| Jazz Ensemble Director's Manual C.L. Barnhouse
SKU: CL.070-1976-99 Composed by Lawn. Jazz Instruction. Extra CD. C.L. Ba...(+)
SKU:
CL.070-1976-99
Composed by Lawn. Jazz
Instruction. Extra CD.
C.L. Barnhouse
#070-1976-99. Published
by C.L. Barnhouse
(CL.070-1976-99).
Completely
revised in 1995. Now
includes the most
up-to-date information
available for jazz
educators. New charts,
lists and bibliographies
have been included as
well as a complete
chapter on Computers,
Technology and Jazz
Education. This text is a
must for the director
with little experience
with jazz ensembles or
for those wanting to
update their skills in
areas necessary to create
a comprehensive jazz
program in your school
system. The Jazz Ensemble
Director’s Manual
has been the text of
choice in many college
jazz classrooms and the
new revisions will
enhance its continued
use. This book is
literally loaded with
charts, drawings, forms,
photographs, tables and
music examples and will
be a source of
information for years to
come. It includes a
compact disc recording
that allows you and your
students the opportunity
to hear as well as see
the musical examples in
the Phrasing and
Articulation chapter.
Every practical aspect of
establishing a solid jazz
program is covered,
ranging from the basics
of starting an ensemble
to effective rehearsal
techniques that get the
most from your students.
From a musical
perspective, this text
will give you an in-depth
understanding of jazz
chord notation, phrasing
and articulations. It
includes a chapter on the
jazz combo which presents
information on the
setting up of a combo in
addition to suggested
repertoire considered
standard for combo
training. The publisher
index has been revised to
reflect recent changes in
publishing areas and the
extensive bibliography of
selected materials for
jazz improvisation has
been updated to include
recent publications. This
text had it all...now
with a revised edition
available, it has even
more! Contains Chapters
On: Starting a Jazz
Ensemble Program, Jazz
Ensemble Instrumentation,
The Jazz Combo, Selecting
the Music, Ensemble Set-
Up, The Jazz Ensemble
Conductor, Rehearsal
Psychology and
Techniques, Phrasing and
Articulation, Contest and
Concert Preparation,
Sound Reinforcement,
Understanding Chord
Notation, The Rhythm
Section, Teaching Basic
Jazz Improvisation,
Computer Technology and
Jazz Education. $9.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| The Producer's Manual Hal Leonard
SKU: HL.333751 All You Need to Get Pro Recordings and Mixes in the Pro...(+)
SKU: HL.333751
All You Need to Get
Pro Recordings and Mixes
in the Project
Studio. Book.
Recording/Music Business.
Softcover. 352 pages.
Published by Hal Leonard
(HL.333751). ISBN
9780956446015. UPC:
884088657093.
8.5x9.5x0.942
inches. Sound on
Sound editor Paul White
delivers the definitive
guide to recording and
mixing in the project
studio. Featuring 350+
full-color pages packed
with pro techniques,
practical photos,
detailed illustrations
and hands-on
walk-throughs, The
Producer's Manual brings
together everything you
need to take a mix from
initial recording to
final master. From vocals
and drums to guitars,
bands, and acoustic
instruments, this is all
you need to get great
recordings. Choose the
right mic, review classic
recording techniques,
learn how to tame spill
and get the most from
performers. The book
features 101-style
in-depth guides to
dynamics and compression,
reverb, pitch correction,
studio acoustics,
monitoring, and more.
You'll also learn how to
master your own material
when the budget doesn't
stretch to professional
mastering. The Producer's
Manual is supplemented by
tricks and insights
gleaned from over 20
years in the industry and
interviews with some of
the biggest producers,
including Tony Visconti,
Alan Parsons, and many
more. $39.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| A Practical Guide for Recruitment and Retention Hal Leonard
Instrumental SKU: HL.155645 Music Achievement Council. Resource. Softcove...(+)
Instrumental SKU:
HL.155645 Music
Achievement Council.
Resource. Softcover. 24
pages. Published by Hal
Leonard (HL.155645).
ISBN 9781495056727.
UPC: 888680601249.
8.5x11.0x0.123 inches.
The Music Achievement
Council. Recruiting
for beginning
instrumental music is a
year-round job. This book
is the most complete
manual on recruiting and
retention for beginning
instrumental music,
compiled from ideas and
practices of music
teachers, music retailers
and the music products
industry. This booklet
describes recruiting
methods being used
successfully today by
directors in schools
throughout the country.
