Joy to the World - Guitar Edition

The composer says: For years, my fellow guitarists have been asking me to compose a solo classical guitar piece that reflects that most American of musical styles'the blues. Their prodding was the motivation for Periwinkle Memories; the inspiration for the piece, however, really came from a maestro of extraordinary skill, and a teacher of even more extraordinary patience, Elias Barreiro, my guitar teacher at the University of New Orleans. I have always tried to emulate in my performances the beauty of his interpretations, and to fuse in my compositions the power and emotion of the blues. The name, Periwinkle Memories was a serendipity. I was struck by the light purplish-blue hue of the periwinkle, and soon learned the history of the funnel-shaped flower (Vinca minor.) Though it now grows wild in parts of the United States it is native to Australia, some consider it an invasive weed, most admire its extraordinary beauty. Common herbicides won't kill it. The periwinkle is too vigorous and hardy for that. And now it is not merely a begrudged part of the American landscape, it is a vibrant part of the American landscape, elegant, stubborn, and nearly native. Like the blues. And like that young recalcitrant student Maestro Barreiro worked so hard to mold so many years ago. Ogden Nash said, 'One man's remorse is another man's reminiscence.' Periwinkle Memories is a celebration of Maestro Barreiro, and of both facets of that adage in me. Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare's Twelfth Night, and played incidental music for their production of Bertold Brecht's The Good Woman of Sichuan. He has performed Carulli's Guitar Concerto in A, Leonard Bernstein's West Side Story and Marvin Hamlish's A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in Atlanta for Mr. Ted Turner. He has been a guest performer with the Albany State University Jazz Ensemble at The Fletcher Henderson Jr., Macon and Atlanta Jazz Festivals, and played the banjo in the Albany State University /Albany Symphony's co-production of George Gershwin's Opera Porgy and Bes

The composer says: Several musical threads led to my writing this piece of music to celebrate my friend Matanya Ophee's (AKA MO) 80th birthday - a life lived with the guitar. Jelly Roll Morton once asserted: 'In fact, if you can't manage to put tinges of Spanish in your tunes, you will never be able to get the right seasoning; I call it, for jazz.' Over the last couple of years I moved back to Jelly Roll Morton's city: New Orleans, home of my adolescence and reacquainted myself with the tinges of Spanish in its rich musical heritage. One of these pieces was the Mardi Gras Mambo, an iconic song frequently played during Mardi Gras and, in David Newman's reworking of the lyrics, at the New Orleans Saints football games as the Super Bowl Mambo. Uncited sources on both Wikipedia and Essortment say the word Mambo means 'conversation with the gods' in Kikongo, the language spoken by Central African slaves taken to Cuba where it became the name for a musical form and a dance style that developed originally in Cuba in the able hands of Cachao's (Bassist Orestes Lopez) tune: Danzon Mambo. This rhythmic style became famous in the 1950's following its use in dance bands in Mexico and through New Orleans to the United States. The infectiousness of the New Orleans re-interpretation of the Mambo's ostinato bass line and the reaction of people who are readily moved to dance when they hear it spoke to me of dance and celebration. This led me to choose some of this piece's characteristics and title for this piece: Mambo for MO. As we have progressed on the instrument, some of us may have encountered the four-chord descending minor chord progression known as the Andalusian cadence: i - VII - VI - V in many different genres and guises. After all, it appears in Ray Charles' Hit the Road, Jack, the verse on Good Vibrations by The Beach Boys, Walk, Don't Run by The Ventures, Runaway by Del Shannon and in that great work arranged and embraced by the Guitar: J.S. Bach's Chaconne from the Partita in D minor for solo violin, BWV 1004. This bass line derived from a Latin American musical style as reinterpreted in New Orleans, a chord progression that evokes the Flamenco Music of Spain, and my impressions of the sinuous lines of people dancing the Second Line in the streets of New Orleans at Mardi Gras led me to this synthesis as a tribute to a man who has contributed so much in his lifelong efforts for the guitar, its history and lore on the occasion of his birthday! Happy Birthday, Matanya! Carlos Barrientos was born on June 25, 1954 in Tela, Honduras. He began his formal music studies at the National Music Conservatory in Guatemala City, Guatemala C.A. His training with Maestro Elias Barreiro, Director of Guitar Studies at Tulane University, was supplemented with Master Classes with Manuel Barrueco, Leo Brouwer, Juan Mercadal, Michael Newman, Tommy Tedesco and Carlos Barbosa-Lima. He studied composition under the tutelage of Dr. Jerry Sieg, University of New Orleans, and Dr. Roy Johnson, Florida State University. He consulted with Michael D. Martin, Ph.D., Associate Professor of Music, Albany State University, Albany, GA in the creation of a recordings library that reflects Western Art Music and American Jazz for the students at Albany State University. The New York Premiere of the First Movement of his Second Guitar Sonata was dedicated to and performed by Classical Guitarist Maestro Carlos Barbosa-Lima in 2003 at Carnegie Hall. At the request of U.S. Senator Bob Graham one of his compositions, Si Tu Te Vas (If You Go Away), was included on a recording to promote The Everglades Trail. In 2004, at the American Church in Paris, France the World Premiere of his Romance for Flute and Guitar was performed by the award-winning Serenade Duo, flutist Michelle LaPorte and guitarist Gerry Saulter. He has performed with such legendary musicians as Herbie Mann, Donald Byrd and Debbie Reynolds, led an on stage Renaissance Trio in a University of New Orleans production of Shakespeare's Twelfth Night, and played incidental music for their production of Bertold Brecht's The Good Woman of Sichuan. He has performed Carulli's Guitar Concerto in A, Leonard Bernstein's West Side Story and Marvin Hamlish's A Chorus Line with the Northwest Florida Symphony Orchestra and Okaloosa-Walton Community College, Niceville, FL, and with the Southern Art Music Ensemble, a Jazz/Latin Fusion Sextet, including an Honors Convocation in Atlanta for Mr. Ted Turner. He has been a guest performer with the Albany State University Jazz Ensemble at The Fletcher Henderson Jr., Macon and Atlanta Jazz Festivals, and played the banjo in the Albany State University /Albany Symphony's co-production of George Gershwin's Opera Porgy and Bess.

