Piano Concerto Full Score (GRIEG EDVARD)

Full scores of 5 great Beethoven piano concertos, reproduced from the authoritative Breitkopf & Härtel edition, with all cadenzas as he wrote them. The works reveal the pianistic and orchestral mastery of Beethoven's early and middle periods as well as his innovative genius.

Par CHOPIN FREDERIC. Full score edition of Chopin's attractive and popular Piano Concertos. 'No. 1 in E minor Op. 11'' and 'No. 2 in F minor Op. 21'./ Répertoire / Piano

Par SCHUMANN ROBERT. Clara Wieck's sincerest wish was that her future husband, Robert Schumann, turn his extraordinary genius toward the larger and more challenging task of composing orchestral music. Confiding in her diary in 1839, just one year before her marriage, she explained that ; it would be best if he composed for Orchestra: his imagination cannot find sufficient scope in the Piano… In the years that followed their marriage Robert Schumann continued to devote much of his attention to Piano music, but he also found the time to comply with his beloved Clara's wish by creating a number of musical pieces composed specifically for Piano andOrchestra. Although Schumann 's genius is most in evidence in his masterful solo Piano compositions and superb lieder, his lively and provocative imagination manifests itself with equal aplomb in the works composed for Piano and Orchestra. The same compelling romantic and lyrical qualities that captivate lovers of Schumann 's Piano music are evident in these compositions. Three of his finest are presented here in full score, including the A Minor Piano Concerto, one of the most popular and frequently performed concertos ever written. All demonstrate his remarkably innovative approach to music, diverting substantially from the classic models of the day, and display his immense creativity as well as his warmth and sensitivity. Included in this collection of Schumann 's compositions for Piano and Orchestra are: Piano Concerto In A minor, Op. 54 (published 1846) Concertstuck, Op. 92 (Introduction and Allegro appassionato; published 1852) Introduction and Allegro, Op. 134 (published 1855) These three works by one of the greatest masters of romanticism will delight musicians, music lovers and students, as well as devotees of Schumann. Pianists will be especially pleased to have these appealing Schumann works in one convenient edition available at / Date parution : 2019-12-12/ Répertoire / Piano et Orchestre

Par MOZART WOLFGANG AMADEUS. Composed at the end of 1785, Mozart ’s Piano Concerto in E-flat major forms a group of three with the two famous concerti in A major K. 488 and in C minor K. 491, which he completed in March of the following year. What they all have in common is Mozart ’s inclusion of Clarinets in the Orchestra for the first time. In this he succeeded to particularly impressive effect with the lyrical passages in the slow sections of the E-flat-major concerto, which was well received by the audience at the first performance. Indeed, his father, Leopold, reports in a letter that Mozart “had to repeat” the Andante immediately. G. Henle Publishers is issuing this concerto, undeservedly overshadowed by its famous siblings, in a handy study edition in full score; a Piano reduction is in preparation./ Répertoire / Piano

Concerto in F for Piano and Orchestra. Par GERSHWIN GEORGE. Gershwin's Concerto was premiered on December 3, 1925, in Carnegie Hall - the epicentre of New York's classical music scene. It belongs to a group of self-imposed experiments” with which the composter sought to make inroads into serious” music: I have only written three 'opuses' so far - 'The Blue Monday Opera,' 'The Rhapsody in Blue' and the 'Concerto.' I have devoted much time to these works, but they are, of course, not my regular work. They are experiments - laboratory work in American music.” For his edition, Norbert Gertsch reviewed a multitude of autograph and printed sources in the USA and for the first time presents an Urtext edition of this very popular pianoconcerto suffused by the jazz idiom. At the same time, Breitkopf and Härtel offers both the full score and orchestral parts by the same editor./ Répertoire / Piano 4 Mains

