Jazz & Blues

Includes: At the Hop Beauty and the Beast Brain Sprain Breezin' Discover the Blues Frosty the Snow Man Gimme Some Lovin' Hound Dog Killer Joe Kiss the Girl MalagueÏa Spinning Wheel Tin Roof Blues The Twist Twist and Shout.

La référence FP 117 de l'éditeur Fertile Plaine dont l'auteur célèbre est Matuchet E., qui a pour titre 24/34, 10 ans déjà ( Improvisations Jazz ), a été écrite et composée pour Ensemble Instrumental et Petit Orchestre et plus particulièrement pour Ensemble De Jazz. Cette partition musicale appartient à la catégorie Jazz & Blues. / Ensemble De Jazz / Partition

De série de Hal Leonard des éléments essentiels acclamée par pour Jazz Ensemble, Voici une collection économique des 15 arrangements complètes dans une variété de styles. Comme une caractéristique de la prime, chaque arrangement comprend des exercices pour la mélodie, de rythme et d'improvisation. Un outil d'enseignement précieux à combler vos besoins en programmes ! / Scores

An easy introduction to styles, effects and techniques not normally found in classical music. Stephanie Wagner's guide to jazz flute is full of practical examples as well as duets in every style. CD recording of all of the pieces also included. / Flûte

You asked for it! Paul Jennings has drawn on his broad experience in jazz education to develop this unique set of warm-ups and exercises based on the blues form and designed especially for developing jazz ensembles. Thisversatile rehearsal 'tool kit' includes: I. BLUESTART (Opening Blues Warm-Up) II. BALANCING ACT (A Blues Balance Builder) III. BLUES WORKOUT (F) IV. BLUES WORKOUT (Bb) V. BLUES BUFFET.

There's always time for the blues. This original by John Clayton (and recorded by the Clayton-Hamilton Jazz Orchestra on “Heart and Soul”) is set in a bluesy and relaxed tempo and provides lots of room for soloists to“holler” at each other. After the opening conversation between two trumpets the sax section lays down the main theme followed by answers provided by the brass. Solos for tenor alto trombone piano follow andfinally the full band takes us the rest of the way. This is a great chart to settle back on and just swing!

Par COROZINE VINCE. Designed to introduce the young intermediate-level pianist to playing the blues, Jazzin' the Blues presents fifteen original blues compositions in various keys, styles and grooves together with downloadable recordings of 40 of the 50 examples in the book. The audio tracks are presented both with and without the lead piano part, so the student can play along with a professional rhythm section which includes piano, vibraphone, alto flute, drums, and bass.Historical and performance notes are provided with each blues composition. The author enlisted the skills of jazz pianist Charlie Freeman in editing the book and providing fingering for both the treble and bass piano parts,making these pieces more accessible to novice players. If your knowledge of blues theory or terminology is lacking, this is the book for you! Author Vince Corozine thoroughly explores and demonstrates: blues and pentatonic scale theory, blue notes, grace notes, pedal-points, tremolos, trills, syncopation, anticipation, delayed beats, slash chords, boogie-woogie left-hand patterns, walking bass, stride piano style, straight eighths, swing eighths, passing tones, rolled chords, riffs, 'filler' chords, substitutions, and comping styles. This book also includes essential blues chord theory as well as tips on tasteful chord voicing presented in the context of accompanying a soloist (comping): in addition, the chord progressions represented by the written notation are carefully annotated in every example in the book. The Appendix includes helpful tips on comping, practice, and jazz soloing, plus a list of noteworthy jazz pianists, a key to chord symbols, and a glossary of jazz terms used in the book.If you are not a competent blues pianist when you first pick up this book, you will be by the time you complete it! Includes access to online audio. Designed to introduce the young intermediate-level pianist to playing the blues, Jazzin' the Blues presents fifteen original blues compositions in various keys, styles and grooves together with downloadable recordings of 40 ofthe 50 examples in the book. The audio tracks are presented both with and without the lead piano part, so the student can play along with a professional rhythm section which includes piano, vibraphone, alto flute, drums, andbass. Historical and performance notes are provided with each blues composition. The author enlisted the skills of jazz pianist Charlie Freeman in editing the book and providing fingering for both the treble and bass pianoparts, making these pieces more accessible to novice players. If your knowledge of blues theory or terminology is lacking, this is the book for you! Author Vince Corozine thoroughly explores and demonstrates: blues andpentatonic scale theory, blue notes, grace notes, pedal-points, tremolos, trills, syncopation, anticipation, delayed beats, slash chords, boogie-woogie left-hand patterns, walking bass, stride piano style, straight eighths, swingeighths, passing tones, rolled chords, riffs, 'filler' chords, substitutions, and comping styles. This book also includes essential blues chord theory as well as tips on tasteful chord voicing presented in the context ofaccompanying a soloist (comping) - in addition, the chord progressions represented by the written notation are carefully annotated in every example in the book. The Appendix includes helpful tips on comping, practice, and jazzsoloing, plus a list of noteworthy jazz pianists, a key to chord symbols, and a glossary of jazz terms used in the book. If you are not a competent blues pianist when you first pick up this book, you will be by the time youcomplete it! Includes access to online audio. / Jazz / Etude / Piano