Some methods differ
widely, but all are
techniques that have been
tested in action and are
proven to work. The
content here reflects the
combined experience of
successful educators and
school music retailers.
That is why this is a
practical guide to
recruiting and retention
for veteran teachers,
beginning teachers and
future teachers. One key
person not in this
booklet is you. It is up
to you to add your
personality and style to
the techniques explained.
You can do this by:
rewriting the sample
letters * designing your
own forms * setting up
schedules that fit your
school system * giving
everything your personal
touch. The yearly cycle
presented in this book is
designed to increase the
number of students
recruited and keep them
in the program. Two
methods to improve
retention run through
this booklet: don't miss
any prospective students,
especially the good ones
- high quality is one of
the keys to retention;
don't try to avoid
dropouts - rather, strive
to improve retention. $14.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Historical Performance Practice in Organ Playing Carus Verlag
SKU: CA.6001100 Modern and Contemporary Music. Edited by Jon Laukv...(+)
SKU: CA.6001100
Modern and
Contemporary Music.
Edited by Jon Laukvik.
Buch-Reihen bei Carus:
Historical Performance
practice on keyboard
instruments. Book. Carus
Verlag #6001100.
Published by Carus Verlag
(CA.6001100).
English. Now
finally in English too:
The third part of the
organ method Historical
Performance Practice in
Organ Playing follows on
from part two with
contributions by Guy
Bovet (on Jehan Alain),
Hans-Ola Ericsson, Anders
Ekenberg, Markus
Rupprecht (Olivier
Messiaen), Hans Fagius
(Maurice Durufle), Jeremy
Filsell (Marcel Dupre),
Bernhard Haas (Arnold
Schonberg, Ernst Krenek,
John Cage, Gyorgy Ligeti,
and others, plus the
latest developments) and
Armin Schoof
(neoclassicism). As in
the first two parts of
the organ method, here
too a representative
selection of composers is
discussed. Alongside
mainly personal
recollections (e.g. from
Hans Fagius) there are
analytical essays
(including by Jeremy
Filsell). Bernhard Haas
has organised one section
of his text as an
introduction to the
playing techniques and
aesthetics of new music,
beginning with pieces
which are easy to play.
This English edition
contains new chapters by
Kevin Bowyer (The
Development of New Organ
Music in Britain /
Contemporary Organ Music
in North America).
Laukvik's organ
method Historical
Performance Practice in
Organ Playing has now
become established as a
standard work. It is
aimed at organists who
want to incorporate the
latest thinking on
historical performance
practice into their
interpretations of works.
The three volumes provide
a practical introduction
in a detailed, scholarly
and comprehensible form,
by giving organists as
precise a picture of the
interpretative traditions
and aims of previous and
modern/ contemporary eras
as possible. The editions
are aimed not only at
organists, but also at
organ teachers who are
looking for a manual to
use in their
teaching. $115.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Edizione Nazionale delle Opere di Giacomo Puccini. II. Instrumental music; 2.1 Works for organ: Sonate, Versetti, Marce (vol. II/2) Orgue Carus Verlag
Solo Organ SKU: CA.5600300 Vol. II/2. Composed by Giacomo Puccini....(+)
Solo Organ SKU:
CA.5600300 Vol.
II/2. Composed by
Giacomo Puccini. Edited
by Virgilio Bernardoni.
Complete editions /
Selected works: Edizione
Nazionale delle Opere di
Giacomo Puccini. Free
organ music. Full score
(complete edition /
selected edition). 148
pages. Carus Verlag #CV
56.003/00. Published by
Carus Verlag
(CA.5600300). ISBN
9790007188047. The
organ is the instrument
on which the young
Giacomo Puccini began his
career as a musician.
