Rien de mieux que cette partition pour découvrir le fabuleux instrument de musique qu'est le piano. Vous pourrez ainsi jouer sur cet instrument créé au début du XVIIIème siècle à Florence par Bartolomeo Cristofori Couperin Complete Keyboard Works Series 2 Ordres Xiv-Xxvii de Couperin François. Cette partition qui est éditée par les éditions ID Music fait partie de la catégorie de la musique Classique Si vous le souhaitez, cette partition de musique qui est pour Piano peut être chez vous dans quelques jours. / Piano / Partition

80 pièces pour piano du répertoire baroque, des compositeurs tels que J.S. Bach, Couperin, Handel, Purcell, et Scarlatti. Comprend notamment : les deux suites françaises et le Concerto italien de J.S. Bach, les seize sonates de Scarlatti, et bien d'autres. / Piano

Avec 8 Préludes et 1 Allemande De 'L'Art De Toucher Le Clavecin' (1716-1717). Par COUPERIN LOUIS. Once again the French musicologist Denis Herlin, who mastered the harpsichord under the tutelage of such keyboard legends as Kenneth Gilbert and Huguette Dreyfus, has presented an exemplary edition of a classic from the harpsichord repertoire.' (Jury of the German Music Edition Prize on BA 10844) Bärenreiter presents Book II of Couperin's 'Pièces de clavecin”, first published in 1717, In addition the eight preludes and one allemande from his treatise 'L'Art de toucher le clavecin” are included in the appendix. For the first time Denis Herlin has evaluated the many later impressions of the original print, most of which he unearthed himself in international libraries. By preserving the essential features of the original print while largely dispensing with disruptive page-turns within the pieces, the volume brings modern performers close to the special sound of this music. Rounding off this pioneering new edition are an extensive Foreword, notes on historical performance practice, a comprehensive glossary, facsimile pages and a detailed Critical Commentary. - Pioneering edition with the first-time evaluation of an extensive body of sources - Includes Couperin's original expression marks - Contains nine original compositions from 'L'Art de toucher le clavecin”(1716-17)/ Répertoire / Clavecin

Couperin, François
Concerts Royaux for one or two Treble Instruments, Bass Viol, Bassoon and Harpsichord
- First separate Urtext edition of the “Concerts royaux” for chamber ensemble, based on the pioneering new edition of Book III of the “Pièces de clavecin” (BA 10846)
- Preserves essential features of the original notation as well as Couperin’s original embellishment signs
- Notes on historical performance practice, glossary, Couperin’s table of embellishments and symbols (Fr/Eng) and detailed Critical Commentary (Eng)
This edition contains Couperin’s four “Concerts royaux”, which were published in 1722 as part of Book III of his “Pièces de clavecin”. For the first time it makes these pieces, scored for chamber ensemble, separately available in an Urtext edition. It is based on the musical text of the solo harpsichord version found in the pioneering new edition of “Pièces de clavecin III” (BA 10846). The editor has painstakingly evaluated the many impressions of the original print, most of which he himself discovered in libraries throughout the world.
The preface (Fr/Eng) contains informative details on historical performance practice and on the conception of the “Concerts royaux”, which Couperin expressly intended to be performed either by solo harpsichord or with accompanying ensemble. The modern engraving preserves essential features of the original print, which largely avoids page-turns within the pieces. It thereby brings today’s players close to the special sound of this music in a fascinating way. Couperin’s table of embellishments and symbols as well as a glossary (Fr/Eng) and a detailed Critical Commentary (Eng) round off this long-overdue Urtext edition. / Partitions classique / Ensemble et orchestre / Musique de chambre / BARENREITER

Harpsichord work - Volume 4 LP.24 by Francois Couperin is the fourth in a series of 4 volumes of suites for Harpsichord. Published in 1930 three years before Couperin’s death when he was very ill this volume initially presented some small mistakes and some white pages. It features seven Ordres from the 20th to the 27th with a total of 43 pieces. For upper-intermediate players this volume was edited by Kenneth Gilbert. François Couperin was a very famous French composer who played the Harpsichord the Organ. Coming from a famous family of musicians he was nicknamed“Couperin le Grand” ('Couperin the Great').

Par COUPERIN FRANCOIS / VIDAL. Leçons De Tenèbres à 1 Et 2 Voix by Francois Couperin is a volume for Soprano and Organ or Harpsichord and Continuo. First published as part of the Harpsichord book in 1713 and 1717, this volume also includes the part for Viola da Gamba. It features two tenebrae lessons. For upper intermediate players, this volume was edited and commented by Pierre Daniel Vidalt. François Couperin is a very famous French composer who played the Harpsichord, the Organ. Coming from a famous family of musicians, he was nicknamed ; Couperin le Grand ('Couperin the Great')./ Répertoire / Soprano, Basse Continue et Viole de Gambe

