Latin Styles for Guitar: Guitar Solo: Instrumental Album

Book With Online Audio-The accurate interpretation of swing rhythm is the most important element in jazz music. This collection of 7 jazz etudes and 11 exercises for solo Guitar gives the student practice in playing this rhythmic pattern as well asworking on other important skills. The etudes are written in notation only in different jazz styles: Swing Latino Bossa Nova Blues and Jazz Rock. These etudes develop the ability of the right hand to sound as if two or threeinstruments are playing simultaneously. All of the etudes have bright melodies and rich jazz harmony. They are intermediate in difficulty. The exercises feature numerous skills including Swing style walking bass Latin style finger speed various rhythmic combinations and broken lines. Audio download available online.

The Ultimate beginner Xpress Series takes the fundamentals of the Number One instructional music video (Ultimate Beginner Series) and combines it with the most revolutionary way of learning great songs (SongXpress) in order tocreate a path of learning designed to get you up and playing in no time. There are certain concepts and fundamentals that are common to all contemporary songs in their genre. Whether it's blues hard rock latin or rock 'n' roll this DVD will teach you the elements of a basic song in each style so you can apply them to your playing and learn hundreds of songs just like them.

Par ZARADIN JOHN. John Zaradin l'Angleterre est un artiste doué jazz tant dans le domaine de la guitare classique. Il est particulièrement bien informé dans le monde vaste et diversifié d'Amérique latine les styles guitare solo et rythmique. Ce livre contient six solos basés sur le rythme de la Rumba (Mosaico de Rumbas) et six solos en mode Bossa-Samba (Ambientes Brasileiras). Chaque solo est inscrit dans la notation et de tablature et reflète la vitalité, le rythme et la nature improvisé de cet idiome. / Niveau : Intermédiaire / Latin American - Solos / Tablatures / Guitare Tablatures Classique et Fingerpick

The composer says: For years, my fellow guitarists have been asking me to compose a solo classical guitar piece that reflects that most American of musical styles'the blues. Their prodding was the motivation for Periwinkle Memories; the inspiration for the piece, however, really came from a maestro of extraordinary skill, and a teacher of even more extraordinary patience, Elias Barreiro, my guitar teacher at the University of New Orleans. I have always tried to emulate in my performances the beauty of his interpretations, and to fuse in my compositions the power and emotion of the blues. The name, Periwinkle Memories was a serendipity. I was struck by the light purplish-blue hue of the periwinkle, and soon learned the history of the funnel-shaped flower (Vinca minor.) Though it now grows wild in parts of the United States it is native to Australia, some consider it an invasive weed, most admire its extraordinary beauty. Common herbicides won't kill it. The periwinkle is too vigorous and hardy for that. And now it is not merely a begrudged part of the American landscape, it is a vibrant part of the American landscape, elegant, stubborn, and nearly native. Like the blues. And like that young recalcitrant student Maestro Barreiro worked so hard to mold so many years ago. Ogden Nash said, 'One man's remorse is another man's reminiscence.' Periwinkle Memories is a celebration of Maestro Barreiro, and of both facets of that adage in me. Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare's Twelfth Night, and played incidental music for their production of Bertold Brecht's The Good Woman of Sichuan. He has performed Carulli's Guitar Concerto in A, Leonard Bernstein's West Side Story and Marvin Hamlish's A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in Atlanta for Mr. Ted Turner. He has been a guest performer with the Albany State University Jazz Ensemble at The Fletcher Henderson Jr., Macon and Atlanta Jazz Festivals, and played the banjo in the Albany State University /Albany Symphony's co-production of George Gershwin's Opera Porgy and Bes

Avez-vous toujours voulu jouer de la guitare comme Scotty Moore et Carlos Santana, ou comme les guitaristes de Earth, Wind and Fire, t. Rex et des Beatles ? Ensuite, ce livre est juste pour vous ! Il contient une étude approfondie de douze styles de guitare pop différents de 1950 à nos jours, comme le disco, reggae Latin, funk, sixties pop, glam et motown. Morceaux choisis vous aide à apprendre ce qui compte, avec cette musique et ce qu'il faut porter attention aux. Chansons et exercices systématiques spécialement composée pour ce spectacle but tout le monde qui veut améliorer son rendement à ce qu'elle est - ils sont complétés par des informations sur les techniques importants, des joueurs, des sons, des équipement et des ampères. Un bonus spécial, le CD contient les pistes de la démo complète ainsi que des pistes de soutien de toutes les chansons. / Guitare

Par MELLO CHRIS. Le guide plus complet et détaillé décrivant le rôle de la guitare dans la musique de Cuba, Brésil, Colombie, Mexique et autres pays sud-américains à imprimer. Un guide pour tout guitariste intéressé dans l'exécution de différents styles de musique latine et compléter le sondage. Chaque chapitre porte sur les styles communs à la musique d'un pays en vedette. Comprend une exploration approfondie de l'histoire, instrumentation commune, rythmes de base, patrons de la guitare et voicings corde, transcriptions, application et fournit des exemples musicaux de chaque style. Elèves exploreront : Mambo, Cha-Cha, Samba, Bossa Nova, Cumbia, Vallenato, Baion, Bolero, Rumba Flamenco et Pop?just Latin contemporain pour n'en nommer que quelques-uns ! Etudiants peuvent choisir de se concentrer dans sur un style ou échantillon beaucoup. Cet ouvrage de ressources contient des connaissances précieuses guitaristes peuvent également utiliser dans une application à une multitude de styles de la Direction générale de la (smooth jazz, pop, jazz, rock et la croissance jamais - marché de la musique latine), y compris ce qu'il faut jouer avec un ensemble... / Niveau : Débutant à Intermédiaire / Latin American - Methods / Méthode / Guitare Classique

Par CHAMBOULEYRON BRIAN. Méthode pour apprendre la guitare dans le style latin. Leçons pas Brian Chambouleyron, guitariste argentain, qui a composé et joué des extraits dans ce DVD. En espagnol avec des sous titres en anglais. / Méthode en anglais / Accessoire / Guitare