Miles Davis: Miles Davis Omnibook: C Instrument: Instrumental Album

The original scores of the landmark cool jazz album expertly transcribed for trumpet horn alto and baritone sax trombone tuba piano and bass.

Par CHRISTIANSEN COREY. Miles Davis was one of the most innovative musicians of the 20th century. This book will shed some insight into the music and soloing devices he used during his earlier periods. First, to help the student better understand Miles' early bebop style of improvising, the authors discuss the use of guide tones, bebop scales, three to flat nine, targeting, and other techniques commonly used in the bebop language. Then the text presents numerous one-, two-, and three-measure jazz lines in Miles' style grouped by the harmony over which they can be used. The accompanying play-along CD provides the rhythm parts for each section, including a track for each section that modulates through the cycle of fourths, helping you master the phrases in all keys. By combining various lines, musicians will be able to mix and match numerous combinations of these lines to play over ii-V-I progressions, turnarounds, and other harmonic situations. Incorporate these essential jazz lines into your vocabulary and you will be able to create your own lines in the style of Miles Davis. / Niveau : Intermédiaire / Jazz - Improvisation / Recueil / Guitare

L'histoire de la collaboration entre Gil Evans et Miles Davis. De 1957 à 1962 : Contexte histoirque de leur collaboration, Composition, Recomposition, Arrangements, L'importance de la collaboration Evans-Davis sur l'ensemble de la littérature jazz, Analyse détaillée de 'Blues for Pablo', New Rhumba', 'Will O' the Wisp', 'Bless, You Is My Woman Now', Bibliographie, ...428 pages. En anglais. / Théorie Solfège

For use with all Bb, Eb and C instruments, the Jazz Play-Along series is the ultimate learning tool for all jazz musicians. With musician-friendly lead sheets, melody cues and other split-track choices on the included CD, this first-of-its-kind package makes learning to play jazz easier than ever before.For Study: each tune includes a split track with: Melody cue with proper style and inflection - Professional rhythm tracks - Choruses for soloing - Removable Bass part - Removable Piano part.For Performance: each tune also has: An additional full stereo accompaniment track (no melody) - Additional choruses for soloing.Jazz Play-Along Volume 49: Miles Davis Standards includes 10 songs: Autumn Leaves, Bye Bye Blackbird, Darn That Dream, How Deep Is the Ocean (How High Is the Sky), If I Were a Bell, My Funny Valentine, On Green Dolphin Street, Some Day My Prince Will Come, Yesterdays and I Loves You, Porgy. / Tout Instrument

Eight classic jazz originals written by Miles Davis. This is a unique way to learn eight of the most popular songs of the Fifties. These tunes are considered jazz classics because most all jazz musicians around the world have learned them. And the reason so many jazz musicians have learned them is because they are all such interesting vehicles for improvising and interesting chord changes, altered bridges and logical melodies that have been quoted in many compositions throughout the music world. Gain an insight into early Miles and gain an understanding of the transitional bop to post-bop period. Rhythm section is Dan Haerle, piano Rufus Reid, bass Jonathan Higgins, drums. Four - Solar - Tune Up - Dig - Vierd Blues - Milestones (Old) - The Theme - Serpent's Tooth. Related Publication: Vol. 50 Magic of Miles.

Updated Edition-If you ever needed proof that a magazine can have a love affair with a musician you're holding it in your hands. For DownBeat the preeminent publication of the jazz world Miles Dewey Davis was one of its most cherished subjects. Since it began covering the jazz scene in 1939 no other artist has been more diligently chronicled in its pages than Davis.The beauty of this collection is seeing the development of an artist over time. The reviews of his music go from quietly introducing a new talent to revering perhaps the greatest jazz artist of his generation. The feature articles begin with a very young very polite Davis lamenting I've worked so little. Icould probably tell you where I was playing any night in the last three years. As he develops the interviews show Davis gaining confidence and stature showing swagger and becoming the over-the-top say-it-like-it-is showman that made every interview an event.The Miles Davis Reader compiles more than 200 news stories feature articles and reviews by some of the greatest writers in jazz into one volume. It delivers a patchwork of his words and music - in the moment as they happened. With several lengthy features added along with a dozen new photographs this new edition is a beautiful series of snapshots a year-by-year ride through the many phases of Davis as an artist and as a man.