Latin Themes For Trombone

By Traditional. Arranged by David Marlatt. For 4 Trombones. Brass - Trombone Quartet; Quartet. Latin. Duration 00:01:45

(For Concert Band). By Valerie Coleman. Concert band. For Piccolo, 3 Flutes, 2 Oboes, Clarinet in Eb, 3 Clarinets in Bb, Bass Clarinet in Bb/Contrabass Clarinet in Bb, 2 Bassoons, Contrabassoon, Soprano Saxophone, 2 Alto Saxophones, Tenor Saxophone, Baritone Saxophone, 3 Trumpets in Bb, 4 Horns in F, 3 Trombones. Contemporary. Full score (study). Standard notation. 40 pages. Duration 7 minutes. Published by Theodore Presser Company

SATB vocal soli, SATB choir, 2 violins, cello/contrabass, organ, [3 trombones] - Level 2

SKU: CA.4062309

Missa pastoralis in G. Composed by Wolfgang Amadeus Mozart. Arranged by Willi Schulze. This edition: urtext. 1x 40.623/31 trombone 1, 1x 40.623/32 trombone 2, 1x 40.623/33 trombone 3. Stuttgart Urtext Edition: Mozart. Missa Pastoralis In G Kv 140 Rev.2001. Innovative practice aids, Sacred vocal music, Masses, Latin, Missa brevis in Latin. Set of Orchestra Parts. Composed circa 1773. KV 140 (235d). 24 pages. Duration 17 minutes. Carus Verlag #CV 40.623/09. Published by Carus Verlag (CA.4062309).

ISBN 9790007084370. Key: G major. Language: Latin.

The G major mass of Mozart followed a very special type of mass pattern, namely, that of the Missa pastoralis. In Mozart's time it was a widespread type of mass, especially in Bohemia and Italy, in which melodies and rhythms like those familiar from pastoral Christmas music were frequently found. The themes in this type of mass are song-like and often make use of folksongs or references to well-known tunes. This work is now available in carus music, the choir app! Score and parts available separately - see item CA.4062300.

SATB vocal soli, SATB choir, 2 clarinos/trumpets, timpani, 2 violins, basso continuo, [3 trombones] - Level 2

SKU: CA.4062609

Sparrow Mass. Composed by Wolfgang Amadeus Mozart. Edited by Berthold Over. This edition: urtext. 1x 40.626/31 clarino 1, 1x 40.626/32 clarino 2, 1x 40.626/33 trombone 1, 1x 40.626/34 trombone 2, 1x 40.626/35 trombone 3, 1x 40.626/41 timpani. Stuttgart Urtext Edition: Mozart. German title: Missa In C (Spatzen-Messe) Rev.2000. Innovative practice aids, Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Composed 1775-76 (?). KV 220 (196b). 24 pages. Duration 18 minutes. Carus Verlag #CV 40.626/09. Published by Carus Verlag (CA.4062609).

ISBN 9790007084615. Key: C major. Language: Latin.

An unusual feature of this Mass is its cyclic form, a compositional principle which Mozart first introduced in his masses in this Mass in C: in the Agnus Dei (Dona nobis pacem) he reverted to the music of the Kyrie, thus giving the Mass overall musical unity. Another unusual feature of this work is its popular character. This is evident both in its catchy themes and in its relatively straigthforward musical structure. This work is now available in carus music, the choir app! Score and parts available separately - see item CA.4062600.

Orchestra SSATTB vocal soli, SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello, double bass

SKU: CA.2730109

Composed by Franz Lachner. 1x 27.301/21 flute 1, 1x 27.301/22 flute 2, 1x 27.301/23 clarinet 1, 1x 27.301/24 clarinet 2, 1x 27.301/25 bassoon 1, 1x 27.301/26 bassoon 2, 1x 27.301/31 horn 1, 1x 27.301/32 horn 2, 1x 27.301/33 trumpet 1, 1x 27.301/34 trumpet 2, 1x 27.301/35 trombone 1. Requiem In F-Moll. Sacred vocal music, Requiem. Set of Orchestra Parts. Composed 1856. Op. 146. 112 pages. Duration 60 minutes. Carus Verlag #CV 27.301/09. Published by Carus Verlag (CA.2730109).

ISBN 9790007201272. Key: F minor. Language: Latin.