Through the rediscovery
of a considerable number
of hand-written pieces,
which he composed after
1870 as part of his
duties as organist in the
churches of Lucca,
several primary sources
are now available. These
give an insight into the
beginnings of his musical
activities which have
only been known about
from anecdotes from his
first biographers until
now. Puccini's organ
repertoire includes works
which were typical for
liturgical organ music at
that time: sonatas for
the main sections of the
mass, versets which were
substituted for Gregorian
chant, marches, which
were played after the
mass (exceptionally even
waltzes), and even a
pastorale for Christmas
time. This music was
written with the sound of
instruments made in
Tuscany in mind. These
have just one manual, a 8
foot Principale register
and a small pedalboard
always coupled to the
manual. In addition there
were several solo stops
divided into bass and
soprano.Puccini
contributed with
originality to the
renewal of Italian organ
practice, which began in
his day to discard its
operatic style in favor
of a style more suited to
the liturgy. $221.95 - Voir plus => AcheterDélais: 2 to 3 weeks | | |
| Conversational Recorder Teacher's Manual GIA Publications
SKU: GI.G-9033T Composed by John M. Feierabend and Rachel Grimsby. Conver...(+)
SKU: GI.G-9033T
Composed by John M.
Feierabend and Rachel
Grimsby. Conversational
Solfege. Music Education.
208 pages. GIA
Publications #9033T.
Published by GIA
Publications
(GI.G-9033T). ISBN
9781622773954. With
its commitment to
creating independent
musical thinkers through
the use of folk songs,
Conversational Recorder
is a visionary approach
to recorder that builds
music literacy and
independence. This highly
anticipated component of
John M.
Feierabend’s
Conversational Solfege is
a dynamic and engaging
method that seamlessly
coordinates with Levels 1
and 2 of the curriculum,
an innovative 12-step
“ear-before-eyeâ
approach to teaching
music literacy. Central
to Conversational
Recorder are two hundred
online audio tracks with
coordinating Guided
Practice Activities at
the beginning of each
unit. The online tracks
walk students step by
step through decoding
patterns and songs and
are perfectly suited for
at-home assignments and
virtual instruction. Each
of the thirteen units in
this resource presents a
new rhythm or melody
challenge that is
reinforced using a series
of short musical patterns
and songs. To ensure
aural mastery before
instrumental application,
students follow a
three-step procedure: (1)
sing first, (2) sing
while fingering on
recorder, and (3) play on
recorder. The
teacher’s manual
includes dozens of
recorder activities
(techniques) along with
an overview of the
method, instructions for
how to use the online
tracks, and tips for
teaching fingering,
tonguing, and breathing.
The appendices also
contain sample lesson
plans, resources for
assessment, fingering
charts, and information
for teaching recorder to
students with
disabilities.
Conversational Recorder
is an ideal program for
incorporating recorder
instruction into the
elementary music
classroom. John M.
Feierabend, PhD, has
spent decades compiling
songs and rhymes from the
memories of the American
people in hopes that
these treasures will be
preserved for future
generations. He is a
leading authority on
child development in
music and movement and
served as Professor and
Chair of the Music
Education Department of
the Hartt School of the
University of Hartford.
Rachel Grimsby is an
Assistant Professor of
Music Education at
Illinois State University
and has over fifteen
years of experience
teaching elementary
general music. She is a
co-author of First Steps
in Music with Orff
Schulwerk and Feierabend
Fundamentals, and her
research interests
include professional
development for
in-service teachers and
paraprofessionals as well
as teaching music to
students with
disabilities. $49.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| An American Approach to World Percussion Percussion [DVD] Alfred Publishing
(A Practical Method for the Development of Jazz Applications to Hand Percussion ...(+)
(A Practical Method for
the Development of Jazz
Applications to Hand
Percussion Instruments).
Composed by Tom Teasley.
For World Percussion.
Book; DVD;
Method/Instruction;
Percussion -
Miscellaneous Educational
Books and Manuals. Jazz;
World. 28 pages.
Published by Alfred Music
$16.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| 21 Bebop Exercises Voix seule [Partition + CD] Hal Leonard
For Vocalists and Instrumentalists. By Steve Rawlins. Instrumental Jazz. Book an...(+)
For Vocalists and
Instrumentalists. By
Steve Rawlins.
Instrumental Jazz. Book
and CD package. Size 9x12
inches. 48 pages.
Published by Hal Leonard
$19.99 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Tschaikowsky Pi Cajkovskij-studien Bd6 Schott
(HC) SKU: HL.49033148 Cajkovskijs Harmonielehre von 1871/72. Compo...(+)
(HC) SKU:
HL.49033148
Cajkovskijs
Harmonielehre von
1871/72. Composed by
Magolt. Edited by Thomas
Kohlhase. This edition:
Hardback/Hard Cover.
