A 2Hr Org / Voix Et Instruments Divers
SKU: BA.BA05555
ISBN 9790006497140. 33.1 x 26.1 cm inches.
Urtext der Neuen Schubert-Ausgabe.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?< /p> MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
What can I expect from a Barenreiter Urtext edition?< /p>
MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: HL.49040719
ISBN 9790001195706. UPC: 841886020931. German.
Die Marcellinus-Messe entstand als Auftragskomposition des Mannerchores Gesellschaft der Freunde 1856 Seligenstadt. Gemeinsames Ziel der Auftraggeber und des Komponisten war, zeitgenossische geistliche Musik, die auch fur einen Laienchor a cappella realisierbar ist, zu schaffen. Wert gelegt wurde auf die Verwendung der deutschen Sprache, da es neben der beruhmten Schubertmesse kaum Alternativen gibt. Die Urauffuhrung fand im Festgottesdienst zur Eroffnung der Seligenstadter Wallfahrt 2013 statt.
SKU: CA.2702100
ISBN 9790007181642. Language: Latin.
Although Charles Gounod is well-known for his operas, church music forms a considerable part of his output. Within his church music the Messes breves, short masses for unaccompanied choir or with organ accompaniment, form a significant group of works. The present first Messe aux orpheonistes was composed for the Paris Orpheon, a choral society of male workers; Gounod became its chairman in 1852 and wrote numerous works for male voice choir for them. The work was premiered under the composer's direction on 12 June 1852 by 400 choral singers (adults and children), who formed a large tutti chorus and a small choir with solo parts. The scoring for three unaccompanied male voice parts can be expanded ad libitum by the addition of two soprano parts and organ.
