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| Thomas Tomkins: Songs Of
Three Four Five and Six
Parts: Mixed Choir: Score
Madrigaux [Partition]
Stainer and Bell
Thomas Tomkins: Madrigals in 3 4 5 and 6 parts (1622)Contents:Songs of three p...(+)
Thomas Tomkins: Madrigals in 3 4 5 and 6 parts (1622)Contents:Songs of three parts:Our hasty life away doth postNo more I will thy loveSure there is no god of LoveFond men that do so highly prizeHow great delightLove cease tormentingSongs of four parts:O let me live for true love (the first part)O let me die for true love (the second part)Oyez! Has any found a lad?Weep no more thou sorry Boy (the first part)Yet again as soon revived (the second part)Was ever wretch tormented?Songs of five parts:To the shady woodsToo much I once lamentedCome shepherds sing with meCloris whenas I wooSee see the shepherds' QueenPhyllis now cease to move meWhen David heardPhyllis yet see him dyingFusca in thy starry eyesAdieu ye city-prisoning towersThe fauns and satyrs trippingSongs of six voices:When I observeMusic divineOft did I marleWoe is meIt is my well-beloved's voiceTurn unto the Lord
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| Thomas Tomkins: 5 Pavans
& 2 Galliards: Recorder
Ensemble: Instrumental
Work
Quatuor de Flûtes à bec
Universal Edition
5 Pavans & 2 Galliards for Recorder Quartet (SATB) by Thomas Tomkins
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| Adieu, Ye
City-Pris'Ning
Towers (TOMKINS THOMAS)
2 Trompettes Sib et 3 Trombones ou 2
Cornets et 3 [Conducteur et Parties séparées] - Intermédiaire
FLEX Editions
Arrgt: Olivier Lachurie. Par TOMKINS THOMAS. Formation : Musique de Chambre, Qui...(+)
Arrgt: Olivier Lachurie. Par TOMKINS THOMAS. Formation : Musique de Chambre, Quintette - Instrumentation : 2 Trompettes Ut/Sib 3 Trombonesou 2 Cornets 3 Sacqueboutes - Niveau de Difficulté : 3/6 - Intermédiaire - Durée : 2 mn 15 s - Style Musical : Classique, Baroque - Catégorie : Arrangement - Compositeur : Thomas TOMKINS - Arrangeur : Olivier LACHURIE / Niveau : Intermédiaire / Classique, Baroque / Répertoire / 2 Trompettes Sib et 3 Trombones ou 2 Cornets et 3
Délais: 2-5 jours - En Stock Fournisseur |
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| Tomkins: Magnificat &
Nunc Dimittis 5Th
Service: SATB: Vocal
Score
Chorale SATB [Vocal Score]
Banks Music Publications
Thomas Tomkins's Magnificat & Nunc Dimittis from the Fifth Service arranged by ...(+)
Thomas Tomkins's Magnificat & Nunc Dimittis from the Fifth Service arranged by Bernard Rose for SATB choir.
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| Byrd/Sermisy/Tomkins:
More Madrigal Magic:
String Ensemble:
Instrumental Album
Orchestre à Cordes
Spartan Press
Flexible Sting Ensemble-This Sweet and Merry Month of May by William Byrd Jouis...(+)
Flexible Sting Ensemble-This Sweet and Merry Month of May by William Byrd Jouissance Vous Donneray by Claudin de Sermisy and O Yes! Has Any Found a Lad? by Thomas Tomkins.Individual parts for all Spartan Press ensembles are available separately quickly and inexpensively. DO NOT PHOTOCOPY.
