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Duet for Flute and Alto Saxophone (or Clarinet) from The Pirates of Penzance. Par ARTHUR SULLIVAN SIR. I>The Pirates of Penzance (Les Pirates de Penzance) est sans doute la plus célèbre opérette du compositeur Gilbert et du librettiste Sullivan. L’oeuvre fut créée simultanément en Angleterre et aux États-Unis, fin décembre 1879, pour sécuriser les droits d’auteur dans les deux pays. Le succès fut immédiat. Après être restée à l’affiche pendant plus de trois mois à New York, l’opérette s’est installée à l’Opéra Comique de Londres, en 1880, pour 363 représentations. Ruth, la gouvernante du jeune Frédéric, est chargée de faire en sorte qu’il devienne pilote des mers. Hélas, Ruth, un tantinet dure d’oreille, confond les termes pilote et pirate, et met Frédéric en apprentissagechez une bande de charmants pirates orphelins. À ses vingt et un ans, il est libéré de son contrat d’apprentissage et peut réintégrer un modèle de société respectable avec pour obligation de dénoncer ses anciens compagnons. Ruth révèle alors que Frédéric est né une année bissextile, un 29 février : il n’a donc en réalité que cinq ans ! Il restera donc apprenti pirate jusqu’à son vingt et unième anniversaire. Entre temps, Frédéric s’éprend de Mabel, une des nombreuses filles du Major-Général Stanley. L’opérette touche à sa fin et les quiproquos s’enchaînent. Les pirates, le Major-Général et toutes ses filles se côtoient dans une joyeuse cacophonie à laquelle un sergent de police timoré réussit à mettre un terme en invoquant la loyauté envers la reine Victoria. Et tout le monde cède. Vers la fin de l’Acte II, Frédéric et Mabel chantent un duo d’amour d’une beauté envoûtante, “Ah, leave me not to pine alone and desolate” (“Ah, ne me laisse pas languir et désespérer”). Philip Sparke en a réalisé un arrangement pour Flûte Traversière et Saxophone Alto (ou Clarinette). / Niveau : 2 / Classique / Répertoire / Concert Band ou Harmonie et Flûte Traversière Saxo

Par HOLENKO JOHN. This collection includes over 70 compositions from the Renaissance presented as melodies with accompanying chord changes. This simple format makes the material suitable for flute. The music includes some well-known Renaissance melodies such as \'Greensleeves\' and \'La Folias\', along with rarer dance pieces and song melodies. Some of these melodies come from as early as the 1400s and others as late as the 1600s. The music in this book is excellent for flutists looking to expand their repertoire, build an early music ensemble, or for instructional purposes. The book also comes with a few \'Grounds\' (jamming chord progressions), rhythmic accompaniment ideas and performance notes. / Date parution : 2022-06-08/ Recueil / Flûte Traversière

PARTITION SEULE
Cette partition flûte pour cette pièce de chambre populaire est disponible pour la première fois seule ! / Partitions jazzandblues / Bois / Flute traversiere / HAL LEONARD

Walk Softly is a light floating piece with a colourful 'modal' harmonic structure. The feel throughout is in a light loose Latin style. Edited by Scott Stroman. Jazzamatazz is an exciting series of easier music for BigBand. The instrumentation is for orthodox Big Band with optional flute/clarinet and percussion. There are several helpful features included such as optional octave doublings practical instrument ranges and suggested chordvoicings in keyboard and percussion parts. The very comprehensive performance notes are invaluable at the rehearsal stage. None of the compositions in this series are difficult to play (around Grades 3/4) and all sound impressivewhen performed. An excellent choice for bands in both schools and colleges. Each set contains a full score plus the following parts: 5 Saxes (2 alto 2 tenor 1 baritone) 4 Trumpets 4 Trombones (Bass clef) Optional Flute &Clarinet Guitar Keyboard Bass Drums Additional Percussion.

11 pieces in 11 styles from around the world. Par . All aboard for a musical tour of the globe with Mike Mower! Junior Musical Postcards contains eleven sparkling pieces in fascinating world music styles, tailor-made for developing musicians. The trip begins with a boisterous Cajun stomp, and concludes with an elegant Viennese polka, taking in stops in countries as varied as China, Jamaica, and Wales along the way. Available in editions for alto saxophone, flute, clarinet, trumpet and violin, each book contains melody lines with chord symbols to aid improvisation. Every piece is brought to life with a postcard of essential background information and playing tips. A book of keyboard accompaniments is available separately. Spectacular and authentic audio performances and backing tracks of every piece played by bands and musicians from all eleven countries are available online. A professional musician for 40 years, Mike Mower has played in orchestras, big bands, chamber ensembles, shows, jazz bands, and recording sessions around the world in classical, jazz, Latin, and rock styles on flutes, saxophones, and clarinets. He has written concertos for international solo artists and orchestras and concert music for ensembles of all sizes ' in addition to composing, arranging, and producing TV themes and commercial music albums. His fun but challenging educational music has been enjoyed by a generation of younger players. The Musical Postcards and Junior Musical Postcards series (with accompaniment by some international recording artists too famous to mention!) celebrates authentic music genres from all over the globe. / Niveau : Moyen / Date parution : 2024-01-06/ Recueil / Flûte Traversière

Duo was originally written for violin and piano but Sweeney intentionally left the instrumentation of the solo part open because he felt that the piece was more 'a rhythmic working-out of certain motivic ideas rather than the expression of a particular instrumental timbre'. Written in ternary form Duo is essentially a lively and exuberant exploration of the tonal relationships of a three-note cell F#-A-B within various keys and using ostinato and syncopated rhythmic techniques.Eric Sweeney studied at Trinity College Dublin and the Conservatorio di Santa Cecilia in Rome and is now Head of Music at Waterford Regional Technical College Ireland. Hismusical language underwent a radical change in the late 1980s abandoning his earlier style of extended tonality and free serialism and developing a personal form of minimalism by integrating elements of Irish traditional music. This stylistic shift in his compositional evolution was marked by two major works: Dance Music (1989) commissioned by the Royal Philharmonic Orchestra and the cantata Diedre (1989).

Par CURNOW JAMES. A superb way to keep your concert performance vibrant and interesting is the inclusion of one or two feature pieces. The natural contrast that happens when you include a section feature or solo keeps the audience focused and enlivens your program. Feature your agile and expressive Flute section this season with FLIRTATIONS FOR FLUTE by James Curnow! With its light and frivolous air, Flirtations For Flute was composed specifically for use by many different combinations of Flutes, from a solo to an entire Flute section. The piece focuses on the fast paced, flexible side of the instrument’s capabilities. / Niveau : 3 / Répertoire / Concert Band ou Harmonie et Flûte Traversière