In 1856, the year in which Mozart's one-hundredth birthday was elaborately celebrated, Franz Lachner composed the Requiem in F minor op. 146. It became his most well-known and most important work. Lachner's intensive study of Mozart's music on the occasion of the commemorative year lends credence to that fact that it was not inspired by a personal loss, such as a death in the family or among his friends. Although closer examination proves that his music differed essentially from Mozart's, Lachner's work shows a clear expression of his admiration for him. The parallels between the two Requiems range from the characteristics of the organization of the text and the formal structure, to the similar treatment of individual sections, themes and motives. Score and parts available separately - see item CA.2730100.

Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion 1, Mallet Percussion 2, Marimba, Oboe, Percussion 1, Percussion 2, Shaker, Snare Drum and more. - Grade 3

SKU: CF.CPS226

Composed by Carol Brittin Chambers. Concert Band (CPS). Set of Score and Parts. With Standard notation. 16+4+8+16+16+4+4+4+4+4+4+ 8+8+8+4+4+6+6+6+8+2+2+2+6 +12+24+4 pages. Duration 3 minutes, 55 seconds. Carl Fischer Music #CPS226. Published by Carl Fischer Music (CF.CPS226).

ISBN 9781491152522. UPC: 680160910021.

Inspi red by the memory of an influential music educator, Carol Brittin Chambers has woven a multitude of grooves, colors, and uplifting themes into To Create a Voice. Chambers has attempted to convey distinct moods and emotions that this educator tried to instill in his students. In honor of this dynamic teacher, you will hear Hot Cross Buns cleverly placed throughout the composition.
To Create a Voice was commissioned by the Valley Concert Band in Stockton, California. The piece premiered in October 2017, in memory and celebration of Chris Anderson, a local musician and educator.When writing this piece, I tried to convey certain moods and emotions throughout: soulful at the beginning with calm woodwind chords and solo trombone; increased energy throughout the various sections of the piece; exploration of different grooves and colors; an uplifting, emotional ending that leaves the listener with a sense of how positive and loving Chris was.This piece is largely inspired by a specific quote from Chris:Most people would consider the sounds students first make on their instruments to be cringe-worthy, but to me that’s music to my ears, because that’s the first time students put a voice to their instrument. Over time those voices become stronger; they become clear, more confident, and get to a point where they use those voices to communicate with each other, and to their audiences.To relate to the first notes on the instrument idea, I used motifs based on the first notes most beginners ever play, do-re-mi, which are introduced at the beginning of the piece with the trombone solo, Chris’ instrument. During the section at m. 15, the brass introduce a chorale that I named Chris’ Theme while the woodwinds keep reminding us of do-re-mi. Later in the piece (mm. 71 and 79), I use these notes again, but in reverse, which becomes a reference to the first song most beginners learn, Hot Cross Buns. This section is also meant to portray Chris’ quirky and joking side. In mm. 75 and 83, Chris’ Theme presents itself again a couple of times in response to Hot Cross Buns.Toward the end, at the uplifting moment (m. 97), do-re-mi is heard again, but this time in harmony with mi-fa-sol. This represents the ultimate satisfaction we all feel as musicians when we have finally progressed enough to play in harmony with others. The half-time feeling in 3 at that moment also has significance, relating (rhythmically) to those important three notes again.I really hope you enjoy performing and listening to this piece as much as I have enjoyed creating it!

Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion 1, Mallet Percussion 2, Marimba, Oboe, Percussion 1, Percussion 2, Shaker, Snare Drum and more. - Grade 3

SKU: CF.CPS226F

Composed by Carol Brittin Chambers. Concert Band (CPS). Full score. With Standard notation. 24 pages. Carl Fischer Music #CPS226F. Published by Carl Fischer Music (CF.CPS226F).

ISBN 9781491153208. UPC: 680160910700.