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| Fitzwilliam Virginal
Book Vol.2
Piano seul
Dover Publications
révision Blanche Winogron
Instrumentation : Clav Contenu :
CX. Felix ...(+)
révision Blanche Winogron
Instrumentation : Clav Contenu :
CX. Felix namque 2. Thomas Tallis. (1564)
CXI. [Exercise]. Anon
CXII. Daphne. Giles Farnaby
CXIII. Pawles Wharfe. Giles Farnaby
CXIV. Quodlings Delight. Giles Farnaby
CXV. Praeludium [X]. John Bull
CXVI. Praeludium. Dor. [XIII*]. John Bull
CXVII. Praeludium [VII]. Anon
CXVIII. Ut, re, mi, fa, sol, la, a 4 voci. J. P. Sweelinck
CXIX. In Nomine [IX]. John Bull
CXX. Praeludium [VII]. Anon
CXXI. Pavana Lachrymae. John Dowland, set by William Byrd. (See No. CLIII and CCXC)
CXXII. Galiarda. James Harding, set by Byrd
CXXIII. Pavana. Thomas Tomkins
CXXIV. Fantasia [I]. Thomas Morley
CXXV. Christe Redemptor. John Bull
CXXVI. The Maydens Song. William Byrd
CXXVII. Put up thy Dagger, Jemy. Giles Farnaby
CXXVIII. Bony sweet Robin (see No. XV). Giles Farnaby
CXXIX. Fantasia [I]. Giles Farnaby
CXXX. A Grounde. Thomas Tomkins
CXXXI. Barafostus' Dream (see No. XVIII). Thomas Tomkins
CXXXII. The Hunting Galliard. Thomas Tomkins
CXXXIII. The Quadran Paven (see No. XXXI). William Byrd
CXXXIV. Galiard to the Quadran Paven (see No. XXXIII)
CXXXV. The King's Hunt. John Bull
CXXXVI. Pavana [I]. John Bull
CXXXVII. Galiarda [I]. John Bull
CXXXVIII. Dr. Bull's Juell. John Bull
CXXXIX. The Spanish Paven. John Bull
CXL. In Nomine. [John'] Parsons
CXLI. Wooddy-Cook. Giles Farnaby
CXLII. The Duke of Brunswick's Alman. John Bull
CXLIII. Rosasolis. Giles Farnaby
CXLIV. Psalme [140]. J. P. Sweelinck
CXLV. Alman [I]. Robert Johnson
CXLVI. Alman [I]. Robert Johnson
CXLVII. Alman. Robert Johnson, set by Giles Farnaby
CXLVIII. The New Sa-Hoo. Giles Farnaby
CXLIX. Nobody's Gigge. Richard Farnaby
CL. Malt's come downe. William Byrd
CLI. Praeludium [IX]. Anon
CLII. Alman [XIII]. Thomas Morley
CLIII. Pavana [IX]. [Lachrymae.] Thomas Morley
CLIV. Galiarda [IX]. Thomas Morley
CLV. La Volta. William Byrd
CLVI. Alman [VII]. William Byrd
CLVII. Wolsey's Wilde. William Byrd
CLVIII. Callino Casturame. William Byrd
CLIX. La Volta. T. Morley, set by William Byrd
CLX. Rowland. William Byrd
CLXI. Why aske you. Anon (see No. CCLXXXVI)
CLXII. The Ghost. William Byrd
CLXIII. Alman [IX*]. William Byrd
CLXIV. Galliard [I]. William Byrd
CLXV. Pavana [IX*]. William Byrd
CLXVI. Galliarda [IX*]. William Byrd
CLXVII. Pavana [I**]. William Byrd
CLXVIII. Galiarda [I**]. William Byrd
CLXIX. Pavana [XIII*]. Thomas Morley
CLXX. Galliarda [XIII*]. Thomas Morley
CLXXI. [deest, owing to an error in numbe
CLXXII. The Queenes Alman. William Byrd
CLXXIII. A Medley. William Byrd
CLXXIV. Pavana [IX]. William Byrd
CLXXV. Galliarda [IX]. William Byrd
CLXXVI. Miserere. 3 parts. William Byrd
CLXXVII. Miserere. 4 parts. William Byrd
CLXXVIII. Pakington's Pownde. Anon
CLXXIX. The Irishe Dumpe. Anon
CLXXX. Watkins Ale. Anon
CLXXXI. A Gigg. William Byrd
CLXXXII. Pipers Paven. Martin Peerson
CLXXXII. Pipers Galliard. John Bull
CLXXXIII. Variatio ejusdem. John Bull
CLXXXIV. Praeludium. D. [XIII]. John Bull
CLXXXV. Galiarda [IX*]. John Bull
CLXXXVI. Galiarda [IX*]. John Bull
CLXXXVII. Allemanda. Marchant
CLXXXVIII. Can Shee. Anon
CLXXXIX. A Gigge. Doctor Bull's my selfe. John Bull
CXC. A Gigge. John Bull
CXCI. Sr. Jhon Grayes Galliard. W. B.
CXCII. Preludium [VII]. John Bull