Recorded by American blues singer John Lee Hooker in 1961 this remains one of his most identifiable and enduring songs. John Berrys bluesy swing version for young players includes the signature question-and-answer format alongwith a solo for anysax then any trumpet plus a short feature spot for the trombones.

Based on the blues in F and featuring a catchy riff traded around the band here is the perfect swing chart for beginning jazzers! Rick carefully uses tutti rhythms for ease in learning and the sample solo can be played by any sax or by the entire section.

Grade 1.5This enduring standard by Hoagy Carmichael continues to sound fresh year after year. The notable recording by Ray Charles with it's lush harmonies and bluesy ballad style is hinted at in this easy setting for jazzensemble. The short solos for trumpet sax and trombone may also be played as section features. Great for developing balances and ensemble playing. Dur: 1:45

Rhythm Section-(Sample solos by Mike Steinel)Welcome to the exciting world of jazz improvisation! Whether you are using this book as a supplement to the Essential Elements for Jazz Ensemble method book or just by itself this play-along book will help you get started creating your own improvised solos. The recordings feature professional jazz players performing well-known jazz classics and provide an excellent model for playing in a jazz style. Inaddition sample solos are provided as a guide for creating effective melodies. An added feature on the CD-ROM is the Amazing Slow Downer software program for changing the tempo of any of the recorded tracks - when used in yourcomputer ASD allows you to adjust the tempo to suit your needs as you progress through the book.Includes 10 blues classics: All Blues ? Bags' Groove ? Blue 'N Boogie ? Blue Monk ? Blues in Frankie'sFlat ? Blues in the Closet ? Cold Duck Time ? St. Louis Blues ? Straight No Chaser ? Tenor Madness.

This new swing original from Mark Taylor has all the ingredients for a winning chart. Featuring a bluesy sax riff effective ensemble sections and a flexible solo section this is an excellent festival or concert number for younger groups.

Le guide plus complet de jazz/blues isolation jamais écrit ! Cet ouvrage exhaustif en détail les sons, les éléments et les approches qui rendent le blues telle partie intégrante du vocabulaire jazz. Délaissant les progressions blues d'organisation touche phrasé, échelles de blues essentiel, riffs, lick développement et un tableau des dispositifs et des concepts avancés, y compris les substituer des échelles and arpèges super étendues sont couverts. Tout au long de ce processus 38 solos, des exemples de musique plus de 100 et des centaines de licks sont en vedette. Ecrit en notation et tablature. / Guitare Flatpick Et Fingerpick / 96 pages / niveau : Intermédiaire / Partition/Cd Set - Format: 12 X 9

Intermediate/Advanced. The BLUES are BACK!! The blues are the basis of much modern music, and this volume highlights many of the different ways the blues are approached in jazz. There are a variety of feels, grooves, and tempos which will give you a good workout on the blues progression.
Rhythm Section: John Stetch (p). Rufus Reid (b). Akira Tana (d)