Inspi red by the memory of an influential music educator, Carol Brittin Chambers has woven a multitude of grooves, colors, and uplifting themes into To Create a Voice. Chambers has attempted to convey distinct moods and emotions that this educator tried to instill in his students. In honor of this dynamic teacher, you will hear Hot Cross Buns cleverly placed throughout the composition.
To Create a Voice was commissioned by the Valley Concert Band in Stockton, California. The piece premiered in October 2017, in memory and celebration of Chris Anderson, a local musician and educator.When writing this piece, I tried to convey certain moods and emotions throughout: soulful at the beginning with calm woodwind chords and solo trombone; increased energy throughout the various sections of the piece; exploration of different grooves and colors; an uplifting, emotional ending that leaves the listener with a sense of how positive and loving Chris was.This piece is largely inspired by a specific quote from Chris:Most people would consider the sounds students first make on their instruments to be cringe-worthy, but to me that’s music to my ears, because that’s the first time students put a voice to their instrument. Over time those voices become stronger; they become clear, more confident, and get to a point where they use those voices to communicate with each other, and to their audiences.To relate to the first notes on the instrument idea, I used motifs based on the first notes most beginners ever play, do-re-mi, which are introduced at the beginning of the piece with the trombone solo, Chris’ instrument. During the section at m. 15, the brass introduce a chorale that I named Chris’ Theme while the woodwinds keep reminding us of do-re-mi. Later in the piece (mm. 71 and 79), I use these notes again, but in reverse, which becomes a reference to the first song most beginners learn, Hot Cross Buns. This section is also meant to portray Chris’ quirky and joking side. In mm. 75 and 83, Chris’ Theme presents itself again a couple of times in response to Hot Cross Buns.Toward the end, at the uplifting moment (m. 97), do-re-mi is heard again, but this time in harmony with mi-fa-sol. This represents the ultimate satisfaction we all feel as musicians when we have finally progressed enough to play in harmony with others. The half-time feeling in 3 at that moment also has significance, relating (rhythmically) to those important three notes again.I really hope you enjoy performing and listening to this piece as much as I have enjoyed creating it!

SATB vocal soli, SATB choir, 2 violins, cello/contrabass, organ, [3 trombones] - Level 2

SKU: CA.4062313

Missa pastoralis in G. Composed by Wolfgang Amadeus Mozart. Arranged by Willi Schulze. This edition: urtext. Stuttgart Urtext Edition: Mozart. Missa Pastoralis In G Kv 140 Rev.2001. Innovative practice aids, Sacred vocal music, Masses, Latin, Missa brevis in Latin. Single Part, Cello/Double Bass. Composed circa 1773. KV 140 (235d). 12 pages. Duration 17 minutes. Carus Verlag #CV 40.623/13. Published by Carus Verlag (CA.4062313).

ISBN 9790007084400. Key: G major. Language: Latin.

The G major mass of Mozart followed a very special type of mass pattern, namely, that of the Missa pastoralis. In Mozart's time it was a widespread type of mass, especially in Bohemia and Italy, in which melodies and rhythms like those familiar from pastoral Christmas music were frequently found. The themes in this type of mass are song-like and often make use of folksongs or references to well-known tunes. This work is now available in carus music, the choir app! Score and part available separately - see item CA.4062300.

SATB vocal soli, SATB choir, 2 violins, cello/contrabass, organ, [3 trombones] - Level 2

SKU: CA.4062312

Missa pastoralis in G. Composed by Wolfgang Amadeus Mozart. Arranged by Willi Schulze. This edition: urtext. Stuttgart Urtext Edition: Mozart. Missa Pastoralis In G Kv 140 Rev.2001. Innovative practice aids, Sacred vocal music, Masses, Latin, Missa brevis in Latin. Single Part, Violin 2. Composed circa 1773. KV 140 (235d). 12 pages. Duration 17 minutes. Carus Verlag #CV 40.623/12. Published by Carus Verlag (CA.4062312).

ISBN 9790007084394. Key: G major. Language: Latin.

The G major mass of Mozart followed a very special type of mass pattern, namely, that of the Missa pastoralis. In Mozart's time it was a widespread type of mass, especially in Bohemia and Italy, in which melodies and rhythms like those familiar from pastoral Christmas music were frequently found. The themes in this type of mass are song-like and often make use of folksongs or references to well-known tunes. This work is now available in carus music, the choir app! Score and part available separately - see item CA.4062300.

SATB vocal soli, SATB choir, 2 violins, cello/contrabass, organ, [3 trombones] - Level 2

SKU: CA.4062349

Missa pastoralis in G KV 140 a. Composed by Wolfgang Amadeus Mozart. Arranged by Willi Schulze. This edition: urtext. Stuttgart Urtext Edition: Mozart. Missa Pastoralis In G Kv 140 Rev.2001. Innovative practice aids, Sacred vocal music, Masses, Latin, Missa brevis in Latin. Single Part, Organ. Composed circa 1773. KV 140 (235d). 12 pages. Duration 17 minutes. Carus Verlag #CV 40.623/49. Published by Carus Verlag (CA.4062349).

ISBN 9790007084417. Key: G major. Language: Latin.

The G major mass of Mozart followed a very special type of mass pattern, namely, that of the Missa pastoralis. In Mozart's time it was a widespread type of mass, especially in Bohemia and Italy, in which melodies and rhythms like those familiar from pastoral Christmas music were frequently found. The themes in this type of mass are song-like and often make use of folksongs or references to well-known tunes. This work is now available in carus music, the choir app! Score and part available separately - see item CA.4062300.

