How Far I'll Go: Mixed Choir a Cappella: Vocal Score

A pivotal miracle from the gospels is carefully crafted as a true sermon in song in this stunning anthem. A soaring melodic theme crowns the refrain and the verses exemplify musical storytelling at its best. Ideal for pairing with sermons that speak to the love and mercy of Christ, this song will be a meaningful moment during worship gathering. Ministry and artistry!

A festive pop classic by Mariah Carey choruses can now put their own spin on All I Want For Christmas with this SATB A Cappella arrangement.This single sheet choral pop is perfect for choirs wanting to create their own Christmas programme piece by piece.

Psalm 117. Par GILL JOANNA. In this setting of Psalm 117 the composer has created an unusually serene and ethereal setting considering the meaning of the text. Most composers that have written settings of this Psalm 'Praise the Lord, all you Nations' have written music of a robust nature and celebration. However, this setting not only uses Hebrew text but the whole composition with the exception of one bar is dynamically quiet and reflects not so much on praising the Lord, but the love that the Lord shares with us, hence the title of the work (“Unfailing love”). Written for unaccompanied mixed choir, this is a simple four-part composition. The choral texture is largely homophonic with melodic lines gently emerging in the soprano and tenor voices which then sink back into the blanket of choral sound. Generally, the work is tonal but it features harmonic clusters which delays the expectation of the final resolution. This is a work that with rehearsal all choirs will find very rewarding to sing and perform. Joanna herself says the following about this work: “Unfailing Love” was the first choral piece I ever wrote. In my final year of university, I had the privilege of meeting the American composer, Morten Lauridsen and immediately was inspired to write a choral piece. So I sat down to write, and four hours later, “Unfailing Love” was completed./ Répertoire / Choeur Mixte SATB a Cappella

Triadic harmonies and a underlying rhythm will bind your singers into a warm ensemble as they sing this irresistible Beatles ballad! Accessible and well-crafted choirs of all ages will love it! Available separately SATB acappella SSA a cappella and TTBB a cappella. Duration: ca. 2:20.

Par GILL JOANNA. This work is a reflective setting of a popular blessing used regularly in both church services and within choral concerts. Scored for unaccompanied mixed choir, the four parts are often divided to create an eight-part texture. The main melodic interest is carried in the soprano line over a supporting line of six parts provided by the lower voices. Within this short setting a variety of beautiful shifting choral combinations are used: sopranos and tenors against altos and basses, sopranos against altos, tenors and basses and finally alto and tenor lines which lead into the concluding six-part texture ending on a radiant E major chord spread over three octaves. Within these voice combinations we hear a choral texture which spans just the interval of a perfect fifth to the concluding three octave final chord, creating a wide palette of choral sound in a short space of time. Joanna herself says the following about this work: I wrote “The Lord’s Blessing” in 2018. That year, I had been on tour to New York with the London Symphony Chorus and we got the privilege to spend a day with the Westminster Choir College. At the end of the day they sang a blessing over us and I thought it was such a beautiful moment. So as soon as I got home I wrote a short blessing that I imagined would be sung at the end of a concert as a blessing over the audience. I dedicate it to the LSC./ Répertoire / Choeur Mixte SATB a Cappella

Cecilia McDowall's I Know That My Redeemer Liveth for SSA(A)TB unaccompanied. This attractive motet was written for performance alongside Brahms's Requiem following the precedent of Handel's famous setting of the same text being sung at the premiere of the Brahms in 1868. The gracefully sculpted music clothes the text with touching melodies expressive harmonies and varied sonorities.

One of the Beatles' early hits is given a fresh interpretation in this vocal jazz/pop setting. With contemporary harmonizations and breathtaking phrasing your vocal jazz or pop ensemble will create a mesmerizing atmosphere.

(I Accept You)-Written as a commission for the Los Angeles Colburn School this piece is full of joy celebrating all of our differences as people and the importance of being accepting kind souls. The lyrics are in Swahili and English.