Guitar arrangements transcribed by the artists themselves in standard notation and tab. Each edition includes a masterclass-style CD in which the artist walks you through the key aspects and techniques for each arrangement. This edition features twenty-five beautiful Celtic melodies masterfully arranged for solo guitar as performed by Jim Tozier on his Celtic Guitar CD. Each amazingly accessible yet truly beautiful arrangement was transcribed by Jim Tozier himself. The included full performance CD is so stunning that it alone is worth the price. Jim has been called 'one of most eloquent Celtic guitarists in the world' (Guitarnation.com) and histreatment of these traditional Irish and Scottish tunes is tasteful and true. This collection is comprised of time-honored favorites and lesser-known Celtic gems which makes it an essential resource for players of all levels. A CD with full-length recordings and performance notes is included. Songs are arranged in DADGAD CGDGAD and CGCGCD tunings.

Classical Masterpieces Arranged for Solo Guitar-The Classical Guitar Compendium brings the world of classical music to guitarists of all levels. This collection features classical Guitar technical studies from Sor Tarrega Guiliani Carcassi and Aguado as well as presenting fresh Guitar arrangements of well-known classical masterpieces. Repertoire compositions are included from the likes of Bach Beethoven Brahms Chopin Debussy Fauré Massenet Mozart Pachelbel Ravel Schumann Tchaikovsky Wagner and more. Access to online audio is also included with Guitar solo performances by Bridget Mermikides. This is the tablature edition. The notation onlyedition can be found here.

The Ultimate Play-Along series puts the aspiring guitarist with some of the finest musicians in the world. This edition includes 12 burning blues play-along trax, a live rhythm section, demo solos by monster guitarists, complete rhythm charts, and solo transcriptions with tab.

Ten classic Scott Joplin Piano rags arranged for Classical Guitar by Jerry Willard. Arranged in standard notation and tablature these timeless tunes by the most famous of all ragtime composers soundabsolutely great on a Classical Guitar and to help you perform them perfectly the Download Card features recordings of each by Willard himself. Rising quickly to fame for his ragtime compositions andachieving acclaim as the 'King of Ragtime Writers' composer and multi-instrumentalist Scott Joplin wrote some of the greatest rags ever as well as some of the finest compositions of any style or genre. WithScott Joplin Favorites For Classical Guitar you can learn such rags as Maple Leaf Rag The Entertainer and Heliotrope Bouquet for the Classical Guitar. Suitable for intermediate to advancedplayers this book will keep you entertained for hours as you pore over the expertly composed rags that have become so ingrained in modern music. Born to a musical family in Texas in 1867 it becameimmediately obvious that Joplin was of exceptional talent. After learning a number of instruments and moving to Missouri his compositions brought him great fame and had a profound influence on othercomposers of the day and for over a century to come. Tunes like Cleopha Kismet Rag Pleasant Moments and The Strenuous Life all had a huge impact on the musical world turning this creative genius into ahousehold name.  Now accomplished guitarist Jerry Willard has compiled and arranged ten of Joplin's best tunes into this sheet music songbook letting you learn thesewonderful compositions for the Classical Guitar. As a bonus extra the included download card allows you to listen to Willard himself performing all ten songs that were specially recorded for this edition. This will allow

Par TAKE THAT. After more than a ten year gap, Take That came back with this new critically acclaimed album in late 2006. This 'Souvenir Edition' includes the bonus tracks that could be found on the CDs available at their gigs. Includes a Piano line, vocal line, and Guitar chord boxes./ Recueil / Piano, Chant et Guitare

For the first time this edition presents work for Guitar solo and for Guitar duet by Graciano Tarragó grouped into different collections. Despite the fact that the composer published the set of works separately (with the exception of the collections of studies and the Catalan Christmas songs) it is not difficult to see that a natural classification surges from its formal structure from its source of inspiration and from its intent upon observing the works as a whole.The main objective of this revision was to update its presentation to meet the demands of the Guitar world today and to offer scores that ease the introduction to the study of this copious collectionof works. The works hold an indisputable musical beauty and demand technical virtuosic knowledge of the highest level.