CXCIII. A Toy. Anon (see No. CCIV)
CXCIV. Giles Farnaby's Dreame. Giles Farnaby
CXCV. His Rest. Giles Farnaby
CXCVI. His Humour. Giles Farnaby
CXCVII. Fayne would I wedd. Richard Farnaby
CXCVIII. A Maske. Giles Farnaby
CXCIX. A Maske. Giles Farnaby
CC. An Almain [VII]. Anon
CCI. Corranto [VII]. Anon
CCII. Alman [XIII]. Anon
CCIII. Corranto [X]. Anon
CCIV. Corranto [VII]. (See No. CXCIII.) Anon
CCV. Corranto [I]. Anon
CCVI. Daunce. Anon
CCVII. Worster Braules. Thomas Tomkins
CCVIII. Fantasia [VII]. Giles Farnaby
CCIX. A Maske. Giles Farnaby
CCX. Praeludium [IX]. John Bull
CCXI. [Praeludium] [V]. Anon
CCXII. Martin sayd to his Man. Anon
CCXIII. Almand. William Tisdall
CCXIV. Pavana Chromatica. William Tisdall
CCXV. Ut, re, mi, fa, sol, la. John Bull
CCXVI. Gipseis Round. William Byrd
CCXVII. Fantasia [I*]. J. P. Sweelinck
CCXVIII. Coranto [IX]. William Byrd
CCXIX. Pavana. Clement Cotton. William Tisdall
CCXX. Pavana [I*]. William Tisdall
CCXXI. Coranto [I]. Anon
CCXXII. Alman. Hooper
CCXXIII. Corranto [I]. Anon
CCXXIV. Corranto [I]. Anon
CCXXV. Corranto [I*]. Anon
CCXXVI. Corranto [VII]. Anon
CCXXVII. Alman [III]. Anon
CCXXVIII. Corranto. Hooper
CCXXIX. Fantasia [VII]. Giles Farnaby
CCXXX. Loth to depart. Giles Farnaby
CCXXXI. Fantasia [I]. Giles Farnaby
CCXXXII. [Fantasia] [I*]. Giles Farnaby
CCXXXIII. [Transcription of Ay me, poore Heart. ] Giles Farnaby
CCXXXIV. [Fantasia] [I]. Giles Farnaby
CCXXXV. Walter Erle's Paven. Giles Farnaby
CCXXXVI. [Fantasia] [IX]. Giles Fa
CCXXXVII. [Fantasia] [VII]. Giles Farnaby
CCXXXVIII. Fantasia [VII]. Giles Farnaby
CCXXXIX. The L. Zouches Maske. Giles Farnaby
CCXL. Grounde. Giles Farnaby
CCXLI. Coranto [XIII]. William Byrd
CCXLII. Up T[ails] all. Giles Farnaby
CCXLIII. Jhonson's Medley. Edward Johnson
CCXLIV. Nowel's Galliard. Anon
CCXLV. Tower Hill. Giles Farnaby
CCXLVI. Praeludium [XIII]. Giles Farnaby
CCXLVII. The King's Morisco. Anon
CCXLVIII. A Duo. Richard Farnaby
CCXLIX. Alman [VII]. Anon
CCL. A Galiard Ground. William Inglot
CCLI. The Leaves bee greene. William Inglot
CCLII. Pavana [IX]. William Byrd
CCLIII. Galiarda [X]. William Byrd
CCLIV. Pavana [IX*]. William Byrd
CCLV. Galiarda [IX]. William Byrd
CCLVI. Pavana [XIII]. William Byrd
CCLVII. Pavana Fant[asia] [VIII]. William Byrd
CCLVIII. Galiarda [VII]. William Byrd
CCLIX. The Earle of Oxfords Marche. William Byrd
CCLX. Galiarda. Jehan Oystermayre
CCLXI. Fantasia [VIII]. William Byrd
CCLXII. The Duchesse of Brunwick's Toye. John Bull
CCLXIII. A Toye [VIII]. Anon
CCXIV. Corranto [I]. Anon
CCLXV. Lady Riche. Anon
CCLXVI. Corranto [VIII]. Anon
CCLXVII. A Gigge. Giles Farnaby
CCLXVIII. A Toy [VII]. Anon
CCLXIX. Galiarda [X]. Giles Farnaby
CCLXX. A Toye [X]. Giles Farnaby
CCLXXI. The Primerose. Martin Peerson
CCLXXII. The Fall of the Leafe. Martin Peerson
CCLXXIII. Farnabye's Conceit. Giles Farnaby
CCLXXIV. Allemanda [VII]. Anon
CCLXXV. Pavana. Canon, 2 in 1. William Byrd
CCLXXVI. Pescodd Time. William Byrd (see No. LIX)
CCLXXVII. Pavana. Delight. Edward Johnson, set by William Byrd
CCLXXVIII. Galiarda. Edward Johnson, set by William Byrd
CCLXXIX. Miserere, 3 parts. John Bull
CCLXXX. Tell mee, Daphne. Giles Farnaby
CCLXXXI. Mal Sims. Giles Farnaby
CCLXXXII. Munday's Joy. John Munday
CCLXXXIII. Rosseter's Galiard, set by Giles Farnaby
CCLXXXIV. The Flatt Pavan. Giles Farnaby
CCLXXXV. Pavana [VII]. Giles Farnaby
CCLXXXVI. Why aske you. (See No. CLXI.) Giles Farnaby
