In Paradisum - HB Score

SKU: HL.14030991

ISBN 9788759850510. UPC: 884088440626. 8.25x11.75x0.093 inches. French.

Version, composed in 2002, for SSSAAATTTBBB Choir A Cappella by Danish Composer, Bent Sorensen.

SKU: HL.14016017

ISBN 9788759873373. Latin-German.

In Paradisum for 2 Soprano soloists, Choir and Ensemble was composed by Bent Sorensen in 1994-95. Commissioned by Goteborg Domkirke.

SKU: OU.9780193418042

ISBN 9780193418042. 11 x 7 inches.

For SATB and organ/chamber orchestra. Taken from Rutter's edition of Faure's Requiem, this famous movement features both the original French words and an optional English text. John Rutter's complete edition of Faure's Requiem (1893 version) is available from Oxford University Press, with scores and parts available on sale and on hire from the publisher.

SKU: HL.49003227

ISBN 9790220117572. UPC: 073999772593. 8.25x11.75x0.154 inches. Latin.

4 Men's Voices (ATTBar), 2 Violas, Violoncello and Double-Bass (ad lib.).

SKU: VD.ED88832

ISBN 9790202098325. 11.69 x 8.26 inches.

SKU: VD.ED88838

11.69 x 8.26 inches.

SKU: VD.ED88831

ISBN 9790202098318. 11.69 x 8.26 inches.

The Last Judgment  is a through-composed symphonic tableau that follows the structure of the text of Matthew 25 : 31-46, underlining it in a figuralistic manner. Other scriptural references are also to be found: an image of the sun that turns dark (Acts of the Apostles 2: 20), and, before the gathering of the nations, twelve chords representing the thrones for the judgment of the twelve tribes of Israel (Matthew 19: 28). The thematic material combines original figures with Gregorian chant: the Gloria& nbsp;from the Missa de Angelis; the Alleluia of the Epiphany; Dies irae, the sequence fromthe Requiem Mass; In paradisum, the burial antiphon. The sections in recitative style follow the declamatory rhythm of the corresponding verses in Arabic, the composer’s mother tongue. Finally, the registration requires a symphonic style organ such as the Goll organ in Memmingen, Germany, at which the composer prepared the orchestral expression of this work

SKU: M7.DOHR-88805

ISBN 9790202098059.

SKU: LO.AMHB9

SKU: VD.ED88805

ISBN 9790202098059. 12 x 9 inches.

SKU: CF.YPS218F

ISBN 9781491156575. UPC: 680160915118. 9 x 12 inches.

Personal Note My high school band director, Clarence F. Wroblewski, died on November 24, 2018. In the 1950s, he was a pioneer in the field of public school instrumental music in Baltimore City. He was my mentor and my dear friend. It was his guidance and encouragement that set my young life's course on the path of music. Performance Notes Paradigm Shift is an energetic and aggressive concert piece for young bands with at least one year's training. It is also sophisticated enough for more experienced bands. Pitched in C minor, the piece opens with an energetic introduction which quickly leads to the main theme stated by the Clarinets at m. 9. A brass fanfare in C major ensues at m. 29. The woodwinds' answer to the brass fanfare at m. 39 contains divisi notes in the flute (doubled in the Oboe) which must be played. The music to the introduction is restated at m. 58, but is now shifted to the second beat of the measure by means of an additional beat inserted into m. 57. Younger bands may need some extra instruction in executing this time shift. Overall, the music should be performed boldly and with marcato articulation except where slurs are written.
Personal NoteMy high school band director, Clarence F. Wroblewski, died on November 24, 2018. In the 1950s, he was a pioneer in the field of public school instrumental music in Baltimore City. He was my mentor and my dear friend. It was his guidance and encouragement that set my young life's course on the path of music.Performance NotesParadigm Shift is an energetic and aggressive concert piece for young bands with at least one year’s training. It is also sophisticated enough for more experienced bands. Pitched in C minor, the piece opens with an energetic introduction which quickly leads to the main theme stated by the Clarinets at m. 9. A brass fanfare in C major ensues at m. 29. The woodwinds’ answer to the brass fanfare at m. 39 contains divisi notes in the flute (doubled in the Oboe) which must be played. The music to the introduction is restated at m. 58, but is now shifted to the second beat of the measure by means of an additional beat inserted into m. 57. Younger bands may need some extra instruction in executing this time shift. Overall, the music should be performed boldly and with marcato articulation except where slurs are written.