Book. Edition Schott. 176
pages. Schott Music #ED
9525. Published by Schott
Music (HL.49033148).
ISBN 9783795704681.
7.0x9.5x0.535 inches.
German. It is not
widely known that the
popular composer Petr
Ilyich Tchaikovsky was
also a music critic, nor
that he was professor of
musical theory and
harmony, instrumentation
and free composition at
the Moscow Conservatoire
(1866-1878). His teaching
there bore fruit in the
form of the 'Manual for
the practical mastering
of harmony' printed in
Moscow in 1872. This
textbook played an
important part in Russian
musical training: it was
written before the
manuals by
Rimsky-Korsakoff and
Arensky and is thus the
very first originally
Russian book of harmonic
theory, which may be of
interest and of some use
to readers today. $38.00 - Voir plus => Acheter | | |
| Drum Circle: A Guide To World Percussion (book Only) Percussion [Partition] Alfred Publishing
Drum Circle. (A Guide to World Percussion). By Chalo Eduardo and Frank Kumor. Fo...(+)
Drum Circle. (A Guide to
World Percussion). By
Chalo Eduardo and Frank
Kumor. For World
Percussion.
Method/Instruction;
Percussion -
Miscellaneous Educational
Books and Manuals. Book.
76 pages. Published by
Alfred Music Publishing
$11.99 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Oboemotions Hautbois GIA Publications
(What every oboe player needs to know about the body). By Stephen Caplan. For ob...(+)
(What every oboe player
needs to know about the
body). By Stephen Caplan.
For oboe. Method
book/text book
$33.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| New Directions for Strings (Double Bass D Position Book I) Contre Basse [Partition + CD] FJH
(A Comprehensive String Method) Written by Brenda Mitchell, Joanne Erwin, Kathle...(+)
(A Comprehensive String
Method) Written by Brenda
Mitchell, Joanne Erwin,
Kathleen Horvath, Robert
D McCashin. Instructional
book and accompaniment CD
for double bass. Series:
New Directions for
Strings. 56 pages.
Published by The FJH
Music Company Inc.
$11.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| New Directions for Strings (Viola Book I) Alto seul [Livre + CD] FJH
(A Comprehensive String Method) Written by Brenda Mitchell, Joanne Erwin, Kathle...(+)
(A Comprehensive String
Method) Written by Brenda
Mitchell, Joanne Erwin,
Kathleen Horvath, Robert
D McCashin. Instructional
book and accompaniment CD
for viola. Series: New
Directions for Strings.
56 pages. Published by
The FJH Music Company
Inc.
(1)$11.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| New Directions for Strings (Violin Book I) Violon [Livre + CD] - Débutant FJH
(A Comprehensive String Method) Written by Brenda Mitchell, Joanne Erwin, Kathle...(+)
(A Comprehensive String
Method) Written by Brenda
Mitchell, Joanne Erwin,
Kathleen Horvath, Robert
D McCashin. Instructional
book and accompaniment CD
for violin. Series: New
Directions for Strings.
56 pages. Published by
The FJH Music Company
Inc.
$11.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| New Directions for Strings (Cello Position Book I) Violoncelle [Livre + CD] - Débutant FJH
(A Comprehensive String Method) Written by Brenda Mitchell, Joanne Erwin, Kathle...(+)
(A Comprehensive String
Method) Written by Brenda
Mitchell, Joanne Erwin,
Kathleen Horvath, Robert
D McCashin. Instructional
book and accompaniment CD
for cello. Series: New
Directions for Strings.
56 pages. Published by
The FJH Music Company
Inc.
$11.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Sounds Good Breitkopf & Härtel
SKU: BR.EB-9411 The Art of Pedagogical Arrangement - The Practice Manu...(+)
SKU: BR.EB-9411
The Art of Pedagogical
Arrangement - The
Practice Manual for
School, Music School,
Music Society and
Ensembles. Composed
by Felix Janosa Jorg
Sommerfeld. Edition
Breitkopf. Music
pedagogy. Sheet Music.
Breitkopf and Haertel #EB
9411. Published by
Breitkopf and Haertel
(BR.EB-9411). ISBN
9790004188859. 0 x 0
inches. German. In
preparing arrangements
for conducting ensembles,
for schools and music
schools, you don't need
the tricks of the pros,
but specific arranging
strategies tailored to
your own ensemble, your
own group. So, although
the vast majority of
arrangements are
educationally motivated,
lacking so far has been a
reference book on
educational arranging.