CCLXXXVII. Farmer's Paven. Giles Farnaby
CCLXXXVIII. Dalling Alman. Anon
CCLXXXIX. The Old Spagnoletta. Giles Farnaby
CCXC. Lachrymae Pavan. John Dowland, set by Giles Farnaby (see No. CXXI and CLIII)
CCXCI. Meridian Alman. Set by Giles Farnaby
CCXCII. Pavana. Orlando Gibbons
CCXCIII. Muscadin. Giles Farnaby (see No. XIX)
CCXCIV. Lady Montegle's Paven. William Byrd
CCXCV. Galiarda. William Tisdall
CCXCVI. Fantasia [I]. Giles Farnaby
CCXCVII. Hanskin. Richard Fa
Délais: En Stock |
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| Peter Maxwell Davies: A
Sad Paven For These
Distracted Tymes (Parts):
String
Quatuor à cordes: 2 violons,
alto, violoncelle [Partition]
Chester
This work was a test piece for the International string Quartet competition in 2...(+)
This work was a test piece for the International string Quartet competition in 2005 Premio Paulo Borciani It was inspired by a keyboard piece of the same name A Sad Paven for these Distracted Tymes by Thomas Tomkins(1572-1656). Tomkins had a long association with Worcester Cathedral where he was organist - appointed magister choristarum in 1596 - and lived within the precincts until shortly before his death. At the same time he wasorganist of the Chapel Royal. When the city of Worcester surrendered to Cromwell's parliamentary forces in 1646 Tomkins had to watch the hasty dismantling of his cathedral organ and the abolition of all choral services. Thesewere the 'distracted tymes' of the 'sad paven' which he wrote in enforced retirement at Worcester.
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| Peter Maxwell Davies: A
Sad Paven For These
Distracted Tymes: String
Quartet:
Quatuor à cordes: 2 violons,
alto, violoncelle [Partition]
Chester
This work was a test piece for the International string Quartet competition in 2...(+)
This work was a test piece for the International string Quartet competition in 2005 Premio Paulo Borciani It was inspired by a keyboard piece of the same name A Sad Paven for these Distracted Tymes by Thomas Tomkins(1572-1656). Tomkins had a long association with Worcester Cathedral where he was organist - appointed magister choristarum in 1596 - and lived within the precincts until shortly before his death. At the same time he wasorganist of the Chapel Royal. When the city of Worcester surrendered to Cromwell's parliamentary forces in 1646 Tomkins had to watch the hasty dismantling of his cathedral organ and the abolition of all choral services. Thesewere the 'distracted tymes' of the 'sad paven' which he wrote in enforced retirement at Worcester.
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| Jacobean Keyboard Music:
Harpsichord or Piano:
Instrumental Work
Clavier
Stainer and Bell
An Anthology-All eighteen pieces in this collection are reliably dated to the re...(+)
An Anthology-All eighteen pieces in this collection are reliably dated to the reign of James I and whether by named composers or anonymous ones appear in sources other than the notable Virginal books preserved in the Fitzwilliam Museum Cambridge. The contents demonstrate the variety of forms in the Keyboard repertoire of this period from plainsong-based compositions to dances by Orlando Gibbons. The 'Pretty ways for young beginners to look on' possibly by Thomas Tomkins are a fascinating example of music contemporary to the time written with the didactic purpose of instructing musicians in the techniques of counterpoint.
