Orchestra Studies

Practicing studies is a very important part of the training of every music student learner amateur and professional. These newly arranged orchestral accompaniments to well-known studies give rise to miniature piano concertos thereby turning thepractising of studies into an entirely new experience and a source of enjoyment especially for beginners. The Czerny studies in our volume have been taken from various opuses. 1-4 Etüde 100 Erh. Nr. 72 in G-Dur5-8 Etüde op. 481 Nr. 8 in A-Dur9-12 Etüde op. 453 No. 19 in C-Dur13-16 Etüde 100 Erh. Nr. 53 in G-Dur17-20 Etüde op. 599 Nr. 24 in D-Dur21-24 Etüde op. 777 Nr. 18 in D-Dur25-28 Etüde op. 777 Nr. 10 in G-Dur29-32 Etüde op. 599 Nr. 40 in F-Dur33-36 Etüde op. 777 Nr. 12 in G-Dur37-40 Etüde op. 817 Nr. 4 in D-Dur41-44 Etüde op. 817 Nr. 12 in B-Dur45-48 Etüde 100 Erh. Nr. 43 in C-Dur49-52 Etüde op. 599 Nr. 71 in F-Dur

Despite his studies being interrupted by WWI Jacques Ibert won the Grand Prix de Rome on his first attempt proving his significant compositional ability such as his Concerto for Flute and Orchestra. Ibert's Concerto for Flute was composed in 1934 at the height of his professional career. The work is lighthearted depicting the composer's favoured use of gentle humour and festivity. These are however contrasted by lyrical and evocative passages. Suitable for advanced level flautists and containing the full orchestral score this edition of Ibert's Concerto for Flute is a clear pleasant and varied addition to the Flute's repertoire.

The Light is a portrait in music of the scientists Albert A. Michelson and Edward W. Morley and their studies of the velocity of light through their memorable experiments which concluded at Case Western Reserve University Cleveland Ohio 1887. This is the full orchestral score of Philip Glass’ work composed in 1987.

Score-Symphony no. 1 (1942) reflects the neo-classical influences of studies with Walter Piston and Gustav Holst at Harvard (1926-32) and with Stravinskian disciple and master pedagogue Nadia Boulanger in Paris.

from J. B. Duvernoy (Op. 176) and H. Lemoine (Op. 37)-A worldwide innovation in the field of piano teaching: studies by Duvernoy and Lemoine with orchestral accompaniment. The freshly composed orchestral accompaniments for these well-known studies give rise to piano concertos in miniature. They turnpracticing into an entirely new experience and are a special source of pleasure for beginners.With fingering and two 3 Tempi Play Along CDsDOWANI 3 Tempi Play Along is an effective and time-tested method of practicing that offers more thanconventional play-long editions. DOWANI 3 Tempi Play Along enables you to learn a work systematically and with accompaniment at different tempi.The first thing you hear on the CD is the concertversion in a first-class recordingwith solo instrumentand orchestral continuo or piano accompaniment. Then the piano or harpsichord accompaniment follows in slow and medium tempo for practice purposes with the solo instrument heard softly in the background at slow tempo.Finally you can play at theoriginal tempo to the accompaniment of an orchestra piano or basso continuo.All versions appearing on the CD were recorded live by renowned soloists accompanists and orchestras. There are no synthesised sounds in a DOWANI edition! 1 J. B. Duvernoy (1800-1880): op. 176 Nr. 2 in C-Dur2 J. B. Duvernoy (1800-1880): op. 176 Nr. 3 in C-Dur3 J. B. Duvernoy (1800-1880): op. 176 Nr. 8 in F-Dur4 J. B. Duvernoy (1800-1880): op. 176 Nr. 10 in D-Dur5 J. B. Duvernoy (1800-1880): op. 176 Nr. 6 in G-DurJ. B. Duvernoy (1800-1880): op. 176 Nr. 13 in C-Dur6 J. B. Duvernoy (1800-1880): op. 176 Nr. 15 in A-Dur7 H. Lemoine (1786-1854): op. 37 Nr. 3 in C-Dur8 J. B. Duvernoy (1800-1880): op. 176 Nr. 17 in F-Dur9 H. Lemoine (1786-1854): op. 37 Nr. 4 in G-Dur10 J. B. Duvernoy (1800-1880): op. 176 Nr. 18 in a-moll11 H. Lemoine (1786-1854): op. 37 Nr. 9 in C-Dur12 H. Lemoine (1786-1854): op. 37 Nr. 10 in a-moll

100 Studies For Trumpet has been edited by Franz Herbst for Schirmer’s Library Of Musical Classics. It contains a large selection of Etudes for solo Trumpet at Intermediate/Advanced level first published around 1850. Ernst Sachse (1813-1870) was a German composer publisher and virtuosic Trumpeter and Trombonist. He performed as both a soloist and in orchestras in Weimar London Leipzig and Holland. He composed several concertos and concertinos for Bass and Tenor Trombones and also wrote for orchestra and band. Best known today are probably his pedagogical works which are still used in many academies and conservatories.