Sounds Good, combining
decades of didactic
experience on the part of
composer Felix Janosa and
music educator Jorg
Sommerfeld, is the first
standard work on the
technique and strategy of
pedagogical arranging: a
compendium, both
inspiring with its
compact as well as
comprehensive approach,
while also valuably
time-saving with its
well-developed systematic
working methods and
efficient working
techniques. Numerous
examples for duos, trios,
class music-making, for
inclusive ensembles,
school orchestras, big
bands, choirs, combos,
intercultural ensembles
and many more application
fields offer a huge fund
of practical ideas. A
compact educational
instrument guide
describes which skills
and abilities can be
expected from beginners
and at which point in
time. Also covered is the
topic of arranging
without notes or with
computers and
electronics.Sounds Good
contains over 200 music
examples, most of them
also accessible as
digital files. It further
offers 30 practice
projects with sample
solutions; numerous
tables and overviews
serve as a useful
resource for the
everyday, teaching-staff
arrangers. And, last but
not least, Sounds Good is
an exciting foray into
the most diverse fields
of music education.It's
hard to imagine what I
might have become if this
work had existed earlier.
But it's never too
late.... Gotz
Alsmann
Arranging
for your students: in
school and music school -
methodical and
practice-orientedsonorous
and impressive - profound
instrumental
didacticsinternally
differentiated - from duo
through to orchestrawith
acoustic and electronic
instrumentsin all
genres30 practicing
projects with sampling
solutionsdigital
supplemental material
(XML)tables and overviews
as sources for the
everyday arranging
routine. $66.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Organ Works Orgue Breitkopf & Härtel
Organ SKU: BR.EB-9306 Urtext - Critical Source Edition of the Free Org...(+)
Organ SKU:
BR.EB-9306 Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
84 pages. Breitkopf and
Haertel #EB 9306.
Published by Breitkopf
and Haertel (BR.EB-9306).
ISBN 9790004187708. 12
x 9 inches. This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions)
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only))good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility)contains
facsimiles. $45.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Organ Works Orgue Breitkopf & Härtel
Organ SKU: BR.EB-9415 Urtext - Critical Source Edition of the Free Org...(+)
Organ SKU:
BR.EB-9415 Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
192 pages. Breitkopf and
Haertel #EB 9415.
Published by Breitkopf
and Haertel (BR.EB-9415).
ISBN 9790004188897. 12
x 9 inches. This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions)
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only))good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility)contains
facsimiles. $90.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Organ Works Orgue Breitkopf & Härtel
Organ SKU: BR.EB-9305 Urtext - Critical Source Edition of the Free Org...(+)
Organ SKU:
BR.EB-9305 Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
84 pages. Breitkopf and
Haertel #EB 9305.
Published by Breitkopf
and Haertel (BR.EB-9305).
ISBN 9790004187692. 12
x 9 inches. This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions);
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only)); good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility); contains
facsimiles. Contains the
Critical Commentary of
the subvolumes I/1 and
I/2. $50.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Organ Works Orgue Breitkopf & Härtel
Organ SKU: BR.EB-9304 Urtext - Critical Source Edition of the Free Org...(+)
Organ SKU:
BR.EB-9304 Urtext
- Critical Source Edition
of the Free Organ
Works. Composed by
Dietrich Buxtehude.
Edited by Harald Vogel.
Solo instruments;
Softbound. Edition
Breitkopf.
Renaissance/early
Baroque; Baroque. Score.
108 pages. Breitkopf and
Haertel #EB 9304.
Published by Breitkopf
and Haertel (BR.EB-9304).
ISBN 9790004187685. 12
x 9 inches. This
edition is the result of
Harald Vogel's many years
of practice as an
organist and
musicologist. The music
text is based on a
reevaluation of 17th- and
18th-century manuscripts
containing the free organ
and keyboard works by
Buxtehude. They
originated during a
transitional phase
between the traditional
letter tablature and the
staff notation still in
use today. Since many
works have survived only
in transcriptions for
staff notation, the
editor was confronted
with a high error rate,
which he carefully
analyzes in the
Einzelanmerkungen. During
the preparation of the
edition, the editor
always kept sight of the
performance practice, but
still, the image of the
sources is never
distorted (e. g. by
superfluous rests,
beaming not conforming to
the sources and the
unhistorical adjustment
of time signatures) and
stays very close to the
compositional notation,
the letter tablature. The
flexible use of three
staves and the
differentiated
distribution of the
voices on the staves
allow for an
approximation in reading
conventions of historical
notation with its
resulting information
about hand division.