Par COUPERIN FRANCOIS / GILBERT. The first volume of Couperin 's Harpsichord Pieces does not contain a date of publication, however, it is thought to have been composed during 1716-1717, due to the address which the composer gave on his other Harpsichord compositions. Yet, the compilation remains a favourite. François Couperin (1668-1733) is often nicknamed 'Couperin the Great' to distinguish him from other members of the musical family. Many of the composer's works have picturesque titles. Examples of this in his first volume of Pieces for Harpsichord include, Les Papillons (The Butterflies), L'Enchanteresse (The Enchanting) and LesPlaisirs de Saint Germain en Laÿ e (The Pleasures of Saint Germain en Laÿ e). Couperin 's moods are expressed through choices of keys, adventurous harmonies and discords. With a significant amount of variation and inspiration, Pieces for Harpsichord is essential to the repertoire of aspiring players of the instrument./ Répertoire / Clavecin

Par COUPERIN LOUIS / CURTIS. The complete Harpsichord work - Volume 2 by Louis Couperin is the second of a series of volumes with suites for Harpsichord. Composed in a Baroque style, the whole series features 133 pieces for advanced players. Louis Couperin (1626-1661) was a French composer and performer, who created many pieces for Organ and for Harpsichord who later became musician at the court. He invented the genre of Unmeasured Prelude for which he created a form of notation where the harpsichordist can choose how long each note lasts. François Couperin, Louis' nephew, is also a very famous musician who played the Harpsichord./ Répertoire / Clavecin

The first volume of Couperin's Harpsichord Pieces does not contain a date of publication however it is thought to have been composed during 1716-1717 due to the address which the composer gave on his other Harpsichord compositions. Yet the compilation remains a favourite. François Couperin (1668-1733) is often nicknamed 'Couperin the Great' to distinguish him from other members of the musical family. Many of the composer's works have picturesque titles. Examples of this in his first volume of Pieces for Harpsichord include Les Papillons (The Butterflies) L'Enchanteresse (The Enchanting) and LesPlaisirs de Saint Germain en Laÿe (The Pleasures of Saint Germain en Laÿe). Couperin's moods are expressed through choices of keys adventurous harmonies and discords. With a significant amount of variation and inspiration Pieces for Harpsichord is essential to the repertoire of aspiring players of the instrument.

Au sein du répertoire des clavecinistes français, Les Barricades mystérieuses de François Couperin (1668–1733) occupent une place de choix. Le titre, énigmatique, nous interpelle. Couperin avait déclaré que ses titres provenaient d’idées précises mais qu’il se dispensait de les expliquer, ainsi ces Barricades conservent tout leur mystère. L’intérêt pour l’Art baroque, qui grandit dès le milieu du XIXe siècle, fit resurgir les pièces de clavecin de Couperin qui s’interprétèrent alors au piano. La présente publication se rattache à cette tradition qui s’est perpétuée jusqu’à nos jours où des interprètes de renom jouent Couperin au piano. / Piano / Durand

The second volume of Couperin's Pieces for Harpsichord does not contain a date of publication however it is thought to have been composed during 1716-1717 due to the address which the composer gave on his other Harpsichord compositions. Yet the compilation remains a favourite. François Couperin (1668-1733) is often nicknamed 'Couperin the Great' to distinguish him from other members of the musical family. Many of the composer's works have picturesque titles. Examples of this in his second volume of Pieces for Harpsichord include Le Moucheron (The Gnat) L'Adolescente (The Teenager) and La Fringante(The Elegant). Couperin's moods are expressed through choices of keys adventurous harmonies and discords. With a significant amount of variation and inspiration Pieces for Harpsichord are essential to the repertoire of aspiring players of the instrument.

Par ROUSSET CHRISTOPHE. Christophe Rousset l'avoue : le compositeur François Couperin (1668-1733) est resté l'ami qu'il promettait d'être, celui qui parle au coeur, celui qui sait, avec son cortêge de piêces mutines, pathétiques, sensuelles, dans les pires moments de solitude, comme par miracle, exprimer notre propre pensée. Tel un bon génie sorti d'une improbable lampe à  huile, l'auteur des Barricades mystérieuses répand une subtilité et une sincérité qui viennent faire vibrer en sympathie les cordes les plus profondément enfouies. En analysant l'oeuvre du compositeur à  la lumiêre de son expérience d'interprête, Christophe Rousset nous invite à  la découverte de François Couperin, cet ensorcelant révélateur. Comme tous les volumes de la collection ' Classica ' , ce «François Couperin» est enrichi d'un index et d'une discographie. / Broché / Livre / Livres

91 Sélections de littérature de clavier, des Concertos, des Oratorios et des opéras. La période Baroque (1600-1750) est représentée par 67 pièces pour piano et 24 transcriptions pour piano facile d'intermédiaires. Il y a 25 compositeurs dans la collection, y compris de J.S. Bach, Couperin, Haendel, Pachelbel, Purcell, Telemann et Vivaldi. La musique comprend les plus célèbres morceaux baroques : quatre saisons, chanoine de D, sélections de Messie, Air sur la chaîne G, mouton peut faire paître en toute sécurité. Très satisfaisant facile de pièces pour piano intermédiaires donnera aux musiciens années de plaisir. Imprimé sur du papier de qualité, de couleur ivoire, avec une liaison cousue de longue durée. 224 pages. / Piano