Power Trio Blues

Ce pack de livre/CD détaille comment jouer de la guitare électrique dans un trio avec contrebasse et batterie. Boogie, shuffle et rythmes blues lent, licks, double les patrons s'arrête, cordes et basse sont présentées pour les blues complet et passionnant. Un CD avec les exemples de musique interprétée par un power trio smokin'est inclus pour le long de jeu d'instruction et de brouillage. Les styles de musique de Chicago et Texas bluesmen sont présentés avec des photos rares de ces musiciens avec leurs axes préférés. Cette nouvelle édition comporte encore plus les styles blues - funk, soul et jazz - tous avec des enregistrements et de nouveaux exemples de musique ! / Guitare / 64 pages / Partition + Cd

This is an exceptional collection of ten original études by Aaron Minsky. First published to international acclaim as Ten American Cello Etudes these captivating pieces are now available to violinists in this adaptation by editors Daryl Silberman and Danny Seidenberg. For intermediate to advanced players these dynamic and lively études are equally suited to performance and study.Unique entertaining piecesA variety of contemporary styles including Latin Rock and Roll Blues and moreMusical depictions of American places activities and moodsTechnical challenges such as harmonics left-hand pizzicato and doublestoppingUseful fingering and bowing suggestionsAaron MinskyAaron Minsky began his career as a rock guitarist and then went on to study the cello with established teachers from Juilliard and elsewhere obtaining a Master of Music degree from the Manhattan School of Music. He has performed with orchestras around the world and on radio and television. Minsky is also an award-winning composer with over a dozen works published by Oxford University Press. He has premiered his original music at the First World Cello Congress the American Cello Congress and the New Directions Cello Festival. Selections from his published collections are now considered standard repertoire appearing in the curriculums of the Associated Board of the Royal Schools of Music and the American String Teachers Association. Particularly known for bridging the gap between classical and popular music for cello Minsky founded the Von Cello Band the first cello-fronted rock power trio which features a unique blend of hard alternative and jam rock.

The composer says: For years, my fellow guitarists have been asking me to compose a solo classical guitar piece that reflects that most American of musical styles'the blues. Their prodding was the motivation for Periwinkle Memories; the inspiration for the piece, however, really came from a maestro of extraordinary skill, and a teacher of even more extraordinary patience, Elias Barreiro, my guitar teacher at the University of New Orleans. I have always tried to emulate in my performances the beauty of his interpretations, and to fuse in my compositions the power and emotion of the blues. The name, Periwinkle Memories was a serendipity. I was struck by the light purplish-blue hue of the periwinkle, and soon learned the history of the funnel-shaped flower (Vinca minor.) Though it now grows wild in parts of the United States it is native to Australia, some consider it an invasive weed, most admire its extraordinary beauty. Common herbicides won't kill it. The periwinkle is too vigorous and hardy for that. And now it is not merely a begrudged part of the American landscape, it is a vibrant part of the American landscape, elegant, stubborn, and nearly native. Like the blues. And like that young recalcitrant student Maestro Barreiro worked so hard to mold so many years ago. Ogden Nash said, 'One man's remorse is another man's reminiscence.' Periwinkle Memories is a celebration of Maestro Barreiro, and of both facets of that adage in me. Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare's Twelfth Night, and played incidental music for their production of Bertold Brecht's The Good Woman of Sichuan. He has performed Carulli's Guitar Concerto in A, Leonard Bernstein's West Side Story and Marvin Hamlish's A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in Atlanta for Mr. Ted Turner. He has been a guest performer with the Albany State University Jazz Ensemble at The Fletcher Henderson Jr., Macon and Atlanta Jazz Festivals, and played the banjo in the Albany State University /Albany Symphony's co-production of George Gershwin's Opera Porgy and Bes