Playing Through The Blues - Violin Edition

SKU: AP.1-ADV14907

UPC: 805095149074. English.

Playing Through the Blues: Violin Edition is an intermediate-level reading book with accompanying CD (12 listening tracks; 12 play-along tracks) that contains very melodic, fun-to-play blues lines and riffs in various styles and feels. The keys and tempos are comfortable. It's an excellent tool for learning what jazz soloing is all about. You can also improvise over the play-along tracks using the chords for the tracks shown in the book.

Titles: Blues for Michael Brecker * On the Spot * Sus Sounds * Goin' Home * Funky Blue * Blues Ascension * Four in Three * Diggin' In * Nightfall * Medieval Blues * Tradin' Ones & Twos * Shuffle Them Blues.

SKU: AD.ADG245

ISBN 9781958017357. UPC: 663389124523. 9 x 12 inches.

The Blues Scale for Violin is one of a series by Andrew D. Gordon is a comprehensive collection of educational books that explores the intricacies, techniques, and applications of the blues scale in contemporary music. Designed for musicians of all levels, this series serves as an indispensable resource for guitarists, pianists, saxophonists, and other instrumentalists looking to delve into the expressive and soulful world of blues music. Andrew D. Gordon, an accomplished musician and renowned educator, combines his vast knowledge and experience to provide a step-by-step guide for mastering the blues scale. Each book in the series offers a well-structured curriculum, progressing from fundamental concepts to advanced improvisation techniques, ensuring a thorough understanding of the blues scale's potential. Through detailed explanations, musical examples, exercises, and play-along tracks, readers will embark on a transformative journey, gaining fluency and confidence in playing the blues. The books cover various styles showing how the blues scale can be used, including , jazz, funk , new age, Latin, pop, gospel, acid jazz and rock enabling musicians to expand their repertoire and adapt their skills to different musical contexts. The Blues Scale series not only equips musicians with the technical aspects of playing the blues but also emphasizes the importance of creativity and personal expression. Gordon encourages readers to develop their improvisational skills, providing tools and strategies to create unique solos and express their musical personality within the framework of the blues scale. Whether you are a beginner seeking to explore the foundations of the blues scale or an advanced player looking to refine your improvisational abilities, The Blues Scale series by Andrew D. Gordon offers a comprehensive and accessible approach to learning and mastering the blues. With its clear instruction, engaging exercises, and practical examples, this series is an invaluable resource for musicians passionate about incorporating the soulful and timeless sounds of the blues into their playing.

SKU: AD.ADG242

ISBN 9781958017296. UPC: 663389124226. 9 x 12 inches.

The Blues Play A Long and Solos Collection for Harmonica is an indispensable instructional book written by renowned musician and educator, Andrew D. Gordon.

Specifical ly designed for beginners, this book provides a comprehensive guide to playing the blues on the bass while offering a plethora of play-along tracks and soloing opportunities.

And rew D. Gordon, with his extensive experience as a multi-instrumentalist and music educator, has meticulously crafted this book to cater to harmonica players who want to delve into the captivating world of blues music. Whether you're a complete novice or have some basic knowledge of the harmonica, this book will guide you step-by-step through the fundamentals of blues playing, enabling you to develop your skills and confidence.

The Blues Play-Along and Solos Collection for harmonica is part of an esteemed series of instructional books, with other editions available for a variety of instruments such as piano/keyboards, guitar, bass, alto and tenor saxophone, flute, trumpet, trombone, ukulele, recorder, mandolin, bass and violin. This series ensures that musicians across different disciplines can explore the blues genre and its unique characteristics.

K ey features of The Blues Play-Along and Solos Collection for Harmonica include: Play-Along Tracks: Explore a diverse selection of 30 professionally produced play-along tracks, featuring authentic blues grooves in various Blues styles, keys and tempos such as: Funky Blues, Boogie Blues, Jazz Blues, Minor Blues, Country Blues, Latin Blues, Old Time Jazz Blues, Jazz Swing Blues, Classic Blues Rock, Soulful Blues, Slow Blues and many more. These tracks allow you to apply your newly acquired skills and play alongside a band, providing an immersive and enjoyable practice experience.

Each of the 30 play-a-long tracks has been recorded with 10 choruses of the 12 bar blues progression giving you the opportunity practice soloing techniques totaling over 3 hours of music. Each of the 30 Blues styles contains a solo improvisational melody line, 12 measures in length, designed for the beginner student in mind as a starting point to create your own improvisational solos.

Soloing Techniques: Discover various soloing techniques and improvisational approaches, empowering you to create your own expressive solos and melodies within the blues framework. Repertoire Building: Develop a repertoire of blues songs, licks, and riffs specifically tailored for the harmonica. Expand your musical vocabulary and gain confidence in your ability to perform and jam with others.

Music Notation : The book contains clear and easy-to-read music notation ensuring accessibility for beginners and facilitating a smooth learning process. Whether you aspire to perform on stage, jam with friends, or simply enjoy playing the bass at home.

The Blues Play-Along and Solos Collection for Harmonica provides you with all the tools you need to embark on an exciting blues journey. Andrew D. Gordon's expertise and passion for teaching music shine through in this book, making it an essential resource for any bass player seeking to explore the expressive and soulful realm of blues music.

SKU: BT.MUSAM34851

ISBN 9780711904347. English.