A comprehensive musicianship String method.About The Book:Unique chapter layout provides a goal-orientated format organised by school quarter.4 full-page assessments include:- Critical Listening- Playing By Ear- Theory and Terminology- Composing Arranging and Improvisation- Performance- Advanced Bow StudiesWealth of classical and world music.8 arrangements and original compositions for String Orchestra.Duets rounds and a solo with Piano accompaniment.Play-along accompaniments feature demo and performance tracks with professionalmusicians.Featured in SmartMusic.Correlates with science and world history.Fully integrated with the National Standards for Music Education.Video tutorials with master teachers and students. About The Accompaniment Tracks:Each track includes a demo version with professional musicians followed by accompaniment only.Outstanding accompaniments explore a wide variety of musical styles to make practice exciting and fun.Play classical and world melodies with characteristic accompaniments that include:Full OrchestraRockLatinJazzFunkCountryElectronicWorld MusicMedia Options:DVD Features:Video tutorialsAccompaniments for the entire bookAbility to transfer MP3 files to a computer or portable deviceOnline Features:Stream or download all accompaniments at no chargeStream all video tutorials at no charge

Artiste: Yuri Maizels_Yuri Maizels. This collection of etudes, duets, and exercises was written, compiled and edited by Russian oboist and pedagogue Yuri Maizels to provide the most efficient means possible for young players to learn the basics of oboe playing. The composers, Hinke (a German composer who taught and worked in St. Petersburg during the reign of the Tsars), Wiedemann, Garnier and Debondue are among the finest of writers and pedagogues featured in this series. These studies begin very simply and gradually increase in difficulty, becoming more challenging melodically and rhythmically, with increasing comprehension of the instrument. Short phrases enable the student to learn to control both breathing and intonation. This collection of studies, in three volumes, can help a high school student or young professional to master technique, breathing, and intonation while developing the endurance that is vitally important for oboe players. Yuri Maizels was born in Leningrad (now St. Petersburg) in the former Soviet Union. After the conclusion of the Second World War, he was accepted at age 13 into the Naval Boarding Musical School in Leningrad (the school which had been organized in 1873 by Rimsky-Korsakov), to study the oboe. In 1964, he graduated from the College of Music with multiple degrees in oboe performance, oboe teaching, and conducting. During his career, Yuri Maizels played in major orchestras, working with such well-known conductors such as Yuri Temirkanov, Mariss Jansons, Yuri Simionov, Valery Gergiev and others. / Niveau : 4 / Etudes et exercices / Etude / Hautbois

for the Developing Trumpet Player. Vincent Cichowicz (1927-2016) was a member of the Chicago Symphony Orchestra from 1952-1974 and a faculty member at Northwestern University from 1959-1998. He is widely regarded as one of the most influential brass pedagogues of the 20th century. These studies represent the core principles of Cichowicz's teaching. The book includes access to demonstration audio tracks online recorded by Thomas Rolfs of the Boston Symphony Orchestra and Larry Knopp of the Vancouver Symphony Orchestra. An introductory video to the Long Tone Studies is also included.

The clarinet method op. 63 by Carl Baermann from 1867 is still a standard work in classical clarinet education today. The thoroughly revised new edition aims at reviewing the educational concept, which is still valid today, for modern lessons, adjusting the music and texts, and sensibly complementing the teaching contents.The editor who draws on many years of experience as a clarinettist in an orchestra and university lecturer of clarinet has succeeded in adapting the valuable teaching material to the requirements of today while maintaining the basic methodology. The result is a total of 7 volumes:Clarinet Method Vol. 1 and Vol. 2 (ED 21761, ED 21762)Clarinet Method Vol. 1 and Vol. 2, with 2 CDs each (ED 21761-50, ED 21762-50): The CDs contain the piano accompaniment for the performance pieces, with and without clarinetTune Book 1 and 2 (ED 21763, ED 21764): piano score of the method's performance pieces, with additional inserted clarinet partDaily Exercises (ED 21765): systematic scale, interval and chord exercises in all keys, complemented and published separately from the original methodDue to trilingual nature of all editions (German, English, French), they can be used universally.About the revision:The musical text is based on the first edition of the method. Only a few differences concerning the articulation as well as some misprints and typographical errors were revised. By deleting the historical fingering instructions for the German fingering system, the clarinet method not only has a clean and, compared to the original, more clearly structured layout, but can also be used universally. The content of the text and the performance directions of the original were linguistically modernized and occasionally extended by further ideas from the teaching practice, such as concepts for warming up, breathing exercises, literature suggestions or tips for daily practising. Further additions of scale and triad studies in all major and minor keys make this method a comprehensive and thorough work of study which not only serves as teaching material for young and adult beginners, but is also a valuable compendium of scale exercises and studies for advanced musicians and is ideal for training velocity and dexterity.The Clarinet Method Vols. 1 and 2 contain not only scales and technical fingering exercises but also Baermann's popular performance pieces, like Romanze (No. 14), which are ideal as performance pieces, yet at the same time train both technique and musical expressiveness. The systematic scale, interval and chord exercises in all keys, however, were removed and are published separately in the volume Daily Exercises (ED 21765) for reasons of clarity.The two textbooks are available with or without CDs. The editions with CDs contain two audio CDs each which were recorded live by the editor and which contain a classic audio version of each performance piece as well as a pure piano version for playing along. / Clarinette

The book is divided into four sections as follows:The fundamentals of TympaniGraded exercises for the development of technique on two drumsThe technique of three and more drums and technique with the pedal TympaniOrchestral studies and solos