In Full Score. With Mozart's Cadenzas for Nos. 9 and 10. Par MOZART WOLFGANG AMADEUS. Mozart's supremacy as a composer is nowhere more apparent than in his piano concertos, which were a lifelong preoccupation for him. This volume includes the Triple Concerto No. 7 in F, Mozart's only concerto for three pianos, with the composer's cadenzas for all three movements. Reproduced and unabridged from the authoritative Breitkopf & Hartel Complete Works edition./ Répertoire / Piano

For The Left Het For Piano et Orchestra. Par RAVEL MAURICE. In 1929 Paul Wittgenstein, a pianist and war veteran who lost his right arm in the Great War, commissioned Maurice Ravel to write a concerto for him to perform. The result was one of Ravel's most thrilling compositions and, for Wittgenstein, the most important of the many works he commissioned over the course of his career. This scholarly-critical edition of Ravel's Concerto for the Left Hand is based on previously inaccessible and unknown sources. The editor, Douglas Woodfull-Harris, was able to consult manuscripts in the private library of the Paul Wittgenstein Estate which allowed him to retrace the work's evolution from Ravel's autograph working copy to the first printededition. The piano reduction in our edition contains both Ravel's and Wittgenstein's fingerings. Also included is a solo part without fingering, thereby giving pianists the opportunity to enter their own fingering after having studied those of Ravel and Wittgenstein. In 1929 Paul Wittgenstein, a pianist and war veteran who lost his right arm in the Great War, commissioned Maurice Ravel to write a concerto for him to perform. The result was one of Ravel 's most thrilling compositions and, for Wittgenstein, the most important of the many works he commissioned over the course of his career. This scholarly-critical edition of Ravel 's Piano Concerto For The Left Hand is based on previously inaccessible and unknown sources. The editor, Douglas Woodfull-Harris, was able to consult manuscripts in the private library of the Paul Wittgenstein Estate which allowed him to retrace thework's evolution from Ravel 's autograph working copy to the first printed edition. A source of key importance to our new edition is a handwritten French copy of Ravel 's own Piano reduction (the autograph is inaccessible) that he gave to Wittgenstein to facilitate rehearsing the work. This copy is the sole source reflecting Wittgenstein's own interpretation and containing his changes to the final cadenza. It also helps us to understand omissions in the first edition of the score as well as the Piano reduction, and enabled the editor, amongst other things, to correct a great many notes which could be found in previous editions, including the solo Piano part. The Piano reduction in our edition contains both Ravel 's and Wittgenstein's fingering. Also included is a solo part without fingering, thereby giving pianists the opportunity to enter their own fingering after having studied those of Ravel and Wittgenstein. Score and orchestral parts in large format (25. 5 x 32. 5 cm) Includes source descriptions and a Critical Commentary with alternative readings (Eng) Informative Introduction on the work's history and genesis (Ger/Eng/Fr) With facsimile pages Piano reduction with separate Urtext solo part enclosed Full score & parts (BA7881) and two-Piano reduction (BA7881-90) available for sale./ Répertoire / Piano et Orchestre

Music Minus One Piano Deluxe 2-CD Set-Together in one package Music Minus One brings you two of nineteenth-century Russia's greatest works for piano and orchestra Rimsky-Korsakov's Piano Concerto (1883) and his protege Anton Arensky's Fantasia on Russian Folksongs for Piano and Orchestra (1899). Both of these short concerted works are single-movement fantasias on Russian folk themes filled with the thunderous orchestrationa and big Russian sounds one associates with Imperial Russia. Both of these works present a perfect opportunity for the pianist or advancing student who wants to tackle a big Romantic-era concerted work but may not be ready for the full-scale concerto. With their relatively short lengths and onlymoderately-difficult piano parts they give the thrill of full-scale performance with significantly less investment than would be otherwise possible with longer works. This Music Minus One edition includes a CD containing the complete performance of the concerto in digital stereo a second digital stereo version of the concerto minus the soloist voluminously indexed for ease of practice and performance and a fully annotated score especially prepared for this MMO release printed on high-quality ivory paper with informative liner notes.