The only piano course based throughout on today's popular songs and famous light classics. Easy to follow text and clear demonstration diagrams. Book Four introduces you to the piano pedals which add colour to yourplaying,syncopation, left hand fills, plus songs in the style of Boogie-Woogie, Modern Blues and Rock 'n' Roll. You will also learn to play in several new keys.

SKU: CF.AS144

ISBN 9781491160602. UPC: 680160919192.

Often referred to as the Dean of African American Composers, William Grant Still's illustrious career contained many ground-breaking achievements. Following the massive success of his critically acclaimed Symphony No. 1, the Afro-American Symphony (1930), Still's Symphony No. 2 was premiered in 1937 by the Philadelphia Orchestra under the direction of conductor Leopold Stokowski. The work, subtitled Song of a New Race, infuses elements of blues and jazz into the classical form, creating a uniquely blended sound to reflect Still's vision of an increasingly diverse American culture. Slow, dreamy themes are expressed through lush harmonies utilizing thick textures along with solo and divisi playing. The tension between traditional and jazz idioms is felt in the push and pull of shifting tempo and tonality. Originally composed for Full Orchestra, this slightly abridged version for String Orchestra includes the original harp part, honoring the legacy of one of America's greatest composers.
Often referred to as the Dean of African American Composers, William Grant Still's illustrious career contained many ground-breaking achievements. Following the massive success of his critically acclaimed Symphony No. 1, the Afro-American Symphony (1930), Still's Symphony No. 2 was premiered in 1937 by the Philadelphia Orchestra under the direction of conductor Leopold Stokowski. The work, subtitled Song of a New Race, infuses elements of blues and jazz into the classical form, creating a uniquely blended sound to reflect Still's vision of an increasingly diverse American culture. Slow, dreamy themes are expressed through lush harmonies utilizing thick textures along with solo and divisi playing. The tension between traditional and jazz idioms is felt in the push and pull of shifting tempo and tonality. Originally composed for Full Orchestra, this slightly abridged version for String Orchestra includes the original harp part, honoring the legacy of one of America's greatest composers.
Often referred to as the Dean of African American Composers, William Grant Still's illustrious career contained many ground-breaking achievements. Following the massive success of his critically acclaimed Symphony No. 1, the Afro-American Symphony (1930), Still's Symphony No. 2 was premiered in 1937 by the Philadelphia Orchestra under the direction of conductor Leopold Stokowski. The work, subtitled Song of a New Race, infuses elements of blues and jazz into the classical form, creating a uniquely blended sound to reflect Still's vision of an increasingly diverse American culture. Slow, dreamy themes are expressed through lush harmonies utilizing thick textures along with solo and divisi playing. The tension between traditional and jazz idioms is felt in the push and pull of shifting tempo and tonality. Originally composed for full orchestra, this slightly abridged version for string orchestra includes the original harp part, honoring the legacy of one of America's greatest composers.
Often referred to as the “Dean of African American Composers”, William Grant Still’s illustrious career contained many ground-breaking achievements. Following the massive success of his critically acclaimedSymphony No. 1, the Afro-American Symphony (1930), Still’s Symphony No. 2 was premiered in 1937 by the Philadelphia Orchestra under the direction of conductor Leopold Stokowski. The work, subtitled “Song of a New Race”, infuses elements of blues and jazz into the classical form, creating a uniquely blended sound to reflect Still’s vision of an increasingly diverse American culture. Slow, dreamy themes are expressed through lush harmonies utilizing thick textures along with solo and divisi playing. The tension between traditional and jazz idioms is felt in the push and pull of shifting tempo and tonality. Originally composed for full orchestra, this slightly abridged version for string orchestra includes the original harppart, honoring the legacy of one of America’s greatest composers.

SKU: CF.AS144F

ISBN 9781491160893. UPC: 680160919499.

Often referred to as the Dean of African-American Composers, William Grant Still's illustrious career contained many ground-breaking achievements. Following the massive success of his critically acclaimed first symphony, Afro-American Symphony (1930), Still's Symphony No. 2 was premiered in 1937 by the Philadelphia Orchestra under the direction of conductor Leopold Stokowski. The work, subtitled Song of a New Race, infuses elements of blues and jazz into the classical form, creating a uniquely blended sound to reflect Still's vision of an increasingly diverse American culture. Slow, dreamy themes are expressed through lush harmonies utilizing thick textures along with solo and divisi playing. The tension between traditional and jazz idioms is felt in the push and pull of shifting tempo and tonality. Originally composed for full orchestra, this slightly abridged version for string orchestra includes the original harp part, honoring the legacy of one of America's greatest composers.
Often referred to as the “Dean of African-American Composers,” William Grant Still’s illustrious career contained many ground-breaking achievements. Following the massive success of his critically acclaimedfirst symphony, Afro-American Symphony (1930), Still’s Symphony No. 2 was premiered in 1937 by the Philadelphia Orchestra under the direction of conductor Leopold Stokowski. The work, subtitled “Song of a New Race,” infuses elements of blues and jazz into the classical form, creating a uniquely blended sound to reflect Still’s vision of an increasingly diverse American culture. Slow, dreamy themes are expressed through lush harmonies utilizing thick textures along with solo and divisi playing. The tension between traditional and jazz idioms is felt in the push and pull of shifting tempo and tonality. Originally composed for full orchestra, this slightly abridged version for string orchestra includes the original harppart, honoring the legacy of one of America’s greatest composers.