Ode For Leo (LIEBMAN DAVID)

Référence unique par son ISBN 635621500945 cette partition musique de Liebman David n'est autre que Liebman How To Approach Standards Chromatically Cd qui a été composée pour Tout Instrument. Les droits d'auteur de cette partition de musique de style Jazz & Blues se trouvent chez les éditions ID Music. La référence catalogue de cette oeuvre est ASC. / Tout Instrument / Partition + Cd

David Liebmann, l'un des plus grands saxophonistes contemporains, a écrit ce livre avec l'intention de montrer, après des années d'expérience, que le processus de production du son du saxophone est soumise à la logique qui peut être appris opportte. Après un itinéraire précis de l'apprentissage, même les plus complexes, décrites en détail, ils deviendront faciles à comprendre et à exécuter. L'objectif de tout artiste - Liebmann dit - est de trouver sa propre voix, ou, sur l'instrument, ainsi que d'un vocabulaire et un style de musique. Cette recherche imprègne la vie artistique des musiciens et des classiques du jazz. Ce texte est destiné à rendre l'objectif de trouver un timbre personnel, réalisables, démontrant que le son d'un saxophone peut faccon, face au nombre minimum d'obstacles. Le livre, plein d'explications claires et précises, il est accompagné par des dessins, des schémas explicatifs et d'exercices, avec la solution pratique des problèmes spécifiques. Si / Saxophone

Musical Thoughts and Realities. Par LIEBMAN DAVID. Completely revised and enlarged '96 edition. David Liebman is a world reknown soprano saxophonist, widely respected both as an artist and educator. He has recorded over 100 albums, many as a leader featuring nearly 150 original compositions. As a sideman, Liebman has toured and recorded with Miles Davis, Elvin Jones, Chick Corea and John McLaughlin among others. / Jazz / Recueil / Tout Instrument

Jazz Play-Along Vol.81. Par LIEBMAN DAVID. avec David Liebman groupe a nouvelle tournure sur les anciennes normes, David difficile, inventives arrangements de mélodies célèbres sont des ajouts bienvenues à la bibliothèque de chaque musicien à la recherche d'une nouvelle perspective ! David a substitué ses propres harmonies uniques et les sillons (impaire meteion, Valse, Modal, etc...) sur les formes ' standards ' et les harmonies de créer quelque chose de vraiment spécial. Plusieurs des chansons originales de David à explorer sont également inclus. / Rép International / Recueil / Tout Instrument

Par LIEBMAN DAVID. Composition for solo saxophone with optional drum accompaniment (advanced level). Built around motifs from Elvin Jones' tune 'Three Card Molly”, David Liebman commemorates the late drummer and composer in this affectionate solo piece. Includes additional performance notes by renowned French saxophonist Jean-Charles Richard./ Recueil / Saxophone

Transcription By Bill Dobbins. Par LIEBMAN DAVID / BEIRACH RICHIE. The notated transcriptions must be a landmark of sorts. These solos give a real sense of how David Liebman and Richie Beirach approach music individually, and as a duet./ Recueil / Saxophone Soprano (Flûte) et Piano

Par LIEBMAN DAVID. This fantastic 2 DVD presentation captures renown educator and performer Dave Liebman through one energy packed day at the 2004 Jamey Aebersold Summer Jazz Workshops in Louisville. He lectures on a variety of subjects, including how to practice and the use of saxophone expressive techniques - interspersed with his unique interpretations of jazz classics backed by an all-star rhythm section. Over 2 hours!/ Accessoire / Saxophone

Three Movements For Improvising Oboe, Soprano Sax, Viola, Cello. Par LIEBMAN DAVID. It is natural as we age to contemplate the finality of passing on, if not personally, then certainly as an effect from others around you whom have left this space. Having to endure the passing of family and friends is of course very trying. This is especially true when the perception is that someone 'passed before their time” though there are those of us who believe in fate implying that the Force works in its own mysterious way. In some ways I can subscribe to that concept, but for me when someone passes early, say in their fifth or sixth decade of life, it is 'before their time.” Composers often commemorate passings with music as a means to mourn and as well to celebrate the life of an individual who meant something to them. Such is the nature of this piece. Movement 1 - Past uses as source material themes I wrote for my mother Frances and father Leo when they passed - movement 2 - Present centers around a choral ('Prayer for Mike”) I wrote for my dear friend, saxophonist Michael Brecker when he passed a few years ago. This same period also saw the passing of other friends and associates whom I had known for years, all way too premature, beginning with JF Jenny Clarke and Bob Berg, Hans Gruber, Thomas Stowsand, David Baker, James Williams, Dennis Irwin, John Stubblefield. The final movement - ­Future is a requiem of sorts for all of us still here. With its improvisational character, it is meant to suggest the positive implications of living life to its fullest./ Recueil / Hautbois, Saxophone Soprano, Alto et Violoncelle

