Matériel : Partition
Par MENDELSSOHN-BARTHOLDY FELIX. Full score for Violin, Cello and Piano of Felix Mendelssohn's Piano Trio No. 1 In D minor Op. 49 and Piano Trio No. 2 in C minor Op. 66. Upon hearing the first trio, Robert Schumann declared Mendelssohn is the Mozart of the nineteenth century ! Written in the composer's famously flowing Romantic style, these two works are staples of the repertoire and anchors of many chamber music series. Both appear here for the first time in a single and affordable study edition. Mendelssohn drew upon a variety of influences in his musical style - chiefly Bach, Mozart, and Beethoven. Like the other German composers of his generation, Mendelssohn created works that mirror the era'stension between Classicism and Romanticism. These trios are universally regarded as among his finest works, with marked contrasts ranging from slow movements to lively scherzos in the manner of his Songs Without Words./ Répertoire / 3 Pianos
SKU: BR.SON-421
ISBN 9790004802663. 9 x 12 inches.
Nearly an entire decade lies between the first mention (1831) and the printing (1840) of the Trio op. 49. Mendelssohn kept trying to set it to paper, but he was probably again making too many demands on this work, his first in the piano trio genre. Yet his efforts were immediately rewarded: It is the master trio of the present, and Mendelssohn the Mozart of the 19th century, proclaimed Robert Schumann, who was also to compose a landmark D minor Trio seven years later. Mendelssohn's second Trio op. 66 was composed with a relatively light hand in 1845. Over and beyond the familiar Trios opp. 49 and 66, the corresponding volume of the Leipziger Mendelssohn-Ausgabe contains sketches and drafts in the same scoring, which were not further developed.
SKU: HL.51481531
UPC: 840126989311. 9.25x12.25x0.361 inches.
Mendelssohn is considered a self-critical composer, who repeatedly reworked a number of his pieces until he deemed them worthy to be published. The path to his first Piano Trio was particularly rocky: only after several attempts was he able to complete it in the summer of 1839; it appeared in 1840 after further revisions. This perfectionism paid off, for Mendelssohn's D Minor Trio was immediately received with enthusiasm. Robert Schumann wrote: “It is the master trio of the present day, like those of Beethoven in Bb and D and that of Franz Schubert in Eb were in their time; a very beautiful composition which after years will still delight grandchildren and great-grandchildren.†Which was to prove true: even today, it numbers among the most popular works in the trio repertoire in general. The trio, taken from the volume Mendelssohn • Piano Trios HN 957, is now available from Henle for the first time also as a practical single edition.
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SKU: HL.51481532
UPC: 840126989298. 9.25x12.25x0.357 inches.
After the great success of his first Piano Trio in d minor op. 49, some five years passed before Mendelssohn set to work on a new composition for this formation. But then the c-minor Trio came into being in a relatively short period in March/April 1845 and was published around a year later. Much more sombre in character than the sibling work, this second trio is also considered much more difficult in terms of technique (above all in the piano part). Thus, it has always stood somewhat in the shadow of the earlier trio. However, chamber music aficionados generally regard it as the more mature and challenging work in terms of compositional technique. The trio, taken from the volume Mendelssohn • Piano Trios HN 957, is now available from Henle for the first time also as a practical single edition.
SKU: HF.FH-2136
ISBN 9790203421368. 9 x 12 inches.
1. Gavotte, HWV 491 (Georg Friedrich Handel); 2. Branle gay (Jean-Baptiste Besard); 3. Siciliano (A. E. Muller); 4. Capriccio (Giuseppe A. Brescianello); 5. Thema aus dem Trio C-Dur, aus 3 Trios Hob. IV:1-3 (Joseph Haydn); 6. Bagatelle (Ludwig van Beethoven); 7. Walzer, aus Albumblatter op. 124 (Robert Schumann); 8. Mazurka, aus Jugendalbum op. 39 (Peter Tschaikowsky); 9. Solvejgs Lied, aus Peer Gynt-Suite 2op. 55/4 (Edvard Grieg); 10. Intermezzo, aus L'Arlesienne 2. Suite (Georges Bizet); 11. Lied ohne Worte (Felix Mendelssohn Bartholdy); 12. La Fille aux Cheveux de Lin, aus Preludes (Claude Debussy).