SATB vocal soli, SATB choir, 2 violins, cello/contrabass, organ, [3 trombones] - Level 2

SKU: CA.4062311

Missa pastoralis in G. Composed by Wolfgang Amadeus Mozart. Arranged by Willi Schulze. This edition: urtext. Stuttgart Urtext Edition: Mozart. Missa Pastoralis In G Kv 140 Rev.2001. Innovative practice aids, Sacred vocal music, Masses, Latin, Missa brevis in Latin. Single Part, Violin 1. Composed circa 1773. KV 140 (235d). 12 pages. Duration 17 minutes. Carus Verlag #CV 40.623/11. Published by Carus Verlag (CA.4062311).

ISBN 9790007084387. Key: G major. Language: Latin.

The G major mass of Mozart followed a very special type of mass pattern, namely, that of the Missa pastoralis. In Mozart's time it was a widespread type of mass, especially in Bohemia and Italy, in which melodies and rhythms like those familiar from pastoral Christmas music were frequently found. The themes in this type of mass are song-like and often make use of folksongs or references to well-known tunes. This work is now available in carus music, the choir app! Score and part available separately - see item CA.4062300.

SATB vocal soli, SATB choir, 2 violins, cello/contrabass, organ, [3 trombones] - Level 2

SKU: CA.4062305

Missa pastoralis in G KV 140. Composed by Wolfgang Amadeus Mozart. Arranged by Willi Schulze. This edition: urtext. Stuttgart Urtext Edition: Mozart. Missa Pastoralis In G Kv 140 Rev.2001. Innovative practice aids, Sacred vocal music, Masses, Latin, Missa brevis in Latin. Choral Score. Composed circa 1773. KV 140 (235d). 24 pages. Duration 17 minutes. Carus Verlag #CV 40.623/05. Published by Carus Verlag (CA.4062305).

ISBN 9790007084363. Key: G major. Language: Latin.

The G major mass of Mozart followed a very special type of mass pattern, namely, that of the Missa pastoralis. In Mozart's time it was a widespread type of mass, especially in Bohemia and Italy, in which melodies and rhythms like those familiar from pastoral Christmas music were frequently found. The themes in this type of mass are song-like and often make use of folksongs or references to well-known tunes. This work is now available in carus music, the choir app! Score available separately - see item CA.4062300.

Orchestra SATB vocal soli, SATB choir, 2 clarinos/trumpets, timpani, 2 violins, basso continuo, [3 trombones] - Level 2

SKU: CA.4062607

Sparrow Mass. Composed by Wolfgang Amadeus Mozart. Edited by Berthold Over. This edition: urtext. Stuttgart Urtext Edition: Mozart. German title: Missa In C (Spatzen-Messe) Rev.2000. Innovative practice aids, Sacred vocal music, Masses, Latin. Study score. Composed 1775-76 (?). KV 220 (196b). 56 pages. Duration 18 minutes. Carus Verlag #CV 40.626/07. Published by Carus Verlag (CA.4062607).

ISBN 9790007074029. Key: C major. Language: Latin.

An unusual feature of this Mass is its cyclic form, a compositional principle which Mozart first introduced in his masses in this Mass in C: in the Agnus Dei (Dona nobis pacem) he reverted to the music of the Kyrie, thus giving the Mass overall musical unity. Another unusual feature of this work is its popular character. This is evident both in its catchy themes and in its relatively straigthforward musical structure. This work is now available in carus music, the choir app! Score available separately - see item CA.4062600.

SATB vocal soli, SATB choir, 2 clarinos/trumpets, timpani, 2 violins, basso continuo, [3 trombones] - Level 2

SKU: CA.4062619

Sparrow Mass. Composed by Wolfgang Amadeus Mozart. Edited by Berthold Over. This edition: urtext. Stuttgart Urtext Edition: Mozart. German title: Missa In C (Spatzen-Messe) Rev.2000. Innovative practice aids, Sacred vocal music, Masses, Latin. Set of Orchestra Parts. Composed 1775-76 (?). KV 220 (196b). Duration 18 minutes. Carus Verlag #CV 40.626/19. Published by Carus Verlag (CA.4062619).

ISBN 9790007133368. Key: C major. Language: Latin.