Sonata in three movements. Par LIEBMAN DAVID. Sonata In Three Movements/ Répertoire / Saxophone Soprano et Piano

Par LIEBMAN DAVID. / Recueil / 2 Saxophones (S/A)

Par LIEBMAN DAVID. Each volume of this unique jazz improvisation method includes: State of the art recordings (multi-track digital), recorded in the excellent Bauer Studios, where many of the productions for the record label ECM have been done, and in the Skyline Studios in New York City. Each set contains six complete performances, including opening and closing theme statements, improvised solos and six play-along tracks which feature the rhythm section without soloist. Many performances use the original arrangements from classic jazz recordings (So What, Equinox, A Night In Tunisia, 'Round Midnight, Con Alma, Webb City, Joshua etc.). Because the complete performances were approached as in a professional recording session the play-along versions sound fresh and spontaneous, with much interaction between the rhythm section instruments and the soloists. Piano and bass are clearly separated. Book with helpful commentary and analysis of each recorded performance in English, français and deutsch. Transcribed solos: Each book contains at least one complete solo transcription, many excerpts from other solos (piano and bass solos as well as horn and guitar solos are included) plus appropriate chord/scale information, including modes of the major, harmonic minor, melodic minor and symmetrical scales. Individual instrumental parts in C, B flat, E flat and bass clef: The detachable instrumental parts are extremely practical for both classroom and professional use. Completely notated piano and bass parts: Volume 1, 2, 5, 6, 7 and 8 contain detachable piano (or guitar) and bass parts for all six compositions, volume 3 on 3 tunes (A Night In Tunisia, 'Round Midnight and Embraceable You). Transcribed excerpts from piano and bass accompaniments: Excerpts from piano and bass accompaniments have been selected in order to illustrate the most important techniques for developing accompaniments on these instruments. This includes piano chord voicings, harmonic substitution and embellishment, developing bass lines, interaction with other instruments, etc./ Recueil / Tout Instrument

Jazz Play-Along Vol.19. Par LIEBMAN DAVID. Niveau intermédiaire et avancé si vous cherchez quelque chose d'un peu différent, essayez celui-ci ! Cet ensemble est inhabituel, car elle ne contient aucune II/V7. Les mélodies sont fraîches et les progressions de corde ne sont pas habituelles trouvés dans les chansons jazz standards. Ces chansons ne sont pas typique bebop tuhey sont une étape dans une nouvelle direction avec un son fraîche. La section rythmique est Richie Bierach, piano - Frank Tusa, basse - et Al Foster à la batterie, enregistré après ils avaient travaillé tout juste une semaine à l'avant-garde de Village dans la ville de New York, donc chaque chanson sur cette rec ' serrés 'et intense ! / Rép International / Recueil / Tout Instrument

Par LIEBMAN DAVID. Langue: Nederlands/ Recueil / Flûte Traversière Clarinette, Hautbois, Basson et

Par LIEBMAN DAVID. Atonement commemorates the holiest day of the year in the Jewish faith, called Yom Kippur. On that day an individual repents for transgressions which may have occurred during the past year. Fasting and prayer are the activities which begin at sundown with the chanting of Kol Nidre and end twenty four hours later. I wrote the melodies for this piece on Yom Kippur, 1979. Part of the piece quotes the beginning strains of Hatikvah, the Israeli national anthem. It is adaptable to any solo instrument. Solo parts are included for C concert, Bb, Eb and bass clef instruments. Recorded on 'Classique”./ Répertoire / Quatuor à Cordes et Instrument Solo

Par LIEBMAN DAVID. Langue: Deutsch/ Recueil / Flûte Traversière Clarinette, Hautbois, Basson et