Grouping the free organ
repertoire into works
with obbligato pedal and
works for manuals, this
edition is organized in
two volumes. The first
subvolume (I/1, EB 9304)
contains the Preface and
the Preludes, whereas the
second subvolume (I/2, EB
9305) contains Toccatas,
Ostinato works,
alternative versions and
a comprehensive Critical
Commentary (in German
only). Volume II (EB
9306) contains
Buxtehude's free organ
and keyboard works
(manualiter) with the
corresponding texts
(Preface and Critical
Commentary).Until 1971,
Harald Vogel worked on a
dissertation (with Georg
von Dadelsen, Hamburg) on
Die Fuge um Bach. Besides
the description of the
inclusion of triple
measures into the C
notation and the
irregularities of the
voice mutation in the
polyphonic structures,
this also included a
discussion about the
justification of the
inner textual criticism.
With the inner textual
criticism, deviations in
parallel passages are
unified. The North German
fugue style, reaching a
peak in Buxtehude's work,
is characterized by a
constant diversity of
details in subject and
polyphonic progressions.
One of the indicators of
the fantastic style is
the dissolution of the
polyphonic structures at
the ends of the fugues,
evident in Buxtehude's
work.In this edition, a
musical text is presented
that avoids the
uniformity of detail not
conforming to the
sources. However, there
are many examples of
transcription and cursory
errors, which are
analyzed in a methodical
systematic manner. About
the editor: As an
organist, professor,
organ expert, and
scholar, Harald Vogel has
rendered outstanding
services to the
interpretation of early
music and especially to
historical performance
practice concerning the
organ for decades. He has
received numerous awards,
including an ECHO Klassik
as Instrumentalist of the
Year (2012), honorary
doctorates from Lulea
University of Technology
(Sweden, 2008) and
Oberlin College (USA,
2014), as well as the
Buxtehude Prize of the
City of Lubeck (2018).
Harald Vogel is the
author and editor of
numerous scholarly
publications and
editions. Through his
lifelong performance
practice, he can look
back on an extensive
discography, including
the complete recording of
Buxtehude's organ works,
which he recorded in
various locations with
historical organ
instruments of the North
German organ building
tradition in Scandinavia,
North Germany and the
Netherlands.
pure
source edition (no
mixture of different
transmissions);
comprehensive commentary
(Vol. I/2 & II) (with
texts about the sources,
chronology, use of keys,
liturgic placement as
well as detailed critical
remarks, incl. music
examples (in German
only)); good page
turnsflexible division of
voices (on 2 or 3
systems, good
legibility); contains
facsimiles. The
corresponding Critical
Commentary is contained
in Volume I/2 (EB
9305). $50.95 - Voir plus => AcheterDélais: 3 to 4 weeks | | |
| Conversational Recorder Package GIA Publications
SKU: GI.G-9033 Teacher's Manual + Student Book. Composed by John M...(+)
SKU: GI.G-9033
Teacher's Manual +
Student Book.
Composed by John M.
Feierabend and Rachel
Grimsby. Conversational
Solfege. Music Education.
Book. 1 pages. GIA
Publications #9033.
Published by GIA
Publications (GI.G-9033).
ISBN
9781622775606. With
its commitment to
creating independent
musical thinkers through
the use of folk songs,
Conversational Recorder
is a visionary approach
to recorder that builds
music literacy and
independence. This highly
anticipated component of
John M.
Feierabend’s
Conversational Solfege is
a dynamic and engaging
method that seamlessly
coordinates with Levels 1
and 2 of the curriculum,
an innovative 12-step
“ear-before-eyeâ
approach to teaching
music literacy. Central
to Conversational
Recorder are two hundred
online audio tracks with
coordinating Guided
Practice Activities at
the beginning of each
unit. The online tracks
walk students step by
step through decoding
patterns and songs and
are perfectly suited for
at-home assignments and
virtual instruction. Each
of the thirteen units in
this resource presents a
new rhythm or melody
challenge that is
reinforced using a series
of short musical patterns
and songs. To ensure
aural mastery before
instrumental application,
students follow a
three-step procedure: (1)
sing first, (2) sing
while fingering on
recorder, and (3) play on
recorder. The
teacher’s manual
includes dozens of
recorder activities
(techniques) along with
an overview of the
method, instructions for
how to use the online
tracks, and tips for
teaching fingering,
tonguing, and breathing.
