à la location pour les huit articles accompagnés (Bach: Jesu O Christ, meins Lebens Licht - Buxtehude: Magnificat - Fauré: Cantique de Jean Racine - Franck: Panis Angelicus - Gabrieli: Jubilate Deo - Mendelssohn: Verleih uns Frieden, Monteverdi: Beatus vir - Mozart: Ave verum Corpus) Certains articles de ce volume sont disponibles séparément sous forme de brochures de la série Oxford Choral Classics Octavo. John Rutter est né à Londres en 1945 et a étudié la musique au Clare College, Cambridge. Ses compositions embrassent la musique chorale, orchestrale et instrumentale, et il a édité ou co-édité plusieurs anthologies chorale dont quatre pour des volumes de Carols chorales avec Sir David Willcocks et l'Oxford Choral Classics série. De 1975 à 1979, il a été directeur de la musique au Clare College, et en 1981 il a formé son propre choeur, les Cambridge Singers. Il partage maintenant son temps entre la composition et la conduite et est recherché comme un chef d'orchestre invité pour le leader mondial des chorales et orchestres. / Niveau : Facile à Moyennement Difficile / Recueil / Chant

aus The Strathclyde Motets-The Strathclyde Motets are communion motets setting propers of the mass for various Sundays and feasts. The Latin text is taken from the Graduale Romanum. The pieces are suitable for intermediate standard choirs.In splendoribus sanctorum is a communion motet for Nativity Midnight Mass (Psalm 109: 3). For mixed choir (SATB) trumpet in C (organ) ad libitum with piano accompaniment for rehearsal only.

Arr. Philip Sparke. Par BOURGEOIS LOUIS. L’hymne Old Hundredth est une des plus célèbres hymnes chrétiennes de tous les temps. Elle fut publiée pour la première fois en 1551 dans le psautier de Genève Pseaumes octante-trois de David avec accompagnement du Psaume 134. La mélodie est fréquemment attribuée au compositeur français Louis Bourgeois (vers 1510-vers 1560). En 1561, William Kethe, un pasteur écossais, reprend la mélodie pour réaliser une paraphrase du Psaume 100, All People that on Earth do Dwell (Vous tous, habitants de la terre !), qui sera publiée dans le Psautier de Sternhold et Hopkins. Cette paraphrase reste le texte le plus chanté sur la mélodie de Bourgeois. En 1696, Nahum Tate et Nicholas Brady réalisent une Nouvelle Version des Psaumes de David (New Version of the Psalms). Par opposition à la version révisée de la mélodie, la version initiale prend alors le nom de Old Hundredth, autrement dit « l’ancienne version du Psaume 100 ». / Niveau : 3 / Hymnes et chorals / Répertoire / Brass Band