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| More Madrigal Magic:
Flexible Band:
Instrumental Album
Woodwind Quartet
Spartan Press
Flexible Wind Ensemble-This Sweet and Merry Month of May by William Byrd Jouiss...(+)
Flexible Wind Ensemble-This Sweet and Merry Month of May by William Byrd Jouissance Vous Donneray by Claudin de Sermisy and O Yes! Has Any Found a Lad? by Thomas Tomkins.Individual parts for all Spartan Press ensembles are available separately quickly and inexpensively. DO NOT PHOTOCOPY.
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| Thomas Tomkins: Dear Lord
of life: Mixed Choir:
Vocal Score [Vocal Score]
Oxford University Press
Described by Peter James as one of Tomkins' most striking works Dear Lord Of Li...(+)
Described by Peter James as one of Tomkins' most striking works Dear Lord Of Life is a setting of an anonymous devotional text. The style is distinctly madrigalian with several sudden shifts of tonality changes of texture and decorative passages. This work for unaccompanied SSAATB choir will sit as easily in a concert programme as in a service.
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| Thomas Tomkins: English
Anthems: Men's Voices:
Vocal Score
Chorale 3 parties
3 parties Mixtes [Partition]
Novello & Co Ltd.
A selection of nine works by Tomkins including his seven Penitential Psalms wh...(+)
A selection of nine works by Tomkins including his seven Penitential Psalms which comprise a fine and coherent set. Edited by Ivan Moody this is part of a series of short volumes each devoted to a single composer or appropriate group of composers thoroughly exploring the unlimited resources of Renaissance sacred polyphony.
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| Fantasias 2 (Nr8+12)
(TOMKINS THOMAS)
2 Violons, Violoncelle et Alto [Set de Parties séparées]
Schott
Par TOMKINS THOMAS. / Répertoire / 2 Violons, Violoncelle et Alto
Délais: 2-5 jours - En Stock Fournisseur |
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| Pavane (TOMKINS THOMAS)
Quatuor de Saxophones: 4 saxophones [Partition]
Chili Notes
Par TOMKINS THOMAS. / Classics / Date parution : 2020-10-15/ Répertoire / 4 ...(+)
Par TOMKINS THOMAS. / Classics / Date parution : 2020-10-15/ Répertoire / 4 Saxophones (S2ATB)
Délais: 2-5 jours - En Stock Fournisseur |
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| Almighty God, The
Fountain (TOMKINS THOMAS)
Choeur Mixte (SAATB) et Orgue [Partition]
Schott
Par TOMKINS THOMAS. Anthem/ Répertoire / Choeur Mixte (SAATB) et Orgue
Délais: 2-5 jours - En Stock Fournisseur |
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| O Lord I Have Loved
(TOMKINS THOMAS)
Travaux Pour Choeurs [Partition]
Peters
Par TOMKINS THOMAS. SAATB - Orgue -/ Répertoire / Travaux Pour Choeurs
Délais: 2-5 jours - En Stock Fournisseur |
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| Musica Deo Sacra I
(TOMKINS THOMAS)
Chorale
Stainer and Bell
Par TOMKINS THOMAS. / Répertoire / Choeur
Délais: 2-5 jours - En Stock Fournisseur |
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| The Complete Consort
Music. Set I For Three
Viols (TOMKINS THOMAS)
Violes de Gambe [Partition]
Stainer and Bell
Par TOMKINS THOMAS. Strings/ Répertoire / Violes de Gambe
Délais: 2-5 jours - En Stock Fournisseur |
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| My Beloved Spake Unto Me
(TOMKINS THOMAS)
Solistes (SSAB), Choeur Mixte et Orgue [Partition]
Schott
Par TOMKINS THOMAS. / Répertoire / Solistes (SSAB), Choeur Mixte et Orgue
Délais: 2-5 jours - En Stock Fournisseur |
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| When David Heard (TOMKINS
THOMAS)
SAATB sans Accompagnement [Partition]
Stainer and Bell
Par TOMKINS THOMAS. SAATB unaccompanied Edited by E H Fellowes. Revised by Thurs...(+)
Par TOMKINS THOMAS. SAATB unaccompanied Edited by E H Fellowes. Revised by Thurston Dart./ Répertoire / SAATB sans Accompagnement
Délais: 2-5 jours - En Stock Fournisseur |
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