Par DUBOIS THEODORE. At just 34 years of age, Theodore Dubois was installed as a professor of harmony at the Paris Conservatoire. Whilst much of his compositional works have disappeared from primary classical repertoire, his teaching has had a lasting influence. Having taught successful composers, including Paul Dukas, it is clear that Dubois'' Treaty of Harmony is well-informed. This music theory study guide covers a considerable range of theoretical aspects, from the varying musical clefs to the use of pedal notes, as well many other harmonic devices with expertise. During the preface, Dubois explains the need for hisbook, stating that it fills the gaps in harmonic theory exercises which preceding guides had missed. With no harmonic elements left out, this Theodore Dubois theory guide is necessary to accompany all music studies./ Autre FM / Pédagogie Musicale

Par DUBOIS THEODORE. Treatise of Harmony & Bass and Voices is an absolute must-have volume on harmonies by Theodore Dubois. Written in the last century (1921), this book includes the two parts of the treatise: Part 1 & Basses and Part 2 & Voices. This volume is quite complex, requires some strong theory knowledge and would be playable by upper-advanced players and professionals. It also features numerous examples. The two parts contains the following sub-sections: Part 1 & Basses: - Consonant harmonies - Dissonant harmonies - Alterations - Delays - Pedals - Appendix Part 2 & Voices: - Consonant harmonies - Dissonant harmonies - Alterations - Delays, Pedals… - Appendix/ Répertoire / Voix

16 Short Lyric Pieces For Flûte And Piano. Par GALWAY JAMES. This collection is the first-ever publication of 19th-20th Century exam pieces composed for the Paris Conservatory, meticulously compiled, arranged and edited over the course of many years by accomplished flutist Nancy Andrews. All 16 pieces include solo flute part with piano accompaniments. Optional digital downloads are available as well of the original cello/string ensemble accompaniments where available. Sir James Galway's introduction to the album states: It is my great pleasure to present this collection of pieces originally intended as the sight reading exam for the flute class of the Paris conservatoire. Each piece is a little jewel and could be used as an encore to a recital or even in the main part of a recital. Nancy Andrew has done a magnificent job of preparing them for publication. I look forward with great joy to include them in my future recitals. Works included: Charles Colin 1873 Allegretto, Ernest Guiraud 1874 Allegretto Scherzando, Emile Paladilhe 1875 Allegretto Moderato, Jules Cohen 1878 Andantino, Theodore Dubois 1880 Allegretto, Jules Duprato 1882 Allegro Moderato, Adrien Barthe 1886 Andante, 1891 Moderato, 1895 Allegretto, Georges Marty 1893 Allegretto, Paul Vidal 1894 Allegro Moderato, Raoul Pugno 1896 Tres doux et tres tranquille, Alphonse Duvernoy 1897 Allegretto, Alphonse Duvernoy 1899 Allegro Moderato, Gabriel Pierne 1918 Modere, Jules Mouquet 1924 Andantino/ Recueil / Flûte Traversière et Piano

Par FAURE GABRIEL. Gabriel Faure 's Nocturnes, nos. 1-8. Gabriel Faure was born in Pamiers (Ariège) on 12 May 1845. Owing to his precocious musical gifts, he was able, at the age of nine, to enter the celebrated Niedermeyer School, founded in Paris to train organists and choirmasters. For about ten years he received instruction of great quality, centred mainly on the study of sacred music and the great classic masterpieces, into which he was initiated notably by Camille Saint-Saë ns, his Piano teacher. As soon as he left the school, Faure began a brilliant career as an organist. In 1896 he succeededTheodore Dubois as an organist at the Church of the Madeleine in Paris, and was appointed professor of composition at the Conservatory, where his pupils included Ravel, Koechlin, Enesco and Schmitt. Meanwhile, he had met Liszt in Weimar and had been initiated into Wagner's art, which, however, never really influenced him. Appointed director of the Conservatory in 1905 after Theodore Dubois' resignation, a member of the French Institute and music critic, Faure spent his last years in solitude, suffering from an irreversible deafness that obliged him to resign from the Conservatory in 1920. He died in Paris on 4 th November 1924. The music of this sometimes misunderstood composer who wrote in nearly all genres (except Organ music) is of great refinement. An enemy of bombast, Faure put his elegant counterpoint, a highly individual harmonic style, unpredictable turns of phrase, and the secret of an unusual musical sensitivity at the service of music that is both varied and of very high quality./ Répertoire / Piano

Par DUBOIS THEODORE. / Répertoire / Choeur Mixte STB/Solo Tutti Basses Accompagnement

L'oeuvre musicale qui a pour support une Partition Et Parties a pour titre Suite N02. C'est une partition musicale composée par Dubois Theodore et qui est destinée aux joueurs de Ensemble Instrumental et Petit Orchestre. Le détail de l'instrumentation Ensemble A Vent vous permettra de savoir si cette partition correspond bien à ce que vous cherchez. Son style Classique vous permettra de découvrir ô combien la musique Classique est belle et enrichissante. / Ensemble A Vent / Partition Et Parties

Adoration Medley is wonderfully suited for blended worship experiences. It begins with an a cappella setting of Theodore Dubois's “Christ We Do All Adore Thee” from The Seven Last Words of Christ whichsets a tone of reverence and draws upon the choral tradition of the great classics. A short instrumental interlude ushers in the inspirational “Glorify Thy Name ” which has become a classic in the praise and worshipgenre. Old and new are joined by the common theme of adoration to God. Building in excitement and grandeur Adoration Medley then ends with a quiet moment of intimacy. For double choir ensemble or praise team and choir.Accessible to high school or adult choirs congregational participation during the praise chorus is encouraged. A stunning track and orchestration are also available.

Par FAURE GABRIEL. Being such a prolific composer, particularly for Vocal and Piano works, Gabriel Faure 's music is always addressed with high expectations. His Les Djinns for SATB choir and Piano is no exception. Faure (1845-1924) began receiving high quality musical instruction from age 10 at the Niedermeyer School. He eventually became a piano pupil of Camille Saint-Saë ns. Faure 's career saw him succeed Theodore Dubois as organist at the Church of Madeleine in Paris and become professor of composition at the Paris Conservatoire, all the while composing sublime works. Les Djinns waswritten towards the beginning of the composer's career and is based on the poem of the same name by Victor Hugo. The poem depicts the sounds of the night. Each stanza becomes gradually longer as the text climaxes, and shortens again with the anticlimax, creating an arch form. Faure mimics this in his music through use of structure, dynamics and the texture of the Piano accompaniment. With Faure 's music remaining hugely popular to this day, Les Djinns is a favourite for the choral repertoire./ Répertoire / Choeur à 4 Voix et Piano

Recueil Harpe. Par RENIE HENRIETTE. Six Short Pieces is a set of short works for Harp composed by Henriette Renie. Written in two suites for pedal or lever Harp, the volume is divided as per below: Suite 1: - Conte de Noë l - Recueillement - Air de Danse Suite 2: - Invention dans le Style ancient - Rêverie - Gavotte This set of pieces is really enjoyable to play and was written for upper beginners/intermediate players. It includes chords, arpeggios, a few accidental alterations and some natural harmonics. Henriette Renie (1875-1956) is a French harpist who hadAlphonse Hasselmans and Theodore Dubois as professors at the Paris Conservatoire. She received a First Prize for the Harp and composed many pieces for Harp, including a concerto, some chamber music works and some transcriptions of other works for the Harp. / Répertoire d'Examen / Répertoire / Harpe