The appendices also
contain sample lesson
plans, resources for
assessment, fingering
charts, and information
for teaching recorder to
students with
disabilities.
Conversational Recorder
is an ideal program for
incorporating recorder
instruction into the
elementary music
classroom. John M.
Feierabend, PhD, has
spent decades compiling
songs and rhymes from the
memories of the American
people in hopes that
these treasures will be
preserved for future
generations. He is a
leading authority on
child development in
music and movement and
served as Professor and
Chair of the Music
Education Department of
the Hartt School of the
University of Hartford.
Rachel Grimsby is an
Assistant Professor of
Music Education at
Illinois State University
and has over fifteen
years of experience
teaching elementary
general music. She is a
co-author of First Steps
in Music with Orff
Schulwerk and Feierabend
Fundamentals, and her
research interests
include professional
development for
in-service teachers and
paraprofessionals as well
as teaching music to
students with
disabilities. $62.95 - Voir plus => AcheterDélais: 24 hours - In Stock | | |
| Flamenco Improvisation: Volume 1 Guitare notes et tablatures Sher Music Company
Modal Improvisation and Melodic Construction in the Flamenco Environment. Com...(+)
Modal Improvisation and
Melodic Construction in
the
Flamenco Environment.
Composed by Enrique
Vargas.
387 pages. Published by
Sher
Music Company
$46.00 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Projects Stainer and Bell
SKU: ST.B805 Composed by Patric Standford. Books & Study Scores. (KS3/GCS...(+)
SKU: ST.B805
Composed by Patric
Standford. Books & Study
Scores. (KS3/GCSE:A1/AL).
Book. Stainer & Bell Ltd.
#B805. Published by
Stainer & Bell Ltd.
(ST.B805). ISBN
9790220215292. List
ening, composing and
performing are the
foundation of
Projects, Patric
Standford's exciting
composition manual that
meets the varied demands
of 'A-level' and
undergraduate courses.
Former head of
Composition at Bretton
College of Higher
Education, respected
composer and tireless
advocate of new music,
Standford begins
unashamedly with melody.
Through a study of
historical examples,
students quickly learn to
write their own, then
master rhythm, harmony
and the construction of
canons before creating
original pieces for
melody instruments,
keyboard, and percussion
ensemble. With a wealth
of illustrations and full
of good sense,
Standford's practical
text ensures a constant
helping hand for the
young composer, showing
how music of the past and
present, carefully
observed, can unlock the
novice's imagination.
Beautifully produced,
Projects
combines a sound respect
for the fundamentals of
music-making with the one
element essential for its
success - enjoyment. $17.95 - Voir plus => AcheterDélais: 4 to 6 weeks | | |
| 18th Century Continuo Playing Piano seul [Partition] Barenreiter
A Historical Guide to the Basics. By Christensen, Jesper Boje. For Piano. Collec...(+)
A Historical Guide to the
Basics. By Christensen,
Jesper Boje. For Piano.
Collection (hard bound).
Published by
Baerenreiter-Ausgaben
(German import).
(1)$61.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Jazz Conception -- Study Guide Advance Music
SKU: AP.1-ADV14730 A Manual for Teachers and for Self-Study. Compo...(+)
SKU: AP.1-ADV14730
A Manual for Teachers
and for Self-Study.
Composed by Jim Snidero.
All Instruments Method or
Collection;
Improvisation;
Method/Instruction;
Play-Along. Advance
Music: Jazz Conception.
Jazz. Book and CD.
Advance Music
#01-ADV14730. Published
by Advance Music
(AP.1-ADV14730). UPC:
805095147308.
English. The Jazz
Conception: Study Guide
shows through detailed
analysis how to get
inside the creative
process of creating a
jazz solo, providing a
wealth of ideas and
practice suggestions for
the serious jazz educator
and for self learners.
