More Easy Pop Melodies - 3rd Edition + Audio: Guitar: Instrumental Album

A unique pop supplement to any Guitar Method Book 2. Cross-referenced with Hal Leonard Guitar Method Book 2 pages for easy student and teacher use.More Easy Pop Melodies includes 18 songs: All Shook Up, And I Love Her, Can't Buy Me Love, Candle on the Water, Daddy Sang Bass, A Day in the Life of a Fool (Manha De Carnaval), Get Back, Hey Jude, Hopelessly Devoted to You, Jailhouse Rock, King of Pain, The Long and Winding Road, The Rainbow Connection, Say Say Say, Ticket to Ride, Wild Wood Flower, With a Little Help from My Friends and Shake, Rattle and Roll / Guitare

An excellent pop supplement to the Hal Leonard Guitar Method, or any guitar method book 3. Includes 20 songs: Another One Bites the Dust - Change the World - Crazy - Crazy Train - Good Vibrations - Heart Shaped Box - Heartache Tonight - Lucy in the Sky with Diamonds - Sea of Love - Tequila - Yesterday - Y.M.C.A - You May Be Right - and more! / Guitare

Hal Leonard Guitar Method-The perfect supplementary songbook for those using the Hal Leonard Guitar Method this collection contains 20 popular songs from some of the greatest artists in the history of rock and pop music. With Easy Pop Melodies - Third Edition you can strum along to your favourite hits from classic pop and rock artists including The Police Kansas Johnny Cash The Beatles and Stevie Wonder. All of the pieces in this book are presented in order of difficulty beginning with simple three and four string melodies and ending with songs that use many notes including all six strings. Songs include Let It Be (The Beatles) Hey ThereDelilah (Plain White T’s) We Will Rock You (Queen) Smells Like Teen Spirit (Nirvana) and more. This book includes online audio tracks featuring every piece recorded by a full band so you can hear how the song should sound and then play along when you’re ready. All tracks can be downloaded or streamed using the unique code provided inside the book. This book also comes with Playback + a multi-functional audio player that allows you to slow down audio without changing pitch set loop points change keys and pan left or right – available exclusively from Hal Leonard.

The Easy Classics books were written to provide beginning to intermediate instrumentalists with an enjoyable introduction to some of the greatest classic melodies. The flute  clarinet alto sax andtrumpet parts are fully compatible with this tenor sax edition. They may be played in any combination with or without piano accompaniment. Selections include: Ode to Joy; Sleeping BeautyWaltz; Jesu  Joy of Man's Desiring; Radetzky March; The Trout plus 10 more by Bizet  Brahms Mozart Strauss Rossini and others. Includes a 32-page pull-out part for the saxophonist.

With Piano Accompaniment-The 'Easy Classics' series of books was meticulously designed to provide beginning to intermediate instrumentalists with an enjoyable introduction to classical melodies. This alto saxophone edition features solos and duets withpiano accompaniment and is fully compatible with the flute clarinet tenor sax and trumpet editions. Some of the popular titles include: Emperor Hymn; O Sole mio William Tell Overture; Cancan plus 10 more by Bach Bizet Brahms Mozart Strauss Rossini and others.

Ten Old Favourites In Easy To Intermediate-Level Arrangements. Ten wonderful arrangements, by James Rae, of some of the best known and well-loved melodies from 20th Century light music. 'You Must Remember This” is the title of this collection and you certainly will remember hits like 'Misty”, 'As Time Goes By” and 'Give my Regards to Broadway”. These easy to intermediate arrangements for flute include a piano accompaniment that teachers will find eminently manageable and there are chord symbols - maybe your guitarist friend could join in! They have been set in comfortable keys for the flute so that you can concentrate on bringing out your best tone and fully interpret these evergreen classics. Great pieces for teaching, concerts or just simple enjoyment and, once you have mastered them, you can go on to James Rae's earlier collections, including 'Take Ten” (UE16576) and 'Blue Flute” (UE19763) and many more. / Niveau : Facile à Difficile / Recueil / Flûte Traversière et Piano

12 Pop-Hits In Easy Arrangements With Additional 2nd Part-Pop songs easy to play!New editions for flute clarinet saxophone and trumpetWell-known songs in easy arrangementsFor 1-2 partsIncluding play-along CDAfter the brilliant start of the new play-along series the second volume is even more varied: Anyone who wishes to play current pop hits well-known film soundtracks and all-time favourites in easy melodious arrangements has found the right edition here!Including: Water Under The Bridge (Adele) Human (Rag ’n‘ Bone Man) The Sound Of Silence (Disturbed) - Tears In Heaven (Eric Clapton) - Isn't She Lovely (Stevie Wonder) and other highlights.

Play your favorite hits from The Beatles, Elton John, Elvis Presley, The Police, Nirvana and more! The 20 songs in this book are presented in order of difficulty: All My Loving - Can You Feel the Love Tonight - Dust in the Wind - Every Breath You Take - I Get Around - I Shot the Sheriff - I Walk the Line - Imagine - Let It Be - Love Me Tender - Maggie May - My Cherie Amour - My Girl - My Heart Will Go On - Nowhere Man - Smells like Teen Spirit - Stand by Me - Walk Don't Run - We Will Rock You - Your Cheatin' Heart. / Guitare

Britten's Te Deum In C is arranged for Treble (Soprano) solo SATB choir and Organ accompaniment.In preparing for publication the 1935 orchestral version of Britten's Te Deum in C it became clearthat there were a number of discrepancies between the manuscript and the original 193 vocal score. Some of these were minor: different articulation and dynamic markings something Britten was later very fussy about but perhapsleft unchanged on proof because of his relative inexperience at this stage of his career with the processes of music publishing. Others were more important: wrong pedal notes for example which Britten failed to notice on proof and which have been perpetuated in performances and recordings for nearly seventy years. These have been corrected in the new edition of the vocal score and in the orchestral score (Britten clearly used the published vocal scoreto prepare his orchestral version).The two versions have been made consistent in other details - rehearsal cues and bar numbers for example - since Britten intended choristers to use the vocal score to perform theorchestral version. This would have been an easy task for these is little discrepancy in essential details between versions (a rare departure occurs in bars 53 to 56 where the works 'Lord God of Sabaoth' are unaccompanied in theorchestral version but doubled by Organ in the original). Sustained Organ chords are often filled out with arpeggiated string writing while the spacing of chords is frequently much wider in the string version with melodiestransposed into different octaves.Although harmony in both versions is identical voice leading is sometimes altered in the latter to make it better suited to the idioms of the instruments concerned. So although inessence the two versions are the same the soundworld explored in each is quite distinct. Britten's orchestral version should neither be viewed as an occasional piece nor considered solely a liturgical work like many of his