An unusual feature of this Mass is its cyclic form, a compositional principle which Mozart first introduced in his masses in this Mass in C: in the Agnus Dei (Dona nobis pacem) he reverted to the music of the Kyrie, thus giving the Mass overall musical unity. Another unusual feature of this work is its popular character. This is evident both in its catchy themes and in its relatively straigthforward musical structure. This work is now available in carus music, the choir app! Score and parts available separately - see item CA.4062600.

Orchestra Soli SSATTB, SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello, double bass

SKU: CA.2730119

Composed by Franz Lachner. Requiem In F-Moll. Sacred vocal music, Requiem. Set of Orchestra Parts. Composed 1856. Op. 146. Duration 60 minutes. Carus Verlag #CV 27.301/19. Published by Carus Verlag (CA.2730119).

ISBN 9790007201333. Key: F minor. Language: Latin.

In 1856, the year in which Mozart's one-hundredth birthday was elaborately celebrated, Franz Lachner composed the Requiem in F minor op. 146. It became his most well-known and most important work. Lachner's intensive study of Mozart's music on the occasion of the commemorative year lends credence to that fact that it was not inspired by a personal loss, such as a death in the family or among his friends. Although closer examination proves that his music differed essentially from Mozart's, Lachner's work shows a clear expression of his admiration for him. The parallels between the two Requiems range from the characteristics of the organization of the text and the formal structure, to the similar treatment of individual sections, themes and motives. Score and parts available separately - see item CA.2730100.

Orchestra SSATTB vocal soli, SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello, double bass

SKU: CA.2730105

Composed by Franz Lachner. Requiem In F-Moll. Sacred vocal music, Requiem. Choral Score. Composed 1856. Op. 146. Duration 60 minutes. Carus Verlag #CV 27.301/05. Published by Carus Verlag (CA.2730105).

ISBN 9790007115210. Key: F minor. Language: Latin.

In 1856, the year in which Mozart's one-hundredth birthday was elaborately celebrated, Franz Lachner composed the Requiem in F minor op. 146. It became his most well-known and most important work. Lachner's intensive study of Mozart's music on the occasion of the commemorative year lends credence to that fact that it was not inspired by a personal loss, such as a death in the family or among his friends. Although closer examination proves that his music differed essentially from Mozart's, Lachner's work shows a clear expression of his admiration for him. The parallels between the two Requiems range from the characteristics of the organization of the text and the formal structure, to the similar treatment of individual sections, themes and motives. Score available separately - see item CA.2730100.

Orchestra SSATTB vocal soli, SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello, double bass

SKU: CA.2730100

Composed by Franz Lachner. This edition: Paperbound. Sacred vocal music, Requiem. German title: Requiem In F-Moll. Sacred vocal music, Requiem. Full score. Composed 1856. Op. 146. Duration 60 minutes. Carus Verlag #CV 27.301/00. Published by Carus Verlag (CA.2730100).

ISBN 9790007091149. Key: F minor. Language: Latin.

In 1856, the year in which Mozart's one-hundredth birthday was elaborately celebrated, Franz Lachner composed the Requiem in F minor op. 146. It became his most well-known and most important work. Lachner's intensive study of Mozart's music on the occasion of the commemorative year lends credence to that fact that it was not inspired by a personal loss, such as a death in the family or among his friends. Although closer examination proves that his music differed essentially from Mozart's, Lachner's work shows a clear expression of his admiration for him. The parallels between the two Requiems range from the characteristics of the organization of the text and the formal structure, to the similar treatment of individual sections, themes and motives.

Orchestra SSATTB vocal soli, SATB choir, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello, double bass

SKU: CA.2730103

Composed by Franz Lachner. This edition: Paperbound. Requiem In F-Moll. Sacred vocal music, Requiem. Vocal score. Composed 1856. Op. 146. Duration 60 minutes. Carus Verlag #CV 27.301/03. Published by Carus Verlag (CA.2730103).

ISBN 9790007080853. Key: F minor. Language: Latin.

In 1856, the year in which Mozart's one-hundredth birthday was elaborately celebrated, Franz Lachner composed the Requiem in F minor op. 146. It became his most well-known and most important work. Lachner's intensive study of Mozart's music on the occasion of the commemorative year lends credence to that fact that it was not inspired by a personal loss, such as a death in the family or among his friends. Although closer examination proves that his music differed essentially from Mozart's, Lachner's work shows a clear expression of his admiration for him. The parallels between the two Requiems range from the characteristics of the organization of the text and the formal structure, to the similar treatment of individual sections, themes and motives. Score available separately - see item CA.2730100.