Adapted compatible
editions are available
for alto/baritone, tenor
soprano saxophones,
trumpet, trombone, flute,
clarinet, guitar, piano,
bass, and saxophone
section. English Edition.
German Edition is item
#01-14738. $28.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Conversational Recorder Student Book GIA Publications
SKU: GI.G-9033S Composed by John M. Feierabend and Rachel Grimsby. Conver...(+)
SKU: GI.G-9033S
Composed by John M.
Feierabend and Rachel
Grimsby. Conversational
Solfege. Music Education.
Book. 136 pages. GIA
Publications #9033S.
Published by GIA
Publications
(GI.G-9033S). ISBN
9781622773947. With
its commitment to
creating independent
musical thinkers through
the use of folk songs,
Conversational Recorder
is a visionary approach
to recorder that builds
music literacy and
independence. This highly
anticipated component of
John M.
Feierabend’s
Conversational Solfege is
a dynamic and engaging
method that seamlessly
coordinates with Levels 1
and 2 of the curriculum,
an innovative 12-step
“ear-before-eyeâ
approach to teaching
music literacy. Central
to Conversational
Recorder are two hundred
online audio tracks with
coordinating Guided
Practice Activities at
the beginning of each
unit. The online tracks
walk students step by
step through decoding
patterns and songs and
are perfectly suited for
at-home assignments and
virtual instruction. Each
of the thirteen units in
this resource presents a
new rhythm or melody
challenge that is
reinforced using a series
of short musical patterns
and songs. To ensure
aural mastery before
instrumental application,
students follow a
three-step procedure: (1)
sing first, (2) sing
while fingering on
recorder, and (3) play on
recorder. The
teacher’s manual
includes dozens of
recorder activities
(techniques) along with
an overview of the
method, instructions for
how to use the online
tracks, and tips for
teaching fingering,
tonguing, and breathing.
The appendices also
contain sample lesson
plans, resources for
assessment, fingering
charts, and information
for teaching recorder to
students with
disabilities.
Conversational Recorder
is an ideal program for
incorporating recorder
instruction into the
elementary music
classroom. John M.
Feierabend, PhD, has
spent decades compiling
songs and rhymes from the
memories of the American
people in hopes that
these treasures will be
preserved for future
generations. He is a
leading authority on
child development in
music and movement and
served as Professor and
Chair of the Music
Education Department of
the Hartt School of the
University of Hartford.
Rachel Grimsby is an
Assistant Professor of
Music Education at
Illinois State University
and has over fifteen
years of experience
teaching elementary
general music. She is a
co-author of First Steps
in Music with Orff
Schulwerk and Feierabend
Fundamentals, and her
research interests
include professional
development for
in-service teachers and
paraprofessionals as well
as teaching music to
students with
disabilities. $14.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
| Drums from Brazil Advance Music
World Percussion SKU: AP.1-ADV13026 Rebolo, Hand Repique, Tantan, and ...(+)
World Percussion SKU:
AP.1-ADV13026
Rebolo, Hand Repique,
Tantan, and Multiple
Percussion. Composed
by Luiz Roberto Cioce
Sampaio.
Method/Instruction;
Percussion -
Miscellaneous Educational
Books and Manuals;
Technique Musicianship.
Advance Music. Latin;
World. Book and DVD.
Advance Music
#01-ADV13026. Published
by Advance Music
(AP.1-ADV13026). ISBN
9783954810093. UPC:
805095130263.
English. This
instructional multimedia
set contains a book and
DVD designed to help
master classic Brazilian
rhythms for percussion
instruments. Starting out
with warm-ups and groove
patterns, this method
presents the popular
samba, bossa nova, and
baião styles as well
as exciting varieties of
Afoxé, Xaxado,
Marchinha, Xote, and
Samba in 7/8 for the
experienced player. For
each style, the DVD
includes sample
performances that can be
used when learning and
practicing hand
coordination and
technique.
Drums
from Brazil is suitable
for an autodidactic
approach but can also be
employed by teachers for
one-on-one or group
instruction. The author
is one of Brazil's most
in-demand percussionists
and percussion teachers,
performing with ensembles
from symphony orchestras
to samba schools. He
works as a private tutor
and is credited with the
invention of the
Ceramofone, a percussion
instrument made of
ceramics and played with
sticks. $41.95 - Voir plus => AcheterDélais: 1 to 2 weeks | | |
|