Guitar Edition-This book and CD set presents a superb set of songs by the breathtaking Dave Weckl Band along with a playalong CD especially produced so that you can add the guitar parts yourself!'Sit-in' with the band and know what it feels like to play with some of the best musicians in the world! Each song is fully transcribed and the parts are even perforated ready for use on a music stand at your own gig.

Century Spain. Par KOONCE FRANK. Scholarly editions, which serve different purposes than performance editions, are not often designed with the modern guitarist in mind. For instance, Renaissance vihuela tablatures are usually transcribed with the open first string as G, not E. Most are presented in double-staff notation, a medium that is superior for realizing counterpoint but unconventional as guitar notation. Furthermore, these editions sometimes give idealized, but not realistic, solutions for voicing, note duration, and other matters that need to be considered within the limitations of our instrument. Guitarists who try to play from these editions essentially are faced with the task of transcribing thetranscription!This 188-page anthology is designed as a companion volume to The Baroque Guitar in Spain and the New World (MB21122). It includes representative selections, edited for modern guitar, from the seven books for vihuela that were published in Spain between 1536 and 1576. As well as being fun and entertaining music for all to enjoy, these collections are intended to help bridge the gap between scholarly editions and performance editions by providing a hands-on introduction to tablature transcription and to issues concerning historically informed performance of early music on the guitar. * A 188-page anthology, edited for modern guitar, from the seven books for vihuela that were published in Spain between 1536 and 1576. * A companion volume to The Baroque Guitar in Spain and the New World (MB21122). * Intended to help bridge the gap between scholarly editions and performance editions. * An introduction to tablature transcription and to issues concerning historically informed performance of early music on the modern guitar. Scholarly editions, which serve different purposes than performance editions, are not often designed with the modern guitarist in mind. For instance, Renaissance vihuela tablatures are usually transcribed with the open firststring as G, not E. Most are presented in double-staff notation, a medium that is superior for realizing counterpoint but unconventional as guitar notation. Furthermore, these editions sometimes give idealized, but not realistic, solutions for voicing, note duration, and other matters that need to be considered within the limitations of our instrument. Guitarists who try to play from these editions essentially are faced with the task of transcribing thetranscription!This 188-page anthology is designed as a companion volume to The Baroque Guitar in Spain and the New World (MB21122). It includes representative selections, edited for modern guitar, from the seven books for vihuelathat were published in Spain between 1536 and 1576. As well as being fun and entertaining music for all to enjoy, these collections are intended to help bridge the gap between scholarly editions and performance editions byproviding a hands-on introduction to tablature transcription and to issues concerning historically informed performance of early music on the guitar. A 188-page anthology, edited for modern guitar, from the seven books forvihuela that were published in Spain between 1536 and 1576 A companion volume to The Baroque Guitar in Spain and the New World (MB21122) Intended to help bridge the gap between scholarly editions and performance editions Anintroduction to tablature transcription and to issues concerning historically informed performance of early music on the modern guitar. / Niveau : Intermédiaire / Tablatures / Guitare Tablatures

Second Edition Includes: * All of the original content * Three new performance pieces * Giuliani's Left-Hand Etudes, Op. 1 * New lessons and exercises * Improved music engravings Upon its first publication in 1995, Pumping Nylon became an instant classic and must-have technique handbook for all classical guitarists, and many players of other styles as well. Scott Tennant's encouraging style, sense of humor, and unique approach to technical training have garnered Pumping Nylon devotees throughout the world. At the heart of it all is the famous 'Daily Warm-Up Routine,' which includes 11 clever, helpful exercises to get both hands in shape and ready to play while improving your technical skills. The invaluable lessons in technique are supplemented by Giuliani's 120 Right-Hand Studies, Tarrega arpeggio studies, and examples from music by Bach, Turina, and Rodrigo. In addition, original compositions by guitar luminaries Brian Head and Andrew York reinforce the material while also providing concert-worthy repertoire. This new, improved second edition of Pumping Nylon incorporates even more great material with new pieces by Evan Hirschelman, Guiliani's Left Hand Etudes, Op. 1, and new technical exercises in tremolo and balancing chord voicings. The music engravings have been improved for easier reading, and all of the media is available online! If Pumping Nylon is already part of your library, it's time for an upgrade! Pumping Nylon (Second Edition) is even better than the original. If you're just now finding Scott Tennant's masterpiece, this is a great opportunity to jump on board and start enjoying this classic book. Your practice routine and technical prowess will improve, and you'll have fun as you learn. / Guitare

Par NADAL DAVID. Transcribed, arranged and edited by concert guitarist David Nadal. This unique anthology samples the vast repertoire available for the beginning and intermediate guitarist. A number of these pieces have never appeared in a modern edition, while others have found their place among the world's best-loved compositions. Ranging from the earliest Italian lute tablatures to an arrangement of the American Favourite 'Dixie's Land' this edition will have something for everyone and must be the only one of its type in print. / Niveau : Facile / Recueil / Guitare