SKU: CF.YPS218

ISBN 9781491156568. UPC: 680160915101. 9 x 12 inches.

Personal Note My high school band director, Clarence F. Wroblewski, died on November 24, 2018. In the 1950s, he was a pioneer in the field of public school instrumental music in Baltimore City. He was my mentor and my dear friend. It was his guidance and encouragement that set my young life's course on the path of music. Performance Notes Paradigm Shift is an energetic and aggressive concert piece for young bands with at least one year's training. It is also sophisticated enough for more experienced bands. Pitched in C minor, the piece opens with an energetic introduction which quickly leads to the main theme stated by the Clarinets at m. 9. A brass fanfare in C major ensues at m. 29. The woodwinds' answer to the brass fanfare at m. 39 contains divisi notes in the flute (doubled in the Oboe) which must be played. The music to the introduction is restated at m. 58, but is now shifted to the second beat of the measure by means of an additional beat inserted into m. 57. Younger bands may need some extra instruction in executing this time shift. Overall, the music should be performed boldly and with marcato articulation except where slurs are written.
Personal NoteMy high school band director, Clarence F. Wroblewski, died on November 24, 2018. In the 1950s, he was a pioneer in the field of public school instrumental music in Baltimore City. He was my mentor and my dear friend. It was his guidance and encouragement that set my young life's course on the path of music.Performance NotesParadigm Shift is an energetic and aggressive concert piece for young bands with at least one year’s training. It is also sophisticated enough for more experienced bands. Pitched in C minor, the piece opens with an energetic introduction which quickly leads to the main theme stated by the Clarinets at m. 9. A brass fanfare in C major ensues at m. 29. The woodwinds’ answer to the brass fanfare at m. 39 contains divisi notes in the flute (doubled in the Oboe) which must be played. The music to the introduction is restated at m. 58, but is now shifted to the second beat of the measure by means of an additional beat inserted into m. 57. Younger bands may need some extra instruction in executing this time shift. Overall, the music should be performed boldly and with marcato articulation except where slurs are written.

SKU: HL.44011485

UPC: 884088893736. 9.0x12.0x0.116 inches. English(UK)/Deutsch/Franc ais/Nederlands.

Thi s refreshing, lively composition by the Japanese composer Naoya Wada is an ideal opening work, but it can equally provide a boost of energy later in your concert programme. Brilliant themes supported by virtuoso runs and energetic counter melodies ensure that each section, including percussion, is given a chance to shine.

Deze frisse, levendige compositie van de Japanse componist Naoya Wada is een ideaal openingswerk, maar kan ook tussendoor voor de nodige energie zorgen in uw concertprogramma. Briljante thema's ondersteund door virtuoze loopjes enenergieke tegenmelodieen zorgen ervoor dat elke groep aan bod komt. Ook voor het slagwerk is er rijkelijk wat te spelen, maar niet alle partijen zijn obligaat.

Dieses frische und energiereiche Eroffnungswerk aus der Feder des japanischen Komponisten Naoya Wada ist eine ideale Eroffnung für Ihr Konzert, kann aber auch zwischendurch für die notige Energie in Ihrem Konzertprogramm sorgen. Brillante Themen, die von virtuosen Laufen und energischen Gegenmelodien unterstützt werden, sorgen dafür, dass jedes Register zum Zug kommt. Auch für das Schlagzeug ist reichlich zu tun, aber nicht alle Stimmen sind obligat.

Spiral s of Light, du compositeur japonais Naoya Wada, est une piece lumineuse et dynamique. Des themes brillants, des contre-chants vifs et colores, et des percussions solides pour fixer un cap energique d'entree de jeu.

Questo brano di apertura fresco ed energetico, firmato dal compositore giapponese Naoya Wada e un brano ideale per iniziare un concerto, puo pero anche essere eseguito in ogni momento per conferire la necessaria energia al programma. Temi brillanti, sostenuti da passaggi virtuosi e potenti controcanti, mettono in primo piano ogni sezione della banda. Anche le percussioni vengono sollecitate, ma non tutte le voci